The real mistake of women was to let the memoir, the collective, the history, space of producing history - to let it in the hands of men.
If I have a blank piece of paper and I draw a red figure, immediately this brings sounds and shapes to my mind. I tried to make a film in which every component supports the others while giving each other space and stimulating the creation of what's yet to come.
Films are born from screenplays and they are guided by words. They are born very limited and there is no space for real creation: graphic creation, pictorial creation, or audiovisual creation. If we really want to use the art of animation with all its strength, we have to rethink the processes by which it's made because the medium is the message.
I live in the space where God is. There is no question that that is why I am where I am, and why I have had the success that I've had, is because I allow myself to be guided by that which is greater than myself - than my personality.
Sci-fi is very much an American genre. Space and the exploration of space is something so closely associated with America.
We should have stayed on the moon. We should have made moon the base, instead of building space stations, which are fragile and which fly apart.
The moon is a good, solid base to build a space travel organization in the community.
We've let too much time go by. We've been busy with war instead of being busy with peace. And that's what space travel is all about. It's all about peace and exploration and wonder and beauty.
But it's been funny to try and carry the through line, but I think the main thing is the relationship that the band has because we have spent now all this time together that I think that's sort of what we returning to. And whenever we get to play together, it still sort of returns to that little shitty rehearsal space. So that's good.
Yeah, when you work with somebody that famous everybody wants to know what are they like or - but I know some of the movies that I know because they're more like NOBODY'S FOOL or like that, because I don't really watch the big R movies, I haven't really seen them so much. I loved him [Bruce Willis] from his TV show and some of the smaller movies he's done. The bigger movies I start to space out in, like, there just so, I don't really watch those kind of movies so much.
My books are not about different components that fit together like pieces in a jigsaw puzzle, it's about creating the space around the components, which is almost as important as the components themselves. And that space changes and blends depending upon what the components are.
I don't believe space exists. You're not gonna put a camera on a roomba, stick it in the desert, and tell me it's Mars.
In industrialized warfare, where the representation of events outstripped the presentation of facts, the image was starting to gain sway over the object, time over space. Soon a conflict of strategic and political interpretation would ensue, with radio and then radar completing the picture.
Often what is nearest is hardest of all to see - try asking a fish to define water. Distance opens a door to revelation. When the first great distances of space were conquered by technology, a camera altered the human perspective on the Earth as radically as Galileo did when he proved the sun was the center of the universe. The ecology movement was born from a photographically altered consciousness.
Photography's vaunted capture of a moment in time is the seizure and freezing of presence. It is the image of simultaneity, of the way that everything within a given space at a given moment is present to everything else; it is a declaration of the seamless integrity of the real.
Comedy clubs were something that came to pass in the '80s, but toward the end of that, in the early '90s, people started doing comedy again in alternative spaces.
In my years of photography I have learned that many things can be sensed, seen, shaped, or resolved in a realm of quiet, well in advance of, or between, the actual clicking of shutters and the sloshing of films and papers in chemical solutions. I work to attain a state of heart, a gentle space offering inspirational substance that could purify one's vision. Photography, like music, must be born in the unmanifest world of the spirit.
[The photograph is] still a space to reorganize our thoughts about reality and our place in the world. How do you disentangle the surface of reality?
Space and time are figments of you're imagination, unless the guy you're flying next to won't shut up.
If space suits looked less like marshmallows, I'd be more interested in going to the moon.
Roger (Kellaway) amazed us all. Blessed with great technique, he could play any style, from ragtime to space music. Whatever style he chose to play at the moment would be filled with wonderful surprises that kept the rest of us continually delighted.
We realized that YouTube is a rocket ship and that this is an incredibly big space. I started agitating for it. I was the most passionate voice for acquiring YouTube: 'The price tag seems really high, but it is going to be worth it.
Discount air fares, a car in every parking space and the interstate highway system have made every place accessible - and every place alike.
My first pieces, in an art context, were ways to get myself off the page and into real space. These photographic pieces were ways to, literally, throw myself into my environment. They were photographs not of an activity, but through an activity; the activity (once I planted a camera in the instrument of that activity - once I, simply, held a camera in my hands) could produce a picture.
Spaces may or may not invite the image - if they do, they mostly do it with their spatial layers of time... It is then the image that takes the place of the space; the image in its own right.
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