I think the most insulting thing you can do to a director is to challenge when he or she is satisfied with your interpretation.
To be honest with you, a lot of directors can be very lazy.
It was a movement that had all the art critics, all the museum directors in its thrall.
I began taking liberties a long time ago; now it is standard practice for most directors to ignore the rules.
On the one hand, young theatre directors were coming to television theatre, because they wanted to get closer to the cinema, despite having studied and worked for the theatre.
I'm really a director's actor. I rely heavily on a director.
I deal with guys in their 20s and early 30s who are presidents of companies, who are movie directors.
It's natural for any actor that segues into directing to be an actor's director. You know how to relate to the actors.
I don't like actors who try to talk directors into making their part bigger and that's really lame.
Directors, like actors, get typecast.
I am both proud and honored to be on the Board of Directors for the Texas Ballet Theater.
A film is - or should be - more like music than like fiction. It should be a progression of moods and feelings. The theme, what's behind the emotion, the meaning, all that comes later.
A film is - or should be - more like music than like fiction.
I don’t create art to get high dollar projects, I do high dollar projects so I can create more art.
Prudence is not only the first in rank of the virtues political and moral, but she is the director and regulator, the standard of them all.
Any good movie is filled with secrets. If a director doesn't leave anything unsaid, it's a lousy picture. If a picture's unsaid, it's a lousy picture. If a picture is good, it's mysterious, with things unsaid.
On set I keep myself to myself; I'd rather the director speak up. I'm not gonna direct a younger actor. I think the power of example works best, actually.
The nice thing about being a director is that I can say, "I can only get into the room after the kids are at school, and I have to be back for dinner. And they're coming for lunch."
That's the trouble with directors. Always biting the hand that lays the golden egg.
The ladder of success in Hollywood is usually a press agent, actor, director, producer, leading man; and you are a star if you sleep with each of them in that order. Crude, but true.
Now I'm kind of established as a director, I much prefer directing to writing.
After all, at end of the day, when you're breathing your last, it's not your producer, director, or cast mates by your bedside; it's your children. Keep that in mind.
One reason I left local news was that I was tired of the constant musical chairs among news directors.
Sam Wood, the director, made most of his money as a real estate agent; there was nothing of the temperamental artist about him.
I got nominated for my second film as best young director in the Aikido Film Festival in Japan.
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