Just be nice to me while I am doing the scene; that is all. I don't want big cars, I don't want big hotel rooms.
I came from the old world of gastronomy. Many years ago I walked into the kitchens of the Hotel St George and I feel very fortunate that I worked for chefs that were behind their stoves. I saw that world of gastronomy. I can sit here today and say that I saw the golden age of gastronomy. It's gone, it's gone. It's never going to have that anymore, once the accountants get involved the romance fades. That's the reality.
When the rich build bigger, they shift the frame of reference that shapes the demands of the near rich, who travel in the same social circles. Perhaps it's now the custom in those circles to host your daughter's wedding reception at home rather than in a hotel or country club. So the near rich feel they too need a house with a ballroom. And when they build bigger, they shift the frame of reference for the group just below them, and so on, all the way down.
My experiences of traveling abroad and going to Italy with my father, having to break down a gigantic electric chair to get on trains. You've got three minutes. You go to Pompeii and there are shockingly few accessible hotels in a city that was covered in volcanic ash.
When I first came to Nashville, people hardly gave country music any respect. We lived in old cars and dirty hotels, and we ate when we could.
To tell you the truth, man, we spend most of the time travelling in hotels, in festivals, in concert halls, clubs, airports. The most unenjoyable part is all the security at airports.
It was Elvis who really got me hooked on beat music. When I heard 'Heartbreak Hotel' I thought, this is it.
People don't know where to place me. Terry Gilliam used me as a quirky cop in 'Twelve Monkeys', and then he hired me again to be an effeminate hotel clerk in 'Fear and Loathing in Las Vegas'. Another time, I was shooting this indie film 'The Souler Opposite' and six days a week, I'm playing this big puppy dog, then I come to the 'NYPD Blue' set and become this scumbag.
At the risk of sounding pedestrian, I'll be completely honest: the first thing I do in the morning is check Google News, partially because it seems sort of random and unbiased and partially because I tend to stay in hotels that don't necessarily have the fastest Internet connections.
The strange thing about hotel rooms is that they look familiar and seem familiar and have many of the accoutrements that seem domestic and familiar, but they are really weird, alien and anonymous places.
All of the people who are using their BlackBerries or their iPhones, Facebook, all of the people who are sitting in cafes and hotels rooms doing their work, they're all using wireless technology, and we shouldn't assume that the only way of the future is high speed cable.
Every nut who kills people has a Bible lying around. If you're looking for violent rape imagery, the Bible's right there in your hotel room. If you just want to look up ways to screw people up, there it is, and you're justified because God told you to.
I don't think there is just one Louis Vuitton woman. That is why, for the fall/winter 2011 show, I loved the idea of lots of different characters - a wife, a mistress, a girlfriend - stepping out of the row of hotel elevators.
My son loves the Hotel du Cap, in the south of France.
When you come to a hotel room, you want it to be grand, functional and beautiful. But you don't want things that are not useful. Sometimes you go to hotels and there are all these frames and pictures of people you don't know, and you end up hiding everything in the drawer, and then housekeeping come and put it out again.
I always wish the hotels were like they are in movies and TV shows, where if you're in Paris, right outside your window is the Eiffel Tower. In Egypt, the pyramids are right there. In the movies, every hotel has a monument right outside your window. My hotel rooms overlook the garbage dumpster in the back alley.
I remember being at the premiere of 'Beverly Hills Cop II' and the tremendous reaction from the crowd outside, then going to a party at a hotel afterwards where the speakers were blasting 'Shakedown,' a song from the movie. That felt like a show biz moment to me.
With me, traveling for work is arriving at the airport, checking into the hotel, leaving the hotel the next morning at 4 or 5 to do something like 'The Jimmy and Jackie Captain Crazy Morning Zoo,' doing a bunch of those in a row, then going back to the hotel, and then finally going to the club.
Supergroupies don't have to hang around hotel corridors. When you are one, as I have been, you get invited backstage.
Every holiday on the calendar, I check in a hotel and fast - I don't eat, I don't drink, I don't talk.
I like doing accents. One of my friends works in hotel reservations and I'll ring her up and complain about the suite. Sometimes I get her.
There is just as much evil in all of us as there is good. We're all continuously guilty, even if we're not doing it intentionally to be evil. Here we are sitting in luxury hotels, living it up on the the backs of others in the third world. We all have a guilty conscience, but we do very little about it.
Switzerland is a small, steep country, much more up and down than sideways, and is all stuck over with large brown hotels built on the cuckoo clock style of architecture.
I'm very intelligent. I'm capable of doing everything put to me. I've launched a perfume and want my own hotel chain. I'm living proof blondes are not stupid.
Touring is tough. You're almost in a haze because you don't really know where you are half the time: You're in a hotel room one moment, and the next thing you know, you're onstage performing for 60,000 people, then you're back on an airplane. It's very hectic and I couldn't do it without my family.
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