Some people are caricatures of themselves, and some people keep people coming back and keep themselves growing. Otherwise, the fans would get bored.
In the '80s especially, a lot of comedians felt compelled to stick with what made them famous and those people became caricatures.
I get called "ISIS" now. Why don't we have a name-and-shame weapons dealership website? Instead, we're like, "Oh my God, are you really talking about the refugees again, making yourself into a caricature?" And it's like, "Until you stop the person in your country who's making billions of dollars from selling weapons, yeah, I have to talk about refugees." Whatever I say will get twisted or messed with.
I'm the world's expert on sterotypes held by academics about athletes and held by athletes about academics. To me, both of them are caricatures.
To have a discussion about the plusses and minuses of various forms of group action, though, is going to require discussing the current tools and services as they exist, rather than discussing their caricatures or simply wishing that they would disappear.
It is little silly to be a caricature of something of which you know very little, and which means very little to you, but to be your own caricature — that is the true carnival!
Try to distill the character of your subject. Understand how he moves, thinks, acts. It's difficult to put into words. Consider each drawing as a problem that did not exist before, and then try to solve that problem to the best of your ability. That i what caricature is all about
Usually, if we hate, it is the shadow of the person that we hate, rather than the substance. We may hate a person because he reminds us of someone we feared and disliked when younger; or because we see in him some gross caricature of what we find repugnant in ourself; or because he symbolizes an attitude that seems to threaten us.
I do think there is a great deal of caricature around the House of Commons. It is just that kind of place.
The whole idea of rock and roll lifestyle is a cartoon. It's a caricature. And at times, it's made up of people emulating others; a few who actually live that lifestyle and many who claim to live that lifestyle.
It's funny how strangers can pass in front of you every day and all you see is a flat shadow, a vague outline, not noticing any of the details. They move in a gray crowd, always looking the same and acting the same, simple caricatures of who they really are, but once you get to know them, you notice the specific, tiniest things, you pay attention to the intricacies of their personalities, their habits and particular ways of walking and talking, the subtle changes in their appearance and dress.
The common belief that... the actual relations between religion and science over the last few centuries have been marked by deep and enduring hostility... is not only historically inaccurate, but actually a caricature so grotesque that what needs to be explained is how it could possibly have achieved any degree of respectability.
Pop stars are sending the message that their sexuality is the strongest thing they have to offer, and that's confusing and misleading to girls and women, especially since there's not enough of a counterbalance from those who rely on their other assets, like their music. Also, with the new obsession with all things "booty," it's important that women - and it's often women of color - aren't turned into mere caricatures. Right now it's: "Bend over." That's all people want to see. That's crazy. It's so far from where we should be.
I had a caricature view of the guy in the beret with the big megaphone, but a movie director and writer was beyond my role of understanding.
I'm not satirical in a traditional way. What I do is more about creating caricatures and cartoons. I am commentating on the nature of how we live through photography, and how you can twist an angle to create a different perception of a person.
We don't know how large a proportion of the significant evidence about the universe is excluded by science. Perhaps hardly any. Perhaps so great a proportion that any body of knowledge which excludes it is hardly more than a caricature. Perhaps something in between - so that science finds truth but not the whole truth.
[In my writing] I know that I have made a caricature out of [others' academic] theories [but] I think that caricatures are frequently good portraits.
The idea of beauty which man creates for himself imprints itself on his whole attire, crumples or stiffens his dress, rounds off or squares his gesture, and in the long run even ends by subtly penetrating the very features of his face. Man ends by looking like his ideal self. These engravings can be translated either into beauty or ugliness; in one direction, they become caricatures, in the other, antique statues.
What is now called "green architecture" is an opportunistic caricature of a much deeper consideration of the issues related to sustainability that architecture has been engaged with for many years. It was one of the first professions that was deeply concerned with these issues and that had an intellectual response to them.
Hanks is a good man, and he produced the "John Adams" series as well. He does good work. But I'm more worried about a Tom Hanks when we're at war against radical Islam than I am against a caricature like Sean Penn. He's a completely marginalized soul.
I was called a feminist, and what I heard was, 'You are an angry, sex-hating, man-hating victim lady person.' This caricature is how feminists have been warped by the people who fear feminism most, the same people who have the most to lose when feminism succeeds.
I get inspiration from things that have nothing to do with painting: caricature, items from newspapers, sights in the street, proverbs, nursery-rhymes, children's games and songs, nightmares, desires, terrors. ... That question [why do you paint?] has been put to me before and my answer was, 'To give terror a face.' But it's more than that. I paint because I can't help it.
It is not as mirrors reflect us but, rather, as our dreams do, that movies most truly reveal the times. If the dreams we have been dreaming provide a sad picture of us, it should be remembered that - like that first book of Dante's Comedy - they show forth only one region of the psyche. Through them we can read with a peculiar accuracy the fears and confusions that assail us - we can read, in caricature, the Hell in which we are bound. But we cannot read the best hopes of the time.
One good reason for the popularity of "reductionism" among the philosophical outposts of the Western Establishment is that it can be, and is, used as a device for trying to take the wind, so to speak, out of the sails of Marxism. . . . In essence reductionism is a kind of anti-Marxist caricature of Marxist determinism. It is what anti-Marxists pretend that Marxist determinism is.
The raw material from which social institutions are fashioned is always more or less recalcitrant and any human society will tend to produce a caricature of itself.
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