Why do you seem so annoyed at what I'm saying?" "Because we're too much like each other. I loathe your face, which is a caricature of mine, I loathe your voice, which is a mockery of mine, I loathe your pathetic syntax, which is my own.
You're not very good at being contemplative," Milo said. "You always sound like some bad caricature of a philosopher, like those fortune cookies with 'Confucius say' or the Nietzsche guy from Mystery Men that's always saying 'when you walk on the ground, the ground walks on you.
For anyone inclined to caricature environmental history as 'environmental determinism,' the contrasting histories of the Dominican Republic and Haiti provide a useful antidote. Yes, environmental problems do constrain human societies, but the societies' responses also make a difference.
For members who have only ever been in government, the negativity and aggressiveness of the opposition is easy to caricature.
If a philosopher is not a man, he is anything but a philosopher; he is above all a pedant, and a pedant is a caricature of a man.
Science is rooted in the will to truth. With the will to truth it stands or falls. Lower the standard even slightly and science becomes diseased at the core. Not only science, but man. The will to truth, pure and unadulterated, is among the essential conditions of his existence; if the standard is compromised he easily becomes a kind of tragic caricature of himself.
The air of caricature never fails to show itself in the products of reason applied relentlessly and without correction. The observation of clinical facts would seem to be a pursuit of the physician as harmless as it is indispensable. [But] it seemed irresistibly rational to certain minds that diseases should be as fully classifiable as are beetles and butterflies. This doctrine ... bore perhaps its richest fruit in the hands of Boissier de Sauvauges. In his Nosologia Methodica published in 1768 ... this Linnaeus of the bedside grouped diseases into ten classes, 295 genera, and 2400 species.
True freedom is not advanced in the permissive society, which confuses freedom with license to do anything whatever and which in the name of freedom proclaims a kind of general amorality. It is a caricature of freedom to claim that people are free to organize their lives with no reference to moral values, and to say that society does not have to ensure the protection and advancement of ethical values. Such an attitude is destructive of freedom and peace.
The caricature of science is that we hold tight to the theories we have, and shun challenges to them. That's just not true. In fact, we hold our highest rewards for those scientists who can prove others wrong. And by the way, they are famous in their own lifetimes. We don't wait until they're dead.
I like books that expose me to people unlike me and books that do battle against caricature or simplification. That, to me, is the heroic in fiction.
The American people are a non-ideological people. They very much are looking for common-sense, practical solutions to the problems that they face. Oftentimes they've got contradictory senses of various issues and policy positions and I don't think that either the Republican Party or the Democratic Party necessarily capture their deepest dreams when those parties are described in caricature or in policy terms.
The expansion I have in mind isn't the same as distortion. Of course, there are those who say their views represent Reformed thought, but what they end up with is a caricature of what Reformed thinking is really about. I hope I am not one of those people, but readers [of the Saving Calvinism] will have to make up their own minds on that score!
The national media don't know me. They know the caricature that was created of me by journalists who were frankly jealous of my access. And it was a very negative caricature. There's this propensity for blaming a woman. It comes down to implicit bias. There are so many studies that show this.
When I came up as a United States Attorney, I had no real support group. I didn't prepare myself well in 1986, and there was an organized effort to caricature me as someone I wasn't. True. It was very painful. I didn't know how to respond and didn't respond very well.
Anorexia is a response to cultural images of the female body - waiflike, angular - that both capitulates to the ideal and also mocks it, strips away all the ancillary signs of sexuality, strips away breasts and hips and butt and leaves in their place a garish caricature, a cruel cartoon of flesh and bone.
I certainly thought of who [Tony from "I Don't Feel at Home in This World Anymore"] was. He was so different from anyone I've played. And it was so important for me and Macon [Blair] - this was on the page too - to not make a caricature. There's a version of Tony that I think could be heightened.
I'm not the caricature that you see on Fox News or Rush Limbaugh, but I'm somebody who is interested in solving problems and is pretty practical, and that, actually, a lot of the things that we've put in place worked better than people might think.
When I'm online and I see a picture I want to draw of anybody or anything, a unique angle of them or just something that looks very drawable, I slide it to my desktop and put it in a folder. It just seems like every picture of Trump is a revelation. Any angle. I didn't know a person could look like that. His facial expressions - he really is a cartoon. He's like an instruction manual of how to caricature someone.
Of course, you've got to reckon with the burden of the past. You can't just easily dismiss it. It is a legacy and often you have to carry an albatross. And it won't happen until people are able to have a certain level of trust and try to speak to each other, not as caricatures but as people.
We know the "great men" and a handful of heavily cited papers in our specialization. When there is a historical frame around a paper it's often a caricature that has become canonical.
Today's cinema is a proliferation of comedies, which are in some ways creating caricature images. They're one-dimensional.
When you build characters from the outside in, they become, oftentimes they become like 'Saturday Night Live' characters or they become like caricatures of the character.
When I draw my caricature self-portrait, I always do a huge smile.
I was really inspired by this feeling of mania, a caricature of myself that I look down upon and see negatively.
One would expect an actress to stand onscreen mostly as a caricature. If she would say, "I'm selling shoes," you would believe her. She says it and it creates this fiction, non-fiction perception of the film. People believe it because she says it. If she said, "I'm a butcher," people would believe it too, I think.
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