There are still many large white spaces on the map of human knowledge. You can go discover them. So do it. Get out there and fill in the blank spaces. Every single moment is a possibility to go to these new places and explore them.
Each atom in Nature is the body of a virginal sparkle that incessantly evolves through time and space.
When we sense something, it is due to the movement of atoms in space. When I see the moon it is because "moon atoms" penetrate my eye.
In 1970, Los Angeles became the first place where the total acreage used for roads and parking exceeded the amount of space given over to habitation.
Designing a station with artificial gravity would undoubtedly be a daunting task. Space agencies would have to re-examine many reliable technologies under the light of the new forces these tools would have to endure. Space flight would have to take several steps back before moving forward again.
I fear that my mind would starve and that I might find myself in danger if I had no visual information, that it's chiefly the light, the shapes, the spaces, the colors that I see that compel me to keep moving forward in life and that keep me safe.
There's no doubt who was a leader in space after the Apollo Program. Nobody came close to us. And our education system, in science, technology, engineering and math, was at the top of the world. It's no longer there. We're descending rather rapidly.
'Anthony and the Magic Picture Frame' tells it like it really was in America's early space program - the adventure, the risks, and the rewards.
Space architectures capable of supporting a permanent human presence on Mars are extraordinarily complex, with many different interdependent systems.
We must still think of ourselves as pioneers to understand the importance of space.
I am excited to think that the development of commercial capabilities to send humans into low Earth orbit will likely result in so many more Earthlings being able to experience the transformative power of space flight.
More and more I think of privatisation as being not just about the takeover of resources and power by corporate interests, but as the retreat of citizens to private life and private space, screened from solidarity with strangers and increasingly afraid or even unable to imagine acting in public.
The world is mental in some way that we do not yet understand, but that which we're edging toward understanding. And the world is made of language. I can't say that enough. Whenever we get into these discussions about reality, or effects in space and time, we are operating outside this assumption that the world is made of language.
I didn't grow up thinking I'd be a decorator. Design is my greatest passion, and it naturally just pulled me down the path. Same with TV. Being famous or having a show was never the motivation. I got a call and was swept up by the challenge of that first small space redesign.
In a small space, you want to keep the bedding as simple as possible so it looks clean, calm and collected.
In design-speak, 'a library' means a room lined with books, floor-to ceiling, but it all depends on the space you have. You may have a free-standing bookshelf of your favorite books if that's all you have room for.
If you actually keep things very organized and clutter-free, you can have more furniture than you think you can in a small space.
Today's banalities apparently gain in profundity if one states that the wisdom of the past, for all its virtues, belongs to the past. The arrogance of those who come later preens itself with the notion that the past is dead and gone. The modern mind can no longer think thought, only can locate it in time and space. The activity of thinking decays to the passivity of classifying.
The whole of God is present at every point in space at the same time. Take time to meditate on this great idea. In other words, God doesn't come and go. God doesn't capriciously move substance from God's supply "up there" to fill your needs "down here." Nor does God answer prayer in some kind of coming forth. God is always present, totally present - as a Presence.
I still live my life the way that I want to live it, and people are very respectful of my space, but they also want to chat, and I quite like chatting.
How do you get the protagonists and antagonists together, in the same space, without somebody having to die? So, we ended up having to tell two distinct stories, which is never the ultimate way to create a great serialized drama. So then, of course, we had the tragedy with Andy [Whitfield], which made everything very difficult and pushed back.
There were a couple of times that we did end up moving the set [of Helix] outside to shoot some of the outside scenes, just because we needed a bit more space, and that ended up being a little bit more helpful and easier to breathe, when you're dealing with some of the fake snow stuff. It was a lot of fun, and it looks amazing.
You could make a film about being intoxicated only when you're riding motorcycles, but really when you're in an enclosed space safely, you can.
You need to be able to hit, kick, grapple, wrestle, but for me so much of this is about the mind, about feeling you are in complete control of the space around you, and you know what to do at any moment. That is a wonderful feeling, but it doesn't just happen, you have to work for it, train for it, think about it all the time.
I always love depth. I like looking through windows, through frames, through spaces into other spaces.
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