When you think about the real cost of so-called cheap energy that has driven our prosperity to unprecedented levels, for some of us, to our horror, we've realized that this has the potential for burning brightly and then snuffing out.
I simply cannot fathom the horrors of being enslaved, and the thought that children are ripped apart from their families and used year in and out for sex and hard labor under the threat of violence and death breaks my heart.
My knowledge of horror films is pathetic because I can't really watch them.
What I like to believe, and what I do firmly hold to, is that in us all we do have the ability to remain honorable, no matter what has been done to us. No matter what horrors we've witnessed.
I definitely love horror movies and all that for sure.
I realize that people fly with small children all the time, and that babies are easier in some ways because all they do is sit/lie around anyway, but damn it's hard to keep a baby comfortable on any flight, much less a long one, particularly amid the looks of horror they will get from fellow passengers as it dawns on them that their 10- to 13-hour flight might come with a soundtrack of screaming baby.
Entourage [movie] really is established as a genre unto itself, much like the thriller or the horror movie or the comedy. And those things trend.
I've seen a lot of movies that were great and scary, but not particularly fancy in their filmmaking or performance. And they're still scary, and I think a good horror movie should be scary above all things.
Ghost Team approached me. They said, "Hey, it's mid-October, do you want to go shoot a movie on Long Island for three weeks about stupid people chasing ghosts?" I had never done anything like that before. It's kind of a mock-horror movie. What I didn't realize was the whole thing takes place at night, as a horror movie should, and so I didn't realize that we'd be working until 6 in the morning every night, or morning.
What some of the early horror genre masters knew, and what I know, is that the audience are perverts, but in the best possible way.
We don't need fantasy to mess with our minds to the point of rendering us insane - real life horrors do that already.
Post-traumatic stress, that's why the soldiers need marijuana, is for their mental health. It makes them feel better so that they don't have the horrors of war in their mind all the time. And the government won't allow them to have it, because it's illegal - federally. It's absurd.
I'm a big genre fan. I'm a big science fiction nerd and horror film nerd. I'm obsessed with Pam Grier. I wanted to be her for all of my teenage years.
In times of horror and torment prayer is a great thing Nobody answers But at least it stops you from thinking.
Weirdly, I'm not a horror fan, but those kind of horror leanings are something that are very easy for me to get into.
Weirdly, I'm not a horror fan.
I know the horrors of war: no gains can compensate for the losses it brings.
My very first professional writing credit was on a movie called The Dunwich Horror, and Roger Corman was the executive producer.
I also got to know Roger Corman a bit while we were on location in Mendocino. And then, subsequently, a woman who also worked on The Dunwich Horror named Tamara Asseyev and I teamed up and co-produced a picture that I wrote and directed, called Sweet Kill, that Roger Corman's then-new company distributed.
Smith could not be expected to have anticipated the horrors that were to come. But even in his own time, he was a defender of certain state actions that he thought necessary in order to safeguard the good effects of commercial society (Smith did not speak of 'capitalism' and was acquainted only with an early undeveloped form of it). Among these state actions the chief was general public education.
I've always said that with a lot of the horror franchises that I've started, it's like directing a pilot. I come in, I direct the first movie and all these directors come in and direct all the sequels after me and hey have to kind of retain the look, the tone, and the characters.
There are only a few genres, horror and comedy, where you can get that immediate feedback from the audience. It's very gratifying when that's what you're going for, and you can hear the reactions in all the places that you intended.
If we're going to be considered horror filmmakers, we have to prove it not only to ourselves, but to the audience that we can actually make something scary.
The whole country saw how unfit [Hillary Clinton] was at the Townhall , where she refused to take accountability for her failed policies in the Middle East that have produced millions of refugees, unleashed horror of radical Islamic terrorism all over, and made us less safe than ever before.
I think [Doctor Strange] it is - it does tap into a supernatural type of genre that is not horror.
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