An artist should know art history. Shock value only lasts so long.
Disenchantment, whether it is a minor disappointment or a major shock, is the signal that things are moving into transition in our lives.
Today one can dare anything, and, furthermore, nobody is surprised.
I always want people to be confused, to be shocked or realize something later.
No doubt, in complete abstraction one has a feeling of a great shock, if not an explosion, and in approaching the real, one feels health and truth restored.
Sometimes the intention is to shock us. But what is shocking first time around is boring and vacuous when repeated.
Perhaps we might, within the anatomy of our imaginations, think once more of the naked body as a vessel of grace, taste and wonder. In the spotted history of art, stranger things have happened.
bizarreness masqueraded as creativity.
Future shock is a sickness which comes from too much change in too short a time. It's the feeling that nothing is permanent anymore.
Reminding people what in reality it is all about, giving them a theme on which to ponder, creating a shock within them, pulling them out of the delusion of non authenticity, enabling them to become aware of their true possibilities.
I rarely get recognised. It's always a shock when someone notices me. I always think they must be confusing me with someone else.
From the first shock of the contemplation of a face depends the principal sensation which guides me throughout the entire execution of a portrait.
I begin my pictures under the effect of a shock which I feel and which makes me escape from reality... I need a point of departure, even if it's only a speck of dust or a flash of light.
Trouble is, kids feel they have to shock their elders and each generation grows up into something harder to shock.
The shock of the way I mix patterns and fabrics can be disconcerting, but what I am trying to do is provoke new ideas about how pieces can be put together in different ways. I think this is a more modern way to wear clothes that in themselves are fairly classic.
With every adversity comes a blessing because a shock acts as a reminder to oneself that we must not get stale in routine.
Outrage, combining as it does shock, anger, reproach, and helplessness, is perhaps the most unmanageable, the most demoralizing of all the emotions.
The current fad in art, is to shock people or appear 'different'... My goal is to help people find the rays of sunshine in an often dark world.
Be as delicate as possible. If communication accomplishes something on the gross but damages something on the level of feeling then it is a spiritual loss! The feeling is more important for life.
I draw to shock myself out of a too-easy rhythm - I may begin with no conception whatever, an image emerges . I rub it out and begin again, searching for its counterpart. When it appears I invariably find that the thing I draw is at my elbow, it is out of the window, or has been standing at my front door for a long time.
For the art-historically informed, no art has truly shocked since November 19, 1971, when Chris Burden had himself shot in the arm by a friend, at F-Space in Santa Ana, California. Sliced cows and surgically altering one's own face is aftershock art.
Nobody knows what's in him until he tries to pull it out. If there's nothing, or very little, the shock can kill a man.
When you are 'bad' in the art world they are very very scared! They want to control you... and they can't! Individuality and uniqueness are threats to the status quo. It is an artist's job to be an 'outlaw.
The ring, the call, the surprise, the shock that you have out-of-doors - be always looking for the unexpected in nature, do not settle to a formula.
Delhi came as a shock. There were so many people, and oh, the traffic.
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