Directors have to push me. I have to be pushed up. Not all the time, but often.
A director must be a policeman, a midwife, a psychoanalyst, a sycophant and a bastard.
The director is the ultimate creative arbiter of what's going to happen. And as a director myself, you really appreciate collaborating with people who are trying to help you find what you need and what you want.
Assumptions are the termites of relationships.
In a collaborative environment directors hire actors because they want their input, not just their bodies.
The director's job should give you a sense of music without drawing attention to itself.
I've found that the more experts you have on a movie, the less control the director has.
I was fortunate enough to work under directors who were, most of them, brilliant, emotional men.
Directors are never in short supply of girlfriends.
I'm not a director that's about precision and control and perfection, I'm about creating an atmosphere that's organic and interesting and then letting people loose, and for that there's no greater actor or performer than children. Animals are maybe a close runner-up.
I had pictured myself as a filmmaker but I had never pictured myself as a director if that makes any sense at all.
When you look at a movie, you look at a director's thought process.
I enjoy looking at words on paper and visualizing how to make them come to life. As a director, the creative process is really amazing.
In a movie, you're raw material, just a hue of some color and the director makes the painting.
In my first film, Five Corners, I played a very scary, violent crazed character, and it exposed me to a lot of directors.
Directors are not worried about casting beautiful women, but they are not sure that they want to cast great-looking men. My looks have prevented people from seeing my work objectively.
Have you noticed how most directors are either bald or grey-haired?
When I was very young I wanted to be a professional horseback rider. Then I wanted to be a pop singer. Then I wanted to be a psychiatrist. Then I wanted to be a movie director.
I still can't quite believe it. Although there was something about the fact that it was a first-time writer, a first-time producer, and a first-time director all at the same time.
A good director's not sure when he gets on the set what he's going to do.
As a director, I also get to sit and watch actors and learn from them in a way that I don't get to do when I'm just acting.
Do whatever you're directed to do, and leave the rest of that technical stuff up to the director.
In the studio the director controls the actor's every move, every inflection, every expression.
If you're a director, your entire livelihood and your entire creativity is based on your self-confidence. Sometimes that's dangerously close to arrogance.
Time management is a big part of the director's job.
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