Football is a violent sport, but you know what you sign up for when you put those shoulder pads on. I agree with certain aspects of it. I disagree with certain aspects of it. I've had concussions and I'm still here. I still love the sport. I think I'm still very healthy.
President-elect Donald Trump says he's looking for a simple plan for defeating ISIS within his first 30 days of taking office. But even as ISIS has suffered setbacks in Iraq and Syria, its violent ideology continues to spread.
Obviously, the United States' own founding principles are self-determination. And I think what the United States and our allies want to do is to enable the Syrian people to make that determination. You know, we've seen what violent regime change looks like in Libya and - and the kind of chaos that can be unleashed.
We've seen what violent regime change looks like in Libya and the kind of chaos that can be unleashed. And, indeed, the kind of misery that it enacts on its own people.
The war in Iraq, specifically America's role of leadership in this war, is a painful invitation to ask ourselves what, if anything, we've learned from previous wars. I am revolted by the brutal killing of hundreds of thousands of innocent people during any war. And I'm saddened by the apparent inability of human beings to find less violent solutions to conflict and terrorism.
There is a real effort to bully women out of public spaces and offline with violent intimidation. That issue speaks not just to casual sexism, which is more common, but actual, violent hatred of women by some.
Immigration. There's two plans on the table. Hillary and I believe in comprehensive immigration reform. Donald Trump believes in deportation nation. You've got to pick your choice. Hillary and I want a bipartisan reform that will put keeping families together as the top goal, second, that will help focus enforcement efforts on those who are violent, third, that will do more border control, and, fourth, that will provide a path to citizenship for those who work hard, pay taxes, play by the rules, and take criminal background record checks.
The idea we have of prison is a scary place that also houses crazy people. And, to me, it was like, none of these guys were scary. They may have done things that are violent or scary, but these are not people that I feel nervous being around, and it feels like to me that we're wasting these men's lives in prison.
One of the strange things about violent and authoritarian regimes is they don't like the glare of negative publicity. If you can make them sufficiently uncomfortable, they frequently respond by doing what you need them to do in the spirit of setting people free or ceasing arrests, which has worked time and time again with PEN.
I do believe the world is a pretty sad, troubled, and violent place. Maybe that's why I focus on the trouble. Even though there are good people and good things, there's also a bunch of messed up stuff. And I learned early on, you have to have some trouble in your stories. I definitely go overboard on that, but I have a lot more fun writing about the trouble.
The trumpet is a very violent instrument - probably one of the most archaic of all the modern instruments. It's physically really demanding: you have to stay in pretty good shape.
Americans seem to be living in a state of fear about the world, one that just keeps intensifying. I mean, look at our cars and homes. They've become these massive barricades. Look at what we watch on TV and in the movies - it's all a bunch of violent ideation. And all these TV shows about dead bodies.
The growth of violent extremism is partly a consequence of how the developed world has become complacent and defensive about its own greatness and ambition.
You're always going to have dangerous, disaffected people in any society, and some will be violent. Increasing prosperity and reducing inequality won't solve that completely. But having big, positive dreams and a society that makes it possible to achieve those dreams is what we must strive for.
For good or for bad, India has rejected a more totalitarian approach to how it will deal with its social problems. We would starve but we would not give up our democracy and our love for our freedoms and to deal with these problems in an atmosphere of democracy and the rule of law without necessarily going, sort of resorting to civil disobedience or any kind of violent revolution.
When I stage a violent scene, I try for it to serve a purpose. I do love those things, the makeup effects. But I love them more with the monsters. I never was much of a gore guy. I've always enjoyed just creating monsters.
I was lucky I guess. My main job was done when I finally found Ben Whishaw and knew that there was someone who could portray a character who was so ambiguous and multi-faceted. Ben is equally dark and innocent; potentially violent and yet at the same time kind of a boy. He got all that across and still makes audiences root for the guy even though they might be kind of disturbed by that fact.
The one fatwa that everyone here is probably familiar with is the Salman Rushdie fatwa, but a fatwa doesn't have to be a violent thing at all. A fatwa is simply a ruling on Islamic law; there can be fatwas on clothing.
Sociopaths are not usually physically violent. A typical sociopath never kills anybody and doesn't look like Charles Manson - they look like you and me and everybody else. You're not looking for someone who's recognizably evil or scary-looking, but rather someone who looks normal. Another lynchpin is dishonesty. Lying for the sake of lying. Lying just to see whether you can trick people. And sometimes telling larger lies to get larger effects.
All politicians have three ways of expressing themselves - the intimate dialogue that can often be violent and raw, then the dialogue in front of the camera and then big public speeches.
I feel like if you know any women who's an essayist or a writer or a public speaker or just a public person, and they have any presence at all in any kind of social media, or any place where men can voice at them, you have to be pretty amazed at the level of special provocation and sort of violent speech and misogyny that comes at them. Any woman that's really in the public sphere has experienced this. It's kind of shocking how universal it is.
The murder clearance rate now in my city Baltimore is almost non-existent. Nobody can solve a murder, nobody can do any actual police work, because they've learned how to do bad police work, chase drugs. Fighting vice, while being unable to respond to sin. Generations of cops have learned how not to police work by policing the drug war. Not only are they police brutal, they're ineffective. Baltimore is more violent than it has ever been in modern history.
In my view, and in the view of a lot of intelligence experts, the terrorist threat that we face now has morphed significantly from the days of 9/11 to homegrown violent extremism. We have to be concerned and focused on homegrown violent extremism, countering violent extremism that exists within our borders.
I've always been terrified of violence which is probably why I keep making violent films - I'm trying to exorcise some demons or something. My mum ended up bringing me up on the edge of a big estate in south London, so I was on the periphery of violence - a lot of football violence and stuff because I was a Millwall supporter. So I've always had a very healthy fear of it, yet at the same time a fascination. I think in all of my films that's a really strong subtext... people who are terrified by violence but are yet compelled by it as well.
I find the new Justin Bieber video more violent and more of an assault to my eyes and senses than what I've made.
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