If some people really see angels where others see only empty space, let them paint the angels: only let not anybody else think they can paint an angel too, on any calculated principles of the angelic.
The sense of space within the reality of any building is a new concept wherever architecture is concerned. But it is essential ancient principle just the same and is not only necessary now but implied by the ideal of democracy itself.
I want the kind of readers who remain children at any cost. I can tell them at a glance: loyalty to that first enchantment guards better than any cosmetic; than any diet, against the insults of age. But alas for such readers, who would huddle safe and sound in the asylum of their credulous enchantment as if in the womb-our enervating century offends them by its chaos, its fidgets of light and space, the host of its excuses for dividing , for rending oneself from others and from oneself.
Now and then, someone is able to look at an empty space, conclude it would be a great place to start a revolution, and bravely go forward.
I tend to gravitate to the darkest or most obscure part of any venue in an effort to have my own space to experience the music on my own, free from unwanted conversations and other distractions.
In the future, I will make certain that I commit to projects so there's enough breathing space for me to have an emotional life.
...liberation from constraints that operate at the level of ordinary humanity---limits imposed by space and time, by the needs of the body, and by the opaqueness of the computer-like mind. All three examples [Jacob Lorber, Edgar Cayce, and Therese Neumann] illustrates the paradoxical truth that such 'higher powers' cannot be acquired by any kind of attack or conquest conducted by the human personality; only when the striving for 'power' has entirely ceased and been replaced by a certain transcendental longing, often called the love of God, may they, or may they not be 'added unto you.
We journalists... are also extremely impressed with scientists, and we will, frankly, print just about any wacky thing they tell us, especially if it involves outer space.
Positively, the effect of speeding up temporal sequence is to abolish time, much as the telegraph and cable abolished space. Of course, the photograph does both.
Disneyland celebrated its 40th anniversary by burying a time capsule. They say it will be dug up in 50 years - or when the last person in line at Space Mountain gets to the front, whichever comes first.
An electric chain seems to vibrate, as it were, between our brain and him or her preserved there [in a Daguerreotype] so well by the limner's cunning. Time, space, both are annihilated, and we identify the semblance with the reality.
Space tourism is God's way of telling you you aren't spending enough on lap dances, baccarat and cocaine.
I am a pack of nerves while waiting for the moment, and this feeling grows and grows and grows and then it explodes, it is a physical joy, a dance, space and time united. Yes, yes, yes, yes!
I'm not smart enough to write about something that didn't actually happen to me. But I couldn't write a space movie if you put a gun to my head.
Magazines are another medium I love, because 95% is simply based on 'How the hell are we going to fill all this blank space?
I want to launch a globe into space just to mess with the astronauts.
They flower spontaneously out of the demands of our natures - and the best of them lead us not only outward in space, but inward as well.
The camera can't see space. It sees surfaces. People see space, which is much more interesting.
Young people today are flooded with disconnected images but lack a sympathetic instrument to analyze them as well as a historical frame of reference in which to situate them. I am reminded of an unnerving scene in Stanley Kubrick's epic film, 2001: A Space Odyssey, where an astronaut, his air hose cut by the master computer gone amok, spins helplessly off into space.
Well, we now have such a photograph... Has any new idea been let loose? It certainly has. You will have noticed how suddenly everybody has become seriously concerned to protect the natural environment... It seems to me more than a coincidence that this awareness should have happened at exactly the moment man took his first step into space.
I don't care what the press is about a person that I'm working with. I care about how they come to work every day. I don't care who broke up with who or who is sleeping with who or who went out where. I don't care what you do with your personal life. It's when people take their personal lives into a space where it affects their performance at work, that's when I would stop taking someone seriously.
Photography, if there is photography, is already snapped, already shot, in the very interior of things and for all points of space.
I think my first impression (of Bix Beiderbecke) was the lasting one. I remember very clearly thinking, 'Where, what planet, did this guy come from? Is he from outer space?' I'd never heard anything like the way he played-not in Chicago, no place. The tone-he had this wonderful, ringing cornet tone. He could have played in a symphony orchestra with that tone. But also the intervals he played, the figures-whatever the hell he did. There was a refinement about his playing. You know, in those days I played a little trumpet, and I could play all the solos from his records, by heart.
A noble space, unlike any other of our time, for it is both strong and delicate. It seems to call at once for a Boeing 747 and for a string quartet.
London and the south-east of England are very crowded spaces. Wherever a new runway is placed, thousands will be affected. Residents in nearby Longford, Harmondsworth and Sipson, which lie to the north of Heathrow, face having their homes compulsorily purchased for land to build the new runway.
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