Space Quotes - Page 31

• As far as I see it you just can't give Messi space in the dangerous areas - we have to close him down, get tight and give him as little room as we can because if you don't, he can destroy you.

  Frank Lampard

  Giving, Messi, Littles

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• I cannot stress this enough - if you try to install an HDTV in a non-HDTV compatible house, you may tear the space-time continuum.

  Ed Helms

  Stress, House, Tears

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• Space is unimaginably big.

  Douglas Adams

  Bigs

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• There can be no reasonable right to live on sidewalks. Society needs order, and hence has a right to a minimally civilized ambience in public spaces. Regarding the homeless, this is not merely for aesthetic reasons because the anesthetic is not merely unappealing. It presents a spectacle of disorder and decay that becomes a contagion.

  George Will

  Order, Needs, Decay

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• In the space of two days I had evolved two plans, wholly distinct, both of which were equally feasible. The point I am trying to bring out is that one does not plan and then try to make circumstances fit those plans. One tries to make plans fit the circumstances.

  George S. Patton

  Two, Trying, Doe

  "War as I Knew It". Book by George S. Patton (p. 116), 1947.

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• The desire of perfection became the ruling passion of their soul; and it is well known, that while reason embraces a cold mediocrity, our passions hurry us, with rapid violence, over the space which lies between the most opposite extremes.

  Edward Gibbon

  Lying, Passion, Opposites

  Edward Gibbon (1837). “The history of the decline and fall of the Roman empire”, p.180

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• [Whole] generations may be swept away by the madness of kings in the space of a single hour.

  Edward Gibbon

  Kings, Generations, May

  Edward Gibbon, Henry Hart Milman (1860). “The History of the Decline and Fall of the Roman Empire”, p.440

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• I started getting really curious about art. I read about the Dadaists and the Futurists and the Constructivists - those kind of movements which were reflecting the angst of the people of their times. Their work was trying to lead a movement. I began thinking about what was happening, with painting on the streets and painting on the trains as being similar but also coming from a real, pure space. It wasn't being created by academies. It was a spontaneous combustion of ideas that just happened.

  Jeffrey Deitch

  Art, Real, Thinking

  Source: www.interviewmagazine.com

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• The fact that I do place music at the end of my films is not to accentuate the emotion. It serves an opposite purpose which is to remove them from the emotional space and allow them to enter a space of thinking, because I believe that when the audience is watching the film they're watching it with their feelings.

  Asghar Farhadi

  Believe, Emotional, Thinking

  "Director Asghar Farhadi Talks THE PAST, His Inspiration for the Story, Filming a Different Side of Paris, the Oscar Controversy, and More". Interview with Sheila Roberts, collider.com. December 18, 2013.

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• To a large extent: it's about economy of space. You have so little real estate when you're writing a half hour show. It's really twenty minutes. So you have to with a pilot introduce all your characters, set up the premise in a way that shows the potential for a series and make it funny and do it all in about thirty-five or forty pages. It's very hard.

  Jonathan M. Goldstein

  Real, Writing, Character

  Source: collider.com

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• Obviously my own work comes from a conceptual art tradition, but I love the graffiti artists, and I feel spiritually closer to them than to most contemporary art; they make the city a free space of diverse voices and we shouldn't get all cynical about them just because Banksy made some money. I collaborate sometimes with Krae, who is an old school east London graffiti writer.

  Robert Montgomery

  Art, School, East London

  Source: www.interviewmagazine.com

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• I feel like when I carry a bigger bag it looks like it's a huge bag because I'm really tiny. But I do think it's important to have the space that you need, because we throw everything in our bags at all times. I think every woman does.

  Mary-Kate Olsen

  Thinking, Important, Doe

  "Mary-Kate, Ashley Olsen Talk Fashion and the Business Thereof". Interview with Anne Slowey, www.thefashionlaw.com. October 13, 2011.

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• My message to the world is that until we recognize that peace is not just the absence of war but the revival of life on the "backlines," where women are keeping kids in school, caring for the sick and injured, and daily negotiating space for the continuation of critical life processes of this nature, we're going to continue to miss the point.

  Zainab Salbi

  War, School, Kids

  Source: www.truth-out.org

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• Traveling makes time go fast. So maybe traveling in space will give people time.

  Andy Warhol

  People, Giving, Making Time

  Source: www.interviewmagazine.com

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• I would love to take an old space and restore it to exactly the way I want it. Like an old factory, just something with great bones and lots of character. I'd take an old house and flip it into something very modern inside, or the other way around.

  Jason Wu

  Character, House, Flip

  Source: www.interviewmagazine.com

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• When I was younger, I did work with coach. I went to this place called Actors Space in the Valley. I was pretty young, and we were doing acting and improvisation. But no, no I didn't go to RADA, I didn't do that. But I do now work with an acting coach, primarily for the initial intellectual connection to the material.

  Jake Gyllenhaal

  Intellectual, Acting, Connections

  "10 Years After 'Brokeback,' Jake Gyllenhaal Remembers Heath Ledger: 'Way Beyond His Years as a Human'". Interview with Stephen Galloway, www.hollywoodreporter.com. November 25, 2015.

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• Sometimes you need an anchor, whatever it might be. You need a space to connect. So often you get into a way of doing things.

  Jake Gyllenhaal

  Anchors, Needs, Might

  "10 Years After 'Brokeback,' Jake Gyllenhaal Remembers Heath Ledger: "Way Beyond His Years as a Human"". Interview with Stephen Galloway, www.hollywoodreporter.com. November 25, 2015.

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• I listened more than I asked. There's a lot of information online, so many Youtube videos, countless interviews with all those obvious questions that were all answered for me. I just wanted to absorb her essence. I wanted to see the details, she has such mad style. I just wanted to see - the way she communicates with her hands, these gestures, her smile, how she moves through space.

  Vera Farmiga

  Moving, Essence, Hands

  "Vera Farmiga and Paranormal Investigator Lorraine Warren Talk THE CONJURING, the Nature of Evil, Their Relationship, and More". collider.com. July 17, 2013.

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• The different tempos and yeah, it's cadence. It's the way she moves through space, it's gestures.

  Vera Farmiga

  Moving, Different, Gestures

  "Vera Farmiga and Paranormal Investigator Lorraine Warren Talk THE CONJURING, the Nature of Evil, Their Relationship, and More". Interview by Steve "Frosty" Weintraub, collider.com. July 17, 2013.

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• We are all from different cultures. Heath's [Ledger] Australian, really. I'm from here. Ang's [Lee] from China. But I think Ang gets very close in preproduction and rehearsals. And then he allows his actors - I don't think scared of actors, but I think he's scared of getting in on the scenes he's watching. The space he's watching. So he just totally disconnects from you while you're shooting.

  Jake Gyllenhaal

  Thinking, Different, Culture

  "10 Years After 'Brokeback,' Jake Gyllenhaal Remembers Heath Ledger: 'Way Beyond His Years as a Human'". Interview with Stephen Galloway, www.hollywoodreporter.com. November 25, 2015.

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• Ang Lee just allowed me to make what we would call mistakes and had no judgment of them. He also empowered me. You know, he's like, "You're my actor. I chose you. Whatever you do is right." Right? "I made the decision, I'm complicit in choosing you. And I went through everything I could to choose you, so I feel good and whatever you're going to do I'm going to give you this space." And so it was very empowering.

  Jake Gyllenhaal

  Mistake, Giving, Empowering

  Source: www.hollywoodreporter.com

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• I don't think I had any idea at the time how to work with someone as masterful as he is. And I don't think at the time I really understood what was happening. I think I was in a space where I was like: there are all these things. I was shooting all these takes with David, and I was just confused, as a person, and as an actor feeling a little too big for my britches and that this thing was happening and then also not having enough skill yet, and technique to know exactly where I was, and know about the character.

  Jake Gyllenhaal

  Confused, Character, Thinking

  "10 Years After 'Brokeback,' Jake Gyllenhaal Remembers Heath Ledger: "Way Beyond His Years as a Human"". Interview with Stephen Galloway, www.hollywoodreporter.com. November 25, 2015.

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• I like that when you create you really do create with a very small group of people, and in that space, before it goes out to all these people, that's what I love.

  Jake Gyllenhaal

  People, Groups, Small Groups

  "10 Years After 'Brokeback,' Jake Gyllenhaal Remembers Heath Ledger: 'Way Beyond His Years as a Human'". Interview with Stephen Galloway, www.hollywoodreporter.com. November 25, 2015.

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• It felt really nice to not have anybody talking about numbers, and no one is talking about ratings. From my experience, it felt like there was one person running the ship and it felt like there was space for Jenji to be at the helm. That's not what I've experienced in television before. It felt more akin to an interesting movie, where there were producers who were really excited by the work and wanted to make space for the director's vision to be sort of shared with an audience. It felt more cohesive.

  Taylor Schilling

  Running, Nice, Talking

  Source: collider.com

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• The Taboo scene was a kind of deconstructed version of the New Romantics. The Taboo crowd was using a lot of the visual ideas that had already been used. I remember the first time I spotted Leigh Bowery and Trojan parading around in clubs: They were in their "Pakis from Outer Space" look, and the makeup was quite similar to one of my old looks, because I was quite fond of wearing blue, green, or yellow foundation, and so I was pretty dismissive of them at first.

  Boy George

  Makeup, Ideas, Yellow

  "Taboo". Interview with Mark Ronson, www.interviewmagazine.com. December 19, 2008.

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