I never want to ever look back.
There are a lot of people who I look up to. I like what Ricky Gervais does, I also like Ron Howard. It's probably never going to happen, but if I had to pick a couple people, those are two.
I don't look for [comedic moments] actually, I just live my life.
When you look at a company like Amazon, one of the reasons that Amazon is one of the most powerful companies in the world is because we want to buy cheap stuff. If Donald Trump were to change trade laws, we couldn't buy the cheap stuff or in our Wal-Marts, they would cost a whole lot more.
I try not to get impressed. I just try to look at what I see.
If you look at my résumé, I've more often than not played a very solid, decent human being.
It may look like things have gotten better, because everyone is semi-being appreciative. Not appreciative, but conscious of people being gender fluid and all those things.
Now I'm in the business and I do have to have these awkward conversations about how I look, how I talk. But I'm still here.
I'm reminded of an interview Larry King had on his talk show with one of Michael Jackson's sisters. He's talking about how many millions she made on her latest record, and all of a sudden, she looks at him tearfully and says, "Larry, you know, I'm not interested in money or sales or songs. I'm a spiritual person." And I thought, "Oh my god..."
That shot in "Into the Inferno" somehow popped up while my editor and I were viewing the footage. I immediately said, "That looks like the opening shot because the camera approaches the action very slowly and we have enough time to insert some of the main credits into it." So it was a practical choice. At the same time, you see these tiny figures standing at the rim of something, and all of a sudden, the camera rises further and you find yourself looking straight down into an inferno.
Look, in neoliberalism the ruling elite understand something.
When I look at my longterm goals for the rest of my life, there are so many things other than performing that make me happy.
I'm actually excited about being in my 40s. I mean, that's ironic considering the show I'm on, but I have never felt like I need to feel or look the same as when I was 20.
When I look at myself in the mirror, I don't see the bad guy.
You can't be different if you look at it. Being gifted is different. I had that in my piano playing. I'm very thankful for that. I'm very aware of that. The style and what I fed is just me. I never worked at it. It just happened.
Everywhere we look we see the encroaching shadow of the police state.
On the last day of every character I've ever played, I lay the clothes out on the floor with the shoes and socks, so that it looks like the character has literally vanished. That's the way you have to leave them.
Go back and take a look at what some black writers were saying in the 1820s, the 1830s. They make mention of how some white people would tell their children, if you don't behave, we're going to put you in the n - - seat. If you don't behave, we are going to make you sit with the n - - s. That's why we know that, by then, the word had become a slur.
I had heard that Tom [Cruise] was the same way, that he is incredibly dedicated. I was very excited to meet him and I was, honest to God, weirdly surprised that the guy makes me look lazy. I think he does think I'm a hard worker, but he makes me look like I'm doing nothing. The guy is at the gym before anybody in the morning.
You're the hero of your own story. So it's interesting for historical revisionism to happen. I had let go of my own story from my own childhood and whatever anger I had and I began to see it from a very different place. It's really easy to be like "This thing happened to me! Look what they did to me or are doing to me." These are such powerful ideas and it's so easy to hold onto them forever.
Basically I made her [ Sara Pocock] listen to funk music for a good month, a nonstop stream of George Clinton. I was talking about the art from...if you look at the art from George Clinton albums there are two or three artists he worked with...I made her listen to my album too so all the images are from jokes I made. I wanted it to look like the thoughts that are coming out of my brain which is what comedy is anyway.
I look upon [writing about religion] as a nice way to get by in this precarious world, though I've never been able to do it myself.
Part of the reason might be that I was born in 1954 and I look upon my youth with great fondness, like many old men. And, though my work doesn't focus much on good things, I see that period as America's heyday. True, we had many problems, like racism and Vietnam, but we still weren't quite as nuts as we seem to be now.
Nostalgia is partly illusion in that we remember things differently as we get older, etc. But that doesn't mean, when historians look back on the 1950s, say, from the year 2090, it won't be judged as a saner, slower, less narcissistic, more family-focused, and economically secure time.
It [Doral] is 800 acres in the middle of Miami. If you look at the ballroom, that was brand-new ballroom that didn`t exist. And it`s, you know, one of the great places on earth. We had a construction crew here of 1,600 people. We rebuilt the whole place in about 14 months. We did it under budget, although I did increase the scope of the work, because we decided to use the finest marbles.
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