I will never write a sequel to anything that I will ever write.
To do a sequel is so weird, you don't really think about it.
All novels are sequels; influence is bliss.
Shakespeare is, essentially, the emanation of the Renaissance. The overflow of his fame on the Continent in later years was but the sequel of the flood of the Renaissance in Western Europe. He was the child of that great movement, and marks its height as it penetrated the North with civilization.
Were I not married to the director, I'm not sure I'd know anything about the 'Underworld' sequel.
The only time I have a good hunch the audience is going to be there is when I make the sequel to 'Jurassic Park' or I make another Indiana Jones movie. I know I've got a good shot at getting an audience on opening night. Everything else that is striking out into new territory is a crap shoot.
I didn't make the same song twice, but I definitely made the sequel to it, because everyone would come up to me in the streets saying, "Yo Khaled, make another 'I'm So Hood.' We love that record so much.
We are cannibalizing our audience by only giving them regurgitated material. Every movie is either a remake, a sequel, based on something else. Based on a former television series. Based on a successful videogame.
Once I’m done with a book, I’m done! I’m just not a sequel kind of girl. By the time I’ve finished a book I’ve read it so many times that it’s time to move on.
I think there are some people that are capable of making a sequel more special than the original. And we have seen that when the original 'Terminator' came out, then Jim Cameron outdid himself with the sequel. Then it became the highest grossing movie of the year when it came out in 1991.
For me, as an actor, the most challenging thing is creating the character in the beginning because you have to write their backstory. The easy part about doing a sequel is that you've done the film, so you already know their backstory.
In some ways, you get to find your voice better in [a sequel] because you have to define how you're doing it differently.
Nature never rhymes her children, nor makes two men alike. When we see a great man, we fancy a resemblance to some historical person, and predict the sequel of his character and fortune, a result which he is sure to disappoint. None will ever solve the problem of his character according to our prejudice, but only in his high unprecedented way.
I feel like every time you get to make a sequel, it's a privilege. It means that people have embraced it and want the journey to continue.
There are a lot of parallels between doing a sequel and doing low budget movies, which is they give creative parameters. As a creative person myself, I work better with parameters as opposed to anything goes.
All precious things, discover'd late, To those that seek them issue forth, For love in sequel works with fate, And draws the veil from hidden worth.
There are two processes which we adopt consciously or unconsciously when we try to prophesy. We can seek a period in the past whose conditions resemble as closely as possible those of our day, and presume that the sequel to that period will, save for some minor alterations, be similar. Secondly, we can survey the general course of development in our immediate past, and endeavor to prolong it into the near future. The first is the method the historian; the second that of the scientist. Only the second is open to us now, and this only in a partial sphere.
If there ever was a pursuit which stultified itself by its very conditions, it is the pursuit of pleasure as the all-sufficing end of life. Happiness cannot come to any man capable of enjoying true happiness unless it comes as the sequel to duty well and honestly done. To do that duty you need to have more than one trait. From the greatest to the smallest, happiness and usefulness are largely found in the same soul, and the joy of life is won in its deepest and truest sense only by those who have not shirked life's burdens.
Shantaram is the second in the series of a quartet of novels that I have planned about my life but is the first to be written. The third book is a sequel to Shantaram, the first a prequel.
How would that excellent mystery, wedded life, irradiate the world with its blessed influences, were the generous impulses and sentiments of courtship but perpetuated in all their exuberant fullness during the sequel of marriage!
In an ironic twist, I now see Good to Great not as a sequel to Built to Last, but more of a prequel. Good to Great is about how to turn a good organization into one that produces sustained great results. Built to Last is about how you take a company with great results and turn it into an enduring great company of iconic stature.
The idea of Rambo is kind of intriguing as a closing chapter. When you shoot a film as a sequel to do another sequel it's a whole other tone. But when you know it's the final chapter you try and put in there as much emotion, understanding and closure as you can. So, whereas Rocky is a lighter character and optimistic, Rambo is much darker.
The way you set up for a sequel is by having a successful film. The focus is on making a successful film, and making a film that travels around the world, and that people enjoy and have fun with, and that people are able to escape with.
My experience is that sequels are rarely as good as the originals.
I knew the President would run for reelection in 1984. Why not? Actors love sequels ... and returns.
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