Playing an unamplified electric guitar is like strumming on a picnic table.
My mom is one of those really angry moms who gets mad at absolutely everything. Once when I was a little kid, I accidentally knocked a Flintstones glass off the kitchen table. She said, 'Well, dammit, we can't have nice things.'
I must be cheaper now than I was ten years ago in order to get a laugh. It's not funny now if I leave the table and give the waiter a nickel tip, which was a laugh years ago. Today I must maneuver it so that somehow I get the waiter to give me a nickel tip.
There is a big difference between The Merchant of Venice and a photograph of two males of different races in an erotic pose on a marble table top.
This happened to me last week. We're in the process of remodeling our house; we've been doing it for a while now. And we have the painters in, putting sheets up around the furniture, you know? And we have a piano, just a regular, up against the wall piano. One of the painters said to me, "Is that y'all's piano?" I said, "Nah, that's our coffee table, it just has buckteeth! Here's your Sign!
At the Last Supper how come no one sat on the other side of the table? See, I think originally there were people sitting on the other side but those were the people going, You know, the air conditioning hits me right on the back on the neck.
All you need is a pool table, beer, an electric jukebox and good conversation. The day a girl beats me in a game of Beirut [a kind of beer pong] is a good sign!
I built the film [Boy and the World] this way. I gathered all the tools I usually use such as brushes, color pencils, crayons, watercolors, and everything else I found in my studio, and I put them on top of a table. I had this feeling of freedom and possibility like if I was this boy. I was using the boy's freedom to create this film.
I think a person who arranges the event and orders the food also picks up the check - even the birthday person, even when people at the table insist on paying for the birthday person.
It's a weird partnership. For me and Patrick, if you've met him, we're not very much alike. But we bring such different tools to the table. He doesn't think like me. I don't think like him. He thinks like an editor. He thinks like a director. He thinks completely outside of the box when it comes to writing and so because of that he leads me down roads that I would've never gone down. And he sucks at grammar. So together we're perfect.
It really has been a blessing because you can go and look at our other movies we've done in a studio system. We didn't get to make the movie that we wanted to make. We made the movie that someone else wanted us to make. That can be a little disheartening, a lot disheartening. While there have been struggles, it doesn't matter which table you're at because you're going to have obstacles, but I kind of like being able to make the movie that you want to make.
Expensive, well-executed, and familiar ads convince the investors, as nothing in the black and white tables of assets and debits can, that the company is important and prosperous.
... photography is an imprint or transfer off the real; it is a photochemically processed trace causally connected to the thing in the world to which it refers in a manner parallel to fingerprints or footprints or the rings of water that cold glasses leave on tables. The photograph is thus generically distinct from painting or sculpture or drawing. On the family tree of images it is closer to palm prints, death masks, the Shroud of Turin, or the tracks of gulls on beaches.
In the Members' Dining Room, the Conservatives eat at one end, the Labour Party at the other, while the Liberals wait at table.
When I was seven, I watched One Flew Over the Cuckoo's Nest with my mom. When Jack Nicholson was strapped to the table getting electroshock treatment, my mom burst into tears. She said it reminded her of her life, and I was stunned, because I didn't know my mom had been nominated for an Oscar.
I was at the breakfast table this morning and I read in the newspaper that more and more adults are living at home with their parents. That surprised me, I was like Mom did you read this?
Most people that commit to a life of celibacy weren't leaving that much on the table in the first place.
I think a part of it was the way my parents raised me. I think that's part of being raised in a big Latin family. To get an adult's attention you have to do something crazy, and my way was dancing on tables and singing and dancing. That was my way of getting everyone's attention. I'm loud and I like being loud.
I was a waitress years ago when I was first trying to become an actress, waiting tables in New York City.
We are living in the richest country in the history of the world, yet we have the highest rate of childhood poverty of almost any major country and millions of people are struggling to put food on the table. It is my absolute conviction that everyone in this country deserves a minimum standard of living and we've got to go forward in the fight to make that happen.
I come to the table from a conservative or libertarian point of view, and I admit that. I'm a commentator. I'm not a journalist or anything else.
If you maintain a dead church, contribute to a dead Bible-society, vote with a great party either for the government or against it, spread your table like base housekeepers, - under all these screens I have diffuculty to detect the precise man you are: and of course so much force is withdrawn from your proper life. But do your work and I shall know you. Do your work, and you shall reinforce yourself. A man must consider what a blind-man's bluff is this game of conformity. If I know your sect I anticipate your argument.
I like people to just bring it to the table and feel the moment. And that's why I've never done a session where I don't sing live.
Well, Smoke n' Mirrors has very much a world music flavor and it doesn't park itself in one country. It borrows heavily from the Brazilian angle, which is dear to my heart, and I recorded several albums with that flavor. Probably even more so than the Brazilian flavor, there's an African, South African and West African influence and on a couple of other tracks there's some Latin flavor and there's some Indian tables on one track, all centered around my jazz guitar and acoustic guitars, and very much a Lee Ritenour sound.
Well before I was rapping. I was just a regular kid in school. I just liked to chill my friends and play games and stuff like that. One day at school my friends were freestyling at the lunch table and thats where it all started.
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