In feature films the director is God; in documentary films God is the director.
I just knew how to do the one thing I did, and whether I did it well or not depended on who the director was.
Maybe I'm too masculine. Casting directors cast in their own, or an idealized image. Maybe I don't look like anybody's ideal.
Bad directors will tell you they absolutely know how to do it, and how it has to happen; there's this insecurity that leads them to feeling like they have to control everything.
One longs for a director with a sense of imagination.
There are times when directors just don't know what they're doing.
If it can be written, or thought, it can be filmed.
Love who and what you are and what you do.
I can't change my gender, and I refuse to stop making movies.
It's really rare for film directors to be that interested in things other than themselves.
I provide the bricks and mortar with the words and situations - the director and the actors and the designers build the house.
Obviously, if a director doesn't communicative a clear, relevant vision of the material, it will not succeed no matter how good the material.
When you're artistic director of a program, you present the music you want to present.
A director is a choreographer, both politically and creatively.
Where am I? Who am I? How did I come to be here? What is this thing called the world? How did I come into the world? Why was I not consulted? And If I am compelled to take part in it, where is the director? I want to see him.
It's an important thing to have a relationship with the director, and have it be a positive one.
The joy about the recording is that you are your own boss. You don't have a director telling you how to do it.
I think that's the key to being a director: to be able to get the shot and move on quickly.
Casting directors now just see me as the hard-core sniper or prison guard.
Sometimes the directors were afraid of what they brought out of me.
I still make more money as I do as an actor than director, however I don't want to be a commercial director.
I worked for John Ford, Howard Hawks, Henry Hathaway, Raoul Walsh - I worked for some real good directors.
I think Star Trek has been very double-edged for all of us - as actors, writers, directors.
My college training was primarily in theatre, with an eye to becoming a director, actor, or producer.
I think movies are a director's medium in the end. Theater is the actor's medium. Theater is fast, and enjoyable, and truly rewarding. I believe in great live performance.
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