Somebody said to me, in a very well-meaning way, at a screening, "We love the movie but it's too violent. If you tone down the violence you could reach a great audience of kids.".
Let me say for the record, I am not a gangster and never have been. I'm not the thief who grabs your purse. I'm not the guy who jacks your car. I'm not down with people who steal and hurt others. I'm just a brother who fights back. I'm not some violent closet psycho. I've got a job. I'm an artist.
My first film - a challenging role and completely different from the persona that was created in Italy. I was this super energetic, vibrant, happy, volumed hair, fitted dresses, the whole Italian va-va-voom thing. And the role was a girl that was really provoking society with being unnecessarily violent - just trying to see what people's limits are. It's a really dark tunnel to get to being nasty, being full of hate. When people hate there's a big sadness and rage within them, so it was interesting to go that dark with my first experience.
I am not really interested in the comic book movies for example. They send me very violent scripts that don't interest me. One I was sent involved me playing a woman, a mother and wife who gets killed, shot in the stomach. It was a thriller and it did not excite me at all. So I turned it down.
It doesn't take a brain surgeon to figure out that if you stop or curtail stop-and-frisk, or if cops are reluctant to do it, violent crimes are going to go up.
I think that right now we're in a very hard moment and off-putting. I mean, look at shoes today - women's shoes. They couldn't possibly get any higher and meaner and sharper. But then again, you go and watch most films today, they're violent and we're living in a world that is, at the moment, quite hard.
There is still boxing, but there's just no money in it anymore. If you went around the world and asked a bunch of people under 20 years old, to name a boxer, I bet they couldn't name one. They'd be able to name a UFC fighter though. When I was younger there was Mike Tyson and we watched everything. I'm not saying its gone, or its going to go, and it could easily be ignited by another fighter, but it's just that idea that UFC is more violent, that desire for more spectacle, has captured people's attention.
I think our mental picture of God is the most important fact about our life. All other things being equal, the beauty of our life won't outrun the beauty of our vision of God. Unfortunately, the God that many Christians envision is not completely Christ-like, but is rather influenced by the violent depictions of God in the Old Testament.
Many who are convinced that God is non-violent simply dismiss the Old Testament accounts of God commanding or engaging in violence. I don't consider this to be a viable option, for Jesus treats the whole Old Testament as the inspired Word of God. My cross-centered interpretation of these violent portraits allows believers to affirm that God is non-violent while also affirming that all Scripture is "God-breathed.".
The violent portraits of God in Scripture have become one of the biggest obstacles to believers coming to faith. When we can show how these portraits bear witness not to a violent God, but to the non-violent loving God revealed on Calvary, these obstacles to believing in the inspiration of Scripture become one of the most compelling reasons for believing in the inspiration of Scripture.
When we interpret the violent portraits of God through the lens of the cross, we can see God doing in history what he did in a supreme way on Calvary. And this is how these violent divine portraits anticipate, and point us toward, the cross.
Accommodation is a central aspect of the cross-centered interpretation of violent portraits of God that I'm advocating. Like everything else in Cross Vision, this concept is anchored in the cross. On the cross, God stoops to meet us, and to enter into solidarity with us, right where we are at, which is in bondage to sin and to Satan. And he does this to free us and to bring us where he wants us to be, which is united with him in Christ. The cross is thus the paradigmatic example of God mercifully stooping to accommodate people in their fallen conditioning.
We reject the killing of innocents to achieve a radical and violent agenda. The terrorists and their state sponsors, Iran and Syria, have a much darker vision. They're working to thwart the efforts that of the Lebanese people to break free from foreign domination and build their own democratic future. The terrorists and their sponsors are not going to succeed. The Lebanese people have made it clear they want to live in freedom. And now it's up to their friends and allies to help them do so.
We don't want peace over freedom. We will choose freedom over peace. We will go on with our fight for self-determination and democracy. But if things continue the way they are, I expect the situation to become more violent.
I think that in the diaspora, and among immigrants, religion becomes a vehicle for the transmission of cultural information, and cultural codes, and this does end up re-inscribing certain things about the religion - like caste. Caste discrimination and hierarchy are still a very fundamental and violent part of Hinduism. My family was upper caste, and that was very clear. I feel like caste and religious practice are inextricable, actually.
I have never been able to let Iraq go. It is a part of me. Even under Saddam Hussein, even despite what the country went through, and despite how violent and tribal it can be, there is still a certain purity to the kindness of the population.
I'm having to do a lot to keep my clothes on and not be cast in girlfriend roles. Some women will say, "I don't want to be a man - I want the opportunities I can get as a woman." Women have a certain sexuality, and I think their bodies are beautiful and I'm not embarrassed to explore that in a film. But there are things you get offered that are vulgar and violent - just like there's a side of me that's vulgar and violent.
I was examining what religious identity meant in Africa. Along the edge of the Islamic world, what patterns were shaping identity? And the truth is, when I looked at the rise of violent forms of religion, no single identity was prevalent. It's central to note that in Nigeria, that tree is rooted primarily in Christianity. It's not just Islamic militants in the Middle Belt.
Mexico just needs more journalists, and especially more good places to publish and exhibit. There are all kinds of censorship practiced in Mexico, not just violent repression. Perhaps the biggest threat to good journalism here is the massive power of the country's media monoliths - Televisa and TV Azteca - who have 80% of the market. They endlessly saturate the country with propaganda and inanity.
People have their morals, but morals aren't concrete. People think because I'm a Muslim that I pray five times a day, but you're never going to see that on a day-to-day basis. People fluctuate. To me, that was the most specific way to put it, the best way to be like, "I listen to this music, but it's the most violent music on the planet." But I like it, and to make up for it, I don't say the cuss words. That's how I get away with it.
Kristin Gwynne has been writing some great stuff about the sexually violent element of "stop-and-frisk." This isn't just "turn out your pockets." This is young people being groped. That form of power - using sexuality for power and control - seems pretty straightforward to me. When are we going to just say that the cops are the enemy here?
Say you're a sex worker and your partner knows you're a sex worker, but you're not out to your family. That could be very dangerous, particularly in an unhealthy relationship, where it could be a recipe for conflict, for something potentially violent that could lead to someone going to jail. There's so much pressure because of the criminalization and stigma. If we lifted that, it's only going to benefit more women.
Any time there is a cultural breakthrough in which this culture transcends what it's supposed to be, there's a violent reaction. So we had a black president, and it's followed by an incredibly violent reaction. It happens over and over.
That's what interests me in poetry. That withholding, that white space, the pressure, and my long-term faith in violent concision, is still with me.
I've never thought of my poems as violent. Violence, to me, has so much negativity attached to it - maybe that's my trouble with the word. But ferocious - indeed, I'll take it. And yes, poetry does need a bit of ferocity. Poetry needs to be alive, unabashedly, and, for me, that entails seeing its complexity - the grit and grimness and jubilance and beauty.
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