[Richard M. Nixon was] a foul caricature of himself, a man with no soul, no inner convictions, with the integrity of a hyena and the style of a poison toad.
Richard Nixon has never been one of my favorite people anyway. For years I've regarded his existence as a monument to all the rancid genes and broken chromosomes that corrupt the possibilities of the American Dream; he was a foul caricature of himself, a man with no soul, no inner convictions, with the integrity of a hyena and the style of a poison toad. The Nixon I remembered was absolutely humorless; I couldn't imagine him laughing at anything except maybe a paraplegic who wanted to vote Democratic but couldn't quite reach the lever on the voting machine.
The real artist is striving to depict his subject's character and to stress the caricature, but at least it is art which is alive.
But eventually I moved the portraiture into the smaller clay things which gave them more of a caricature look to them, rather than a characterization.
I'm going to keep talking about what I think is interesting for my entire career. If you want to hear about how women do a lot of shoe shopping or how being married sucks, go see the guy who does jokes about that. But if you come to see my live show, there's going to be 20 minutes on religion for the rest of my life, probably. If that makes me a caricature, so be it.
Man has traditionally ruled the social sphere; feminism tells him to move over and share his power. But woman rules the sexual and emotional sphere, and there she has no rival. Victim ideology, a caricature of social history, blocks women from recognition of their dominance in the deepest, most important realm. ?
There is something to be said for the openness to form, and literary form because it forces you to actually think about the other person, and their motivations, and to try to see them from all sides and to really write about them not as caricature.
I was a fan of Andy's since I was a small kid. I recall seeing an ad of famous people on an airplane together. It was caricature drawing. There was Muhammad Ali, there was Miles Davis, and there was Andy Warhol. I had a fascination with him since I was little.
Caricatures are an important part of our culture of debate. They should defuse political spats through humor and irony. It is about making a strong statement but softening it with a wink. So Danes do not get too upset about caricatures. None of us is interested in insulting Muslims.
What helped me get the part was that I turned it down. When I read the script, Venus was just a black guy who came in wearing a big coat and a hat and making jive talk. I'd been up for so many of those! I'd had enough of caricatures, what white writers conceive blacks to be. I told the producer I wasn't interested in doing anything like that for three or four years. He said that it was just a pilot, that Venus would be given a human dimension and would be quiet off-the-air. I wanted that input. I thought that side was as important as the comic side. For 'WKRP,' too much of either would be bad.
For me, animation is the caricature of life. It's something that we create, from the ground up.
Computer enhancement has spread to still photography in advertisements, fashion pictorials, and magazine covers, where the human figure and face are subtly elongated or remodeled at will. Caricature is our ruling mode.
Everything that I've ever done is not really based on reality, it's the caricature of reality, which is what's really exciting.
I can hardly believe what these 12 caricatures [about Prophet Muhammad] have caused in the world. We Danes feel like we have been placed in a scene in the wrong movie. But I don't see the fight as a clash of civilizations. Rather, we must focus on avoiding exactly this type of conflict. We have to return to dialogue, to mutual understanding and to an acknowledgement of freedom of opinion.
Reality TV is really just based for sensationalism. So, it's extreme versions and extreme caricatures of personalities.
Just look at the cinema itself: It's comprised of lots of movies about graphic novels, and if you're not 20 years old and wearing a cape and a mask and white, you're out of business. Today's cinema is a proliferation of comedies, which are in some ways creating caricature images. They're one-dimensional.
When we approached the project, the very first thing we did was take each character and say, "Okay, where would this character be?" We didn't want them to be caricatures of themselves. We wanted them to live and breathe, and grow with the audience and with us.
I found my friends very amusing the first time because they are funny and amusing. They really are because they're people who've got everything. They're sort of like camp caricatures of what you expect an aristocrat should be: vicious, rude, caustic unpleasantries.
We also have this reflex of using specialists for everything, instead of having the person who is there every day with them, the teacher, talk about death and suicide. In the film, it's portrayed a little bit like a caricature, but it's the psychologist who comes in and Monsieur Lazhar does not think it's a good idea. He thinks he should be the one who should talk about that with the children.
Bernie Ebbers and Ken Lay were caricatures - they were easy to spot. They were almost psychopaths. But it's much harder to spot problems at companies like Royal Dutch [Shell].
Your own self, your personality and existence are reflected within the mind of each of the people whom you meet, ... into a likeness, a caricature of yourself, which still lives on and appears to be, in some way, the truth about you. Even a flattering picture is... a lie.
I do not support Putin against Europe. This is a caricature. I support a federalist Ukraine. The EU poured fuel on the fire by proposing an economic partnership to a country known to look half to the East and half to the West.
I think you have to know these fellows definitely before you can draw them. When you start to caricature a person,you can't do it without knowing the person. Take Laurel and Hardy for example; everybody can see Laurel doing certain things because they know Laurel.
Villains are not fun for me to play, as such. But caricature-ish, intense behaviors that are based on real human traits are interesting. That makes an interesting story.
My dream when I was 14 was someday I could have a David Levine caricature of me in 'The New York Review of Books.'
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