But, George and Steven asked me to write the Indiana Jones sequels, and I didn't want to.
All literature, highbrow or low, from the Aeneid onward, is fan fiction....Through parody and pastiche, allusion and homage, retelling and reimagining the stories that were told before us and that we have come of age loving--amateurs--we proceed, seeking out the blank places in the map that our favorite writers, in their greatness and negligence, have left for us, hoping to pass on to our own readers--should we be lucky enough to find any--some of the pleasure that we ourselves have taken in the stuff that we love: to get in on the game. All novels are sequels; influence is bliss.
There would be no sequel to the sadness
Of love that never found his earthly close, What sequel? Streaming eyes and breaking hearts; Or all the same as if he had not been?
I'm not big on sequels; I've done them, but I like doing little things that have their own timelessness to them, classic type things, and then you go onto something new.
I'm proud of all the movies I've made. They're not sequels, they're not franchises. And the reason I pick my films carefully is that I don't want to spit on my life. I like to think of myself as more than that.
I turned down Short Circuit 2 too and I now wish I hadn't. Sequels are a lot of fun and you get to hang out with all your friends.
We all approached doing a sequel with great trepidation and skepticism.
When you do films that have multiple sequels, you develop a character for a film.
When I first started you would pitch a story because without a good story, you didn't really have a film. Later, once sequels started to take off, you pitched a character because a good character could support multiple stories. and now, you pitch a world because a world can support multiple characters and multiple stories across multiple media.
You know for years before the notion of sequels, actors were the franchise. John Wayne would rarely do sequels, but he kind of played the same guy with a different name in every movie. I have no problem with using actors as franchises. And that's what is fun to do.
The movies I've done with Wes [Anderson] have a much different quality than some of the more broad comedies. But what is interesting is how many sequels I've done. I've worked with Ben [Stiller] a million times now, and this is yet another sequel we're doing. I guess we're lucky to be in some movies that people wanted to see again.
To love in the sense of passion-love is the contrary of to live. It is an impoverishment of one's being, an askesis without sequel, an inability to enjoy the present without imagining it as absent, a never-ending flight from possession.
Women want to be treated as equals, not sequels.
Silence is the universal refuge, the sequel to all dull discourses and all foolish acts, a balm to our every chagrin, as welcome after satiety as after disappointment
Working with Jim Carrey is an absolute gas. I have never laughed so hard for so long. Had he been on-board for the sequel of Dumb & Dumber, I would've jumped on, with no hesitation.
It's an unusual way to write a crime novel, to have these lingering, fairly large story points, but it's something I knew I had to do if I wanted to write a sequel...but, you know, people still have to read and enjoy this book, or it's a moot point.
Always drawn to the theatric, Bowie also performed in stage productions of "The Elephant Man" and just recently collaborated on "Lazarus," an off-Broadway musical that's a sequel to his 1976 role in the film "The Man Who Fell To Earth."
North Korea threatened to launch a missile at South Korea. North Korea backed down after South Korea threatened to launch a sequel to 'Gangnam Style.'
[The Girl in the Spider's Web] can't be anything other than a sequel, but a couple of books have been skipped, so it is different, in that sense. It's really taking a very strong central character and thinking, how do you execute this? It's quite different.
There's a certain amount of empathy you need to have, and I've also never been one to call it in. I know some roles are easier for certain people, especially when there's the sequel and a third and a fourth one.
Given that most movies are bad, and that there are whole categories and sub-categories of badness - the sequel, the Madonna Movie, the Friday 13th Series, or Movies Starring John Travolta Before Pulp Fiction - it is almost impossible to choose a single film for worst movie of all time. But strangely, I do have a nomination and I believe it is actually the worst movie ever made. It is Boxing Helena. The director is David Lynch's daughter, and the film comes with the almost insane-making faults that the family connection might imply.
I think a lot of people end up making sequels to movies just because the first one did a lot of business, and I think what people have learned is that it doesn't matter if the first one did a lot of business or that people want to go see another one just to see another one.
Now that I understand how publishing schedules work, I can understand why many authors have the sophomore slump. A year is a long time to wait for a sequel, but it's a short, short time to WRITE a sequel.
Transformers: Revenge of the Fallen is beyond bad. It carves out its own category of godawfulness. And, please, you don't have to remind me that the original was a colossal hit ($700 million worldwide) and the sequel will probably do just as well. I know it's popular. So is junk food, and they both poison your insides and rot your brain.
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