And Later I Thought, I Can't Think How Anyone Can Become a Director Without Learning the Craft of Cinematography.
The difference with doing a play is that you are in control. In film you are in the hands of the director and the editor and the producer
I've worked with Steven Spielberg three times. I'm proud to say that I'm one of those actors that continues to get hired by the same directors.
Do you know what I'm working on now? My first feature as a director.
But in the UK, I've given up any hope of being considered a director.
It's fun to do something funny and have the director laughing. It makes you feel good.
Every director is so different from every other one.
I think my favorite, and Coppola and that whole thing. East coast Italian directors I guess.
Get more women producers, writers, directors. Why should we expect men to do it for us? They can't
Some very famous directors have started in the mail room, which is just getting inside the studio, getting to know people, getting to know the routine.
I read the script and try not to bring anything personal into it. I make notes, talk to the director and we decide what kinds of shades should be in the character.
Good is the director who lets you do what you have to do.
And I think one way or another it's evident to those who work with me that as a writer, a director, a friend, as somebody's there that's very anxious to get the movie made.
Arnold and Jamie Lee must have worked over the years with directors that did 50 takes, because I'd get like three takes or so and say, Ok, that's it, we're done.
My father worked for governments all his life as an engineer and public works director.
I think film and television are really a director's medium, whereas theatre is the actor's medium.
Directing ain't about drawing a neat little picture and showing it to the cameraman. I didn't want to go to film school. I didn't know what the point was. The fact is, you don't know what directing is until the sun is setting and you've got to get five shots and you're only going to get two.
A script is only as good as the director who's making it.
The challenge is not finding the attitude, but it's really just being open and willing to go for it and try different things, and having a director that you can trust. The attitude is not something that I intended or created.
I believe in the truth of fairy-tales more than I believe in the truth in the newspaper.
Secure writers don't sell first drafts. They patiently rewrite until the script is as director-ready, as actor-ready as possible. Unfinished work invites tampering, while polished, mature work seals its integrity.
My job as an actor has inspired generations of children to become doctors. My job as a writer has opened up the minds of millions. My job as a director has produced masterpieces that will be taught in film school for ages.
You have to leave the city of your comfort and go into the wilderness of your intuition. What you'll discover will be wonderful. What you'll discover is yourself.
It's a sign of mediocrity when you demonstrate gratitude with moderation.
Any time women come together with a collective intention, it's a powerful thing. Whether it's sitting down making a quilt, in a kitchen preparing a meal, in a club reading the same book, or around the table playing cards, or planning a birthday party, when women come together with a collective intention, magic happens.
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