The trouble with the lost generation is that it didn't get lost enough.
But those rare souls whose spirit gets magically into the hearts of men, leave behind them something more real and warmly personal than bodily presence, an ineffable and eternal thing. It is everlasting life touching us as something more than a vague, recondite concept. The sound of a great name dies like an echo; the splendor of fame fades into nothing; but the grace of a fine spirit pervades the places through which it has passed, like the haunting loveliness of mignonette.
Why do you have to be a nonconformist like everybody else?
Love is what you've been through with somebody.
The wit makes fun of other persons; the satirist makes fun of the world; the humorist makes fun of himself.
Humor does not include sarcasm, invalid irony, sardonicism, innuendo, or any other form of cruelty. When these things are raised to a high point they can become wit, but unlike the French and the English, we have not been much good at wit since the days of Benjamin Franklin.
The act of writing is either something the writer dreads or actually likes, and I actually like it. Even re-writing's fun. You're getting somewhere, whether it seems to move or not.
The nation that complacently and fearfully allows its artists and writers to become suspected rather than respected is no longer regarded as a nation possessed with humor or depth.
Two is company, four is a party, three is a crowd. One is a wanderer.
Don't get it right, just get it written.
The dog has seldom been successful in pulling man up to its level of sagacity, but man has frequently dragged the dog down to his.
Americans want to go to heaven without dying.
Humor is emotional chaos remembered in tranquility.
A burden in the bush is worth two on your hands.
I myself have known some profoundly thoughtful dogs.
So much has already been written about everything that you can't find out anything about it.
Nowadays men lead lives of noisy desperation.
I have figured for you the distance between the horns of a dilemma, night and day, and A and Z. I have computed how far is Up, how long it takes to get Away, and what becomes of Gone. I have discovered the length of the sea serpent, the price of priceless, and the square of the hippopotamus. I know where you are when you are at Sixes and Sevens, how much Is you have to have to make an Are, and how many birds you can catch with the salt in the ocean - 187,796,132, if it would interest you.
For one thing, she pronounced flowers 'flars' and I couldn't let it slide.
We are a nation that has always gone in for the loud laugh, the wow, the yak, the belly laugh, and the dozen other labels for the roll- em-in-the-aisles gagerissimo. This is the kind of laugh that delights actors, directors, and producers, but dismays writers of comedy because it is the laugh that often dies in the lobby. The appreciative smile, the chuckle, the soundless mirth, so important to the success of comedy, cannot be understood unless one sits among the audience and feels the warmth created by the quality of laughter that the audience takes home with it.
I'm sixty-five and I guess that puts me in with the geriatrics, but if there were fifteen months in every year, I'd only be forty-eight.
If I have any beliefs about immortality, it is that certain dogs I have known will go to heaven, and very, very few persons.
Humor is a serious thing. I like to think of it as one of our greatest earliest natural resources, which must be preserved at all cost.
Editing should be, especially in the case of old writers, a counselling rather than a collaborating task. The tendency of the writer-editor to collaborate is natural, but he should say to himself, 'How can I help this writer to say it better in his own style?' and avoid 'How can I show him how I would write it, if it were my piece?'
Laughter need not be cut out of anything, since it improves everything.
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