Maybe I have just a younger voice than many other directors.
Being a producer, I deal with a lot of different directors, and some of them would drive me insane with all the different histrionics, and the mystique that they carry.
I'm a good actor in that sense for directors because I always do what they say.
Cukor is one of my favorite directors. He was a master at directing women.
When you see the films of certain young directors, you get the impression that film history begins for them around 1980.
Most actors go, I read the script and fell in love with it; I fall in love with the directors.
Some directors cast you because they trust you to do the performance - but then they forget to direct you.
So, yes, there's nothing I love more than listening to directors talk about their movies.
Twelve years on sets watching directors, I've taken a bit from everybody and rejected a lot.
A lot of directors are overbearing and tend to make you doubt your instincts.
Things have changed a great deal since the days of Mr. Mayer. The studios no longer control, as they did in those days, artists or directors or producers, as the case may be.
Really, it's the director's job to disappear and allow the movie to just feel.
To deny women directors, as I suspect is happening in the States, is to deny the feminine vision.
So I moved to Europe and only came back when directors like Robert Altman would call me after they'd seen my work in Full Metal Jacket.
When an actor plays a scene exactly the way a director orders, it isn't acting. It's following instructions. Anyone with the physical qualifications can do that.
By the first week of shooting, you know exactly where your film is heading based on the psychology of your director.
There are a lot of directors who are knowledgeable about images, and others who aren't.
I am a typed director. If I made Cinderella, the audience would immediately be looking for a body in the coach.
I like directors who come on the set and create something that's a little dangerous, difficult or unusual.
Ambiguity in directors is a hard thing to deal with.
And also, Sergio Leone was considered in Italy a director of category B, not a big director.
I think drug movies free the director to make intense films
As an actor we're just like workers in a factory, we provide our services to directors.
As a director you have to be careful you don't over-design the film. You have to be careful that the period aspect does not take over.
Directors say that you should get actors before they are recognized. They will be a pain in the...or have an opinion.
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