I got a call from an agent to come to New York City, and write for the 'Ford Star Revue.' Because at the time there wasn't much 'national television'.
When I ran for mayor of New York City, the first time, some people voted eight and ten times. And second time I had firefighters and police officers outside checking on the buses so we take down the number of the bus, the bus had voted ten times, and wouldn't let the bus vote again.
With recidivism algorithms, for example, I worry about racist outcomes. With personality tests [for hiring], I worry about filtering out people with mental health problems from jobs. And with a teacher value-added model algorithm [used in New York City to score teachers], I worry literally that it's not meaningful. That it's almost a random number generator.
Abandoned by the existing political system, young people in Oakland, California, New York City, Quebec and numerous other cities throughout the globe have placed their bodies on the line, protesting peacefully while trying to produce a new language, politics, imagine long-term institutions, and support notions of community that manifest the values of equality and mutual respect that they see missing in a world that is structured by neoliberal principles.
I grew up in New York City where there is no night sky. Nobody has a relationship with the sky, because, particularly in the day, there was air pollution and light pollution, and you look up, and your sight line terminates on buildings. You know the sun and maybe the moon, and that's about it. So what happens is that I am exposed to the night sky as you would see it from a mountaintop, and I'm just struck by it. Suppose I grew up on a farm where I had that sky every night of my life - then you're not going to be struck by it. It's just the wallpaper of your nighttime dome.
New York City pretty much reeked of music. Reeked of rap and hip-hop. As for me, growing up in a strict West Indian, Trinidadian household, and a Christian household as well, I had to fight for the right to go and actually be a part of it.
I had relatives in New York City who I stayed with. And in those days, the area from Union Square down Fourth Avenue had small bookstores, many of which were run by Spanish immigrants who'd fled after [Francisco] Franco's victory. I spent time in them, and also in the offices of Freie Arbeiter Stimme (Free Worker's Voice) with anarchists. I picked up a lot of material and talked to people, and it became a major influence.
I was going through a time where I was like man I wanted all of my clothes to be totally understated and I would do pop color with hats from a line called Ale et Ange out of New york City. They created all these hats and I just thought they were super fresh and the only way that I could really get them across...I was just like, 'Let me make everything mute and just put on the hat.'
The heads of the studios, like Louis B. Mayer, didn't want to create any more musical stars. So Bobby [Fosse] left and went to New York City to be a choreographer, and created brilliant work.
My memories are beautiful because my wife Joan is English and shortly after we were married, we stayed in London and I never forgot it. We loved it so much that we've been back very often and it's always a thrill. To me, there's New York City where I was born and raised and then there's London!
I think we should be prepared, given environmental and political change for large-scale migration. If sea levels rise and 200 million people in Bangladesh and 300 million people in Indonesia need to move, and the entire Chinese seaboard, New York City - that's going to be huge.
I used to live in New York City, then when my son was two years old we moved to Cambridge Massachusetts and we've been there ever since. My son is now twenty-nine years old, so we've been up there for a while.
It was also incredibly serendipitous that I would later learn I shared a birthday with Whoop [Goldberg ]. I went on to be inspired by many other artists and forms of art, and was soon directed to a place that would help harness my experiences and develop my voice within the craft, LaGuardia High School of Performing Arts in New York City.
I was 18 years old when I did the pilot [of Hi Honey, I'm Home], so I was a freshman at NYU, and it was one of my first professional auditions in New York City. And I somehow booked the job. I have no idea how.
Restaurants, shows, night life, art exhibits, readings - New York is such a cultural epicenter, and while Jersey makes so much sense right now, I really am hoping to have my own future New York City some day.
I never think of people's nationality too much. I always look at everybody the same. It's impossible for me to just say one group of people over separate groups of people. Maybe it's because I was raised in New York City which is this melting pot. Everybody was always the same and the whole point of my whole film existence was to say that we're just one race.
I love New York very much, and it was very important for me to spend my 20s in New York City. You're exposed to so much here, whether it's other people or just the grind of it and how hard you have to work. I think it forces you to define yourself: what kind of person do you want to be? What kind of woman do you want to be? And then inevitably, what kind of actress do you want to be?
One of the great crimes of the Bloomberg/Klein administration [in New York City] is that they've removed themselves from communities, as if communities have nothing to say about what their needs and aspirations are for themselves and for their children.
When you go into a college of education you've got aspirations of making a difference in people's lives, of loving children, of working with kids, but none of that is affirmed in your college of education. Then you go working in schools, especially in places like New York City and Chicago that I'm most familiar with, and you find these huge aspirations are beaten out of you in a very systematic way - and still people persevere.
Following World War II, the U.S. was the architect of the UN system, and the world financial system, and the Human Rights Declaration, and of course the United Nations is based here in New York City. But, unfortunately, especially in the last decade, the U.S. really has been turning its back on international agreements and the set of agencies and procedures that they create as a means for governing the world.
I never will let anyone make, maneuver me into making a distinction between the Mississippi form of discrimination and the New York City form of discrimination. It's, it's both discrimination; it's all discrimination.
I could turn around as Wyatt Walker said to me about, not you personally, but about the whole Black Muslim movement. That if you go outside of New York City, Dr. [Martin Luther] King is known to 90 percent of the Negroes in the United States and is respected and, and is identified more or less with him, at least as a hero of one kind or another. That the Black Muslim, outside of one or two communities like New York, are unknown.
These New York City streets get colder, I shoulder every burden every disadvantage I've learned to manage. I don't have a gun to brandish. I walk these streets famished.
[Donald] Trump said she [Melania Trump] first arrived in New York City to model in 1996. But Michael Felix, an immigration attorney who specializes in the fashion industry, says if you're a foreign model with a work visa, it's unusual to have to return to your home country that frequently.
[Immigrating] didn't burn out my desire to travel, though that can happen. There's nothing like immigration to make you want to just stay put. But what I think of as home is this life between Santo Domingo and the parts of New Jersey and New York City that were my childhood, so in my mind it's like home is all those things combined.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: