All my friends got dogs and cats for Christmas, and I got a starfish called Roy. I used to take him down to the park on a lead.
You can go to these chat-lines. It's not hard it's really easy. Another thing the show makes clear is not talking about these issues is what leads kids to go on the Internet and find out the information themselves. And then they come across people like Mr. Healy wanting to meet them in the park. That's what leads to these kind of more-dangerous things.
Since graveyards are often built over older burial grounds, I assume Dolores Park was probably an Indian, (an Ohlone) graveyard before that. I think the fact that it has so many layers underneath the contemporary one intrigues me.
In the "Intervention" section of the book we go into that looping from a battery of positions (where healer and sufferer are blurred). I'm very interested in "repetition and revision" (to use Suzan Lori-Parks's phrase) and in the culture's desire to loop or repeat.
Nira Park, who is my longtime producer and friend - I've know her since we did Spaced, the TV show - she gave me this script the last day of filming The World's End. She said, "Take a look at this. It's filming in London next year, and you might like to look at Jack." I trust Nira implicitly.
My mother would take me to jazz concerts in the park and everybody was smoked out. She gave me the intro and then she forced me to play an instrument to keep me out of trouble.
He [directo Park] gave me a sculpture, a jaguar. It is the animal, obviously, and it is in my bedroom at my parents' place at the moment. But I am just about to move into my own place and I shall put it somewhere there. I shall make sure it has good lighting. This will be my first place of my own and I am so excited.
Director Park always talked to me about her in a very innocent way, that the story was of her coming of age and her sexual awakening and her going from girl to woman and that she had the same desires and hopes as other young people in terms of being very infatuated, which comes in the form of her uncle, which is very unconventional.
Director Park asking that if there was a pocket on one side of the piece of clothing then there should be a pocket on the other side. They were a little uncomfortable to wear, yes, because there were a lot of tight, high-waisted things so it was great at the end of the day to slip into some pajamas!
The studies about differences between the sexes that you see kind of get propped up in the media are more often than not denigrating women in some way, saying that women really don't have any spatial understanding, and that's why they can't park.
I was pretty young. I guess I was in high school, so I was probably 13 years old. It was crazy. I remember it very vividly. I remember - it was actually kind of horrifying, because one of my friends - we smoked out of a bong, and one of my friends - this was so stupid - he didn't want to bring - it was after school on a Friday, and he didn't - we smoked weed in this park called the Ravine that was across the street from my high school.
It's always a thrilling experience to go into a place that offers you a lot of choice. You know it's like it reminds you of when you're a kid and you go to the amusement park and whether it be Disneyworld or Six Flags you know that thrilling moment when you first enter and you know you've got all these possibilities for the day and it's really a... it's a wonderful feeling.
The first big thing that I did with my dad was the bicycle sequence in "The Great Muppet Caper," where Kermit and Piggy are riding bicycles in Battersea Park in London and that was a complex marionetting and cranes driving through the park, it was a complicated scene, and I did that with my dad.
Antarctica is one of the most remote and beautiful places on earth. I don't think that everyone should go there. I also think that we need to respect it as a kind of a national park for the planet. It should be you know put in parentheses.
There was a very important superintendent of Yellowstone, a man who was involved in the founding of the National Park Service itself, Horace Albright. And he became superintendent, which is the boss of Yellowstone Park, in 1919 - from 1919 to 1929. Later, he was director of the park service itself. Albright embraced the idea that in order for the national parks - and Yellowstone in particular - to have support from the American people and from politicians, there needed to be wildlife as spectacle.
But private lands development around the periphery of the parks - Grand Teton and Yellowstone - is a crucial issue because if those private lands are transformed from open pastures, meadow, forest land to suburbs, to little ranchettes, to shopping malls, to roads, to Starbucks - if those places are all settled for the benefit of humans, then the elk are not going to be able to migrate in and out of Yellowstone Park anymore. And if the elk can't migrate into the park, then that creates problems for the wolves, for the grizzlies, for a lot of other creatures.
If you're Maasai Mara National Park in Kenya, if you're in Serengeti National Park in Tanzania, you don't get out of your vehicle and go walking around amid the lions and the leopards. You stay in your Land Rover. You stay in your safari van, and you look out the windows or you look out the pop top at these animals. I know by experience how badly that can work out if you violate those guidelines.
There is also somehow the idea that this gay thing is all just about indulgence in carnal pleasure. When I was twenty and felt that nobody could know I was gay, I was having sex with strangers in public parks. I don't think it was evil exactly, but it wasn't so great either. There was nobody particularly benefiting from it, except, I suppose, to the extent that it gave some pleasure to me and perhaps whomever I was with.
I recycle and try to be nice to the earth. But flora and fauna have always interested me, and it is because of so many years of summer camp and growing up in DC with Rock Creek Park fairly near me, or Glover Park; I lived in Glover Park for a while and that park was in my backyard.
I do a lot of walking around in game parks, rain forests, places like that, but it's not like I'm camping in them as much as my day walks. I've done that all over the world, not like with a backpack on my back living out in the woods for several days. When I travel abroad, it's more the city that captures my interest.
Just walking in the kitchen (and we have three kitchens at Le Bernardin), I exercise quite a lot. I also walk in Central Park for 50 minutes from my house to Le Bernardin every day, rain, shine, snow.
When I get into the moment of actually feeling like I want to write, to finish something, I do what I've always read authors do, and park myself at a desk and bang things out for three hours. And if I have to throw it all away, I throw it all away.
I was probably just graduating high school, maybe still in high school. When I was still in high school, maybe the last two years, I was rapping but I wasn't telling anybody. When I signed my deal people didn't know it was the same Ryan Montgomery from Oak Park High School, because I used to play basketball and I used to fight. Like I'd bring boxing gloves to school. So when they found out, it was, "You mean Ryan who be boxing?" or, "Ryan who be hopping up at the park?" So I was known as that guy.
What I think people should realize is that programs like Social Security, programs like Medicare, programs like the Veterans Administration, programs like your local park and your local library - those are, if you like, socialist programs; they're run by [and] for the public, not to make money. I think in many ways we should expand that concept so that the American people can enjoy the same benefits that people all over the world are currently enjoying.
I can respect the gulf that separates alpinism from a running race and still appreciate that the physiology that accounts for endurance is the same if you are running a foot race in the city park or front pointing up the second ice field on the north face of the Eiger.
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