I had no idea what art was. There was one art class in high school, but it didn't make a big impression on me. Then I went to college and thought I'd become a writer.
People sometimes are under the impression that finding their property corners should cost as much as changing their oil or blowing out their sprinklers. What they don't realize is that land surveyors are required to stand behind their work for the rest of their lives.
You know, what I didn't know was how many people in the tech world the original movie had such an impression on. That's really interesting to me because a lot of the people who created this technological revolution that we're all living through were kids when Tron came out, and they saw Tron and it impacted them.
I mean, in many ways, you know, I felt very connected to Ian (Dury) on, on a lot of levels. I mean, politically, & sort of, socially, our, kind of, social backgrounds are quite similar in many ways, as well as our kind of artistic endeavors. So there were many, many things that sort of chimed in for me, and kind of made me feel very instinctive about playing him, and, and although, there was sort of a certain amount of impression involved, actually, there's a lot of myself in the role.
I can use the camera to make a place or landscape; the camera to a greater extent projects rather than takes in or reproduces. The camera, or, rather, the eye, produces the impression of the place: I as a photographer am not passively taking in; I am active as a subject generating the object.
The task of the architect is to encompass everything about the site, starting from the concrete conditions and the sensory impressions created by those, to memories of the place, through empathy to vision.
Horrible date all through high school and college. Here's an impression of me on a date in high school. Come on, chug it!
You know who makes a great first impression? Liars.
I think only a superb news or reportage picture could move me. Other photographs may leave a strong impression on me, but they don't move me.
Do you guys like impressions? "Why?" That was Socrates.
It only takes a second for an impression to become a vision.
One has the impression that something is stirring inside [photographs] - it is as if one can hear little cries of despair, gémissements de désespoir... as if the photographs themselves had a memory and were remembering us and how we, the surviving, and those who preceded us, once were.
When I was a kid I did impressions and funny voices a lot. When I was telling a story I would use the voices to make it more entertaining.
If it's just the voice, then you can only do jokes. It's not really even about the impression so much. It's about the take and what you do with the person. I try to get a character across with the impression.
It's a simple and an effective way of getting everyone on the same page, prepared and paying attention to the gag. People just get into that frame of mind of you doing impressions. It can take a minute or two for an audience to catch on when you aren't doing one.
Unlike fashion, art isn't applied. It doesn't have to serve anybody. It doesn't have to be there for any other reason than to give an impression of what the world is about.
I think of myself as kind of a hippy. Everyone around me says that's not the impression they get. They think I'm sassy. Apparently, I think I'm nicer than I really am.
Douglas Carswell accused all political parties of "deliberately cultivating the impression" that there would be a referendum.
In the long run I don't think anyone can overlook these images of hunger, that people can ignore all my pictures - no, definitely not. And even if only a vague impression remains, in time this will create a basis that will help people distinguish between what is good and what is objectionable.
A photograph is not necessarily a lie, but it isn't the truth either. It's more like a fleeting, subjective impression.
Faces in the everyday impress us as hives of subtlety. That impression must be sharpened in photography, which discloses only a microsecond of the face's behaviour, immersed in a social process.
... anybody who has spent time with cameras and photographs knows that images, like gravestone rubbings, are no more than impressions of the truth.
What prompted me to make these pictures [of bomb-cratered roads] was the impression that the ground was ripped by the shock, that it was swallowing itself.
I like to be flexible in the way I take pictures. I do not use a tripod, and I move around in the crowd, of which I am myself part.... I try to preserve the dynamics of the street, and my way of using the camera tries to approximate as much as possible the way we see: focusing on details, opening up to wider angles, and composing all these very short, fragmented impressions into a larger mental picture.
Disillusionment means having no more misconceptions, false impressions, and false judgments in life; it means being free from these deceptions. Refusing to be disillusioned is the cause of much of the suffering of human life.
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