I don't know how anyone gets anything done in New York City. I vastly prefer living in the country. I just need a lot of quiet and solitude, and I'm so easily distracted. I mean, the Internet is enough to deal with.
[Kenneth Koch] taught children in public schools in New York City to write poems and told them down worry about rhyming, don't worry about any of that stuff. You know, write a poem where you mention three colors and make it five lines - or he would just give them, you know, little strategies. And, man, they wrote some great poems.
I thought of New York as a free city, like one of those prewar nests of intrigue and licentiousness where exiles and lamsters and refugees found shelter in a tangle of improbable juxtapositions. I had never gotten around to changing my nationality from the one assigned me at birth, but I would have declared myself a citizen of New York City had such a stateless state existed, its flag a solid black.
There was a kind of cultural life in New York that wasn't as solidified as it is now, it wasn't as money-driven. If you look at the size of the successful art galleries compared to the size of galleries now - there was no such thing as the Gagosian Gallery or Pace Gallery. But it was a time when magazines were a vital part of American life, and Esquire gave me a free pass to every world - I could get to the art world, the theater world, the movie world. It allowed you to roam through the cultural life of New York City.
Authorities in New York City have foiled a plot by terrorists to blow up the Holland Tunnel. There was one awkward moment when officials informed President Bush the Holland Tunnel was safe. Bush then thanked the Dutch authorities for all their help.
Some of us seem to be born with a drive to try to make the world kinder. In my twenties, living in New York City, I worked in a soup kitchen every Sunday for many years, just trying to do my part. Then I read Animal Liberation and learned about factory farming and the killing of animals for oven cleaner and realized nobody needed my help as badly as the animals did.
I feel like kids that grew up in New York City or in L.A. were exposed to all these subcultures and subgenres, whereas I was only exposed to the poppiest of pop music so I never had this negative connotation towards pop music. That's not South African music having an effect on me, but just how international music was filtered through South Africa affected me. It gave me a not-negative connotation towards pop music growing up.
eah, you don't get a lot of meatheads doing improvised theater to begin with, and that's always been my thing. I talk about the nerd/meathead dichotomy on my podcast a lot, but there was a time when I was doing UCB full-time and playing men's league rugby in New York City, and I was like the funniest, artsiest rugby player, and the bro-iest improv comedian. I've always managed to sort of be in both sides.
I don't necessarily notice too much of a change in the sense of the kind of matches that I have in say a Los Angeles as opposed to a New York City. The big difference that I notice, and this is what all love as New York city and Philadelphia has treated me fantastically, but man, you cannot screw up in Philadelphia and New York.
I feel like when being raised in New York City I have a particular perspective on things like Gay issues maybe, because I'm in the middle of Manhattan.
It was ironic that there I was finally painting the pictures I'd always wanted to paint and feeling very much at home in the countryside, and I ended up working in New York City, which is definitely the archetypal city.
I always wanted to move to New York because of the Velvet Underground, because of the picture that they painted of New York City.
Despite some standout events, 2012 was demoralizing. The Met felt adrift, and New York City Opera couldn't claw its way back to artistic health.
I both loved and hated South Pasadena. On the one hand, it was so diverse - all my closest friends were immigrants or had immigrant parents. On the other hand, it was a bit conservative - in a sort of wholesome, Midwestern, small-town sense. I never met a single writer until I moved to New York City for college.
I was always around people who were in the business from the time I was an absolute baby. I grew up in New York City, and my parents, my sister, and I had a house on Fire Island, and they were part of a set of people that were all close and friendly, most of whom were involved in show business in one regard or another. So it was always familiar to me, and I kind of enjoyed it.
Hillary Clinton flew with President Bush to New York City on Tuesday. She was amazed at the changes aboard Air Force One. For eight years she believed that flight attendants couldn't wear clothes because it made the plane too heavy.
I had already been a young singer. And once, as a profession, I was a young singer, what you would call a soprano in England, but I was an alto in singing Jewish music in bar mitzvahs and weddings and synagogues throughout New York City because, after Israel, New York is probably the biggest Jewish community in the world.
You can`t use hair spray, because hair spray is going to affect the ozone. I`m trying to figure out - okay, I`m in my room in New York City and I want to put a little spray, so that I can - all right? Right?
When I was growing up, I fetishised New York City. It was the land of Lou Reed and the Velvet Underground, it was where Leonard Cohen wrote 'Chelsea Hotel', it was CBGBs and all the punk rock clubs. Artists and musicians lived there, and it was cheap and dangerous.
I never leave home without my writing notebook, and get a lot of writing done in transit. One great place to create is while riding the subways of New York City, where I live.
Education is huge for me. I went to public school until I turned thirteen, and was lucky enough to afford college once I became successful as an actress. I cannot believe that quality education costs as much as it does in this country. Ghetto Film School is a remarkable public high school in New York City where students get to learn to express themselves through filmmaking, and have hands-on access to equipment.
I really don't feel good about leaving my house anymore. I don't feel really good about being anywhere in New York City alone anymore.
New York City is one of the most vulnerable cities in the world to climate change, so I see Keystone as the central threat to New York.
I have a double policy, which would also solve immigration: I would stand at the border of New York City and I would say, "You can come here to live, but you can't come here to visit."
A lot of people realize "I don't have to work in this job that I'm miserable at every year, or every day, and I don't have to live in, for example, New York City where it's super expensive and if I live somewhere else that is less expensive and could pursue my passion like, I can afford to do that."
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