People started staring at me at the supermarket and restaurants and whatnot. And I knew that I looked just like Bill Clinton.
That's why they have menus in restaurants, you know. I like steak, somebody else likes spaghetti. That's why they have menus in restaurants. It's a great world.
There is often with restaurant reviews in particular, I think, this kind of impulse to be deferential and bow down to the greatness of the restaurant and the greatness of the chef, and then with great regret to say, "And yet, all is not as it should be in the kingdom," and I didn't want to do any of that.
Everybody used to say going to restaurants... is like theater, there's stage sets, there's drama, there's play acting and you watch the show. And now, boy, everything's just become so serious. And you sit at the counter and the chef comes out and tells you what he did to the Brussels sprouts leaves and no, there's not a lot of dancing.
In the age of the camera phone it's a bit weird when you're sitting having dinner in a restaurant and people think they're being very subtle taking a photo while in fact they're being very obvious. When you're in a middle of a mouthful with friends or family and people come up asking for a photograph, that's when you want to say, 'Actually, I'm going to say no; I'd like to finish my meal. This is my time.'
My favourite city for nightlife is Toronto, as it has such a multicultural feel, with so many different restaurants and theatres.
I don't go to fast food restaurants anymore. That's out.
D.C. is a great place. The music, jazz, has always been great here, the restaurants have always been fantastic here. And there's been a lot of changes in this city over the last 30 years, and all for the better.
If you buy a Cartier ring you want people to know it is a Cartier ring or a diamond, or a piece of art that's giving an emotion - then people read it and say, "wow that's really amazing". With prêt-à-porter you see people in the street, in a club, in a restaurant or whatever, and you think, "Oh my god, he's wearing my trousers!" In a way it's more open - people can put together the way they want - mixed with other designers.
Inspiration can show up almost any time, though I have yet to see anyone scratching out melodic ideas on a restaurant napkin as legend would have us believe. I think inspiration comes from concentration, and early on I learned about Mark Twain's habit of leaving for his study after breakfast and not reappearing until the end of the day, ready to read to his family what he had just written. That set a good example for me, although I didn't copy his habit of taking twelve cigars along.
When I go on vacation I just like to do nothing - just hang out at the beach, go eat the best restaurants, and do nothing.
When [Julia Marie Pacino] was 5 or 6 years old, we were in an Italian restaurant, and these people came by the table and they would start talking to me, asking me for my autograph and she just went under the table.
If you go into a bar or restaurant with a cop, the first thing he does is he'll stand in the entrance, and he'll look at every single face in that room because he doesn't want to spend an hour having a drink or lunch and didn't spot some villain they've been looking for, for two years.
Today there are very few chefs at that high level who are behind their stoves. You don't feel their presence within the room. Where's the romance? Where's the show? Where's the theater? The modern day restaurant - it's like dining in a chapel. It's boring.
It's not about what you achieve, it's actually what you do for your industry and that's what I think is important. And when people look at me and they see my achievements with the restaurants do you know what I think? I think I did more than that. What I achieved was teaching young men and young women when they were young and inspiring them.
You walk into a restaurant when chefs are not there and it's different. The magic isn't there. Why pay top pounds when the chef is not in the house? I feel cheated. I don't mind paying big money for food but if I go to Paul Bocuse's restaurant I want Paul in the house.
I've always said this: I've never seen a Michelin three-starred restaurant that was a buffet. They usually serve à la carte. I do think the delivery of a specific service, a specific advice for a specific reason, is the way you get the equivalent of a Michelin three-starred relationship.
You ever go out to a restaurant now? You can get quality food - you can go out and get the best food that was available 20 years ago. They'll put it on a plate, you'll sit in a plastic chair because nobody values the chair, the white tablecloth, the maître d', but they'll put on your plate some great food for what used to be available at Applebee's prices. There are some really nice things going on, some external values being delivered to people.
If you want to think about cooking, and it's a high-five, laid back motion, then flip burgers and dress Caesar salad, don't try to pitch in the premier league of restaurant. Build up to it, by all means.
In the clubs, the entertainment and the restaurant business are at war with each other. You get crowds that are not the greatest, and it becomes like a babysitting job, rather than doing what you want to do. I have a more deliberate pacing in my act, and having a half interested audience is death. They have to hear what I'm saying for it to pay off.
My mum was a dinner lady and a cleaner while dad worked night shifts as a hydraulic engineer. They did not have a lot of spare cash and only ever bought what they could afford. We never had a car and cycled everywhere. We never went to restaurants. I did not know what Chinese food tasted like until I was 15.
I don't watch much TV because I'm a very active person. I get up early. I love cooking, walking around NYC, hanging with friends. I looooove going out to restaurants of all sorts. I just dig exploring.
All great hotels should have stellar personalized service, a unique design that gives guests a sense of place, an excellent on-site restaurant, and other fantastic amenities. Obviously location is a key factor as well.
Restaurants, shows, night life, art exhibits, readings - New York is such a cultural epicenter, and while Jersey makes so much sense right now, I really am hoping to have my own future New York City some day.
When I'm offstage, I never feel famous. I will never let anybody call a restaurant and say, "We're with Kenny Chesney. Can you get us in?" That's so pretentious. I'm pretty simple except for the fact that I have a really great boat and a little bit of money. When I'm offstage I don't feel like the person everybody sees.
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