I think I would call Night Music a romantic comedy. I don't know if you are familiar with an old movie called The Ghost and Mrs. Muir? It is an older film. It's more about the romance than it is necessarily a horror flick.
Be gone, sorrow, sickness, wheelchairs, and cancer! Enough of you, screams of fear and nights of horror! Death, you die! Life, you reign!
I grew up watching monster movies and horror movies, which I felt were like fairy tales and I think this always spoke to me. Something about that is symbolism - the beauty and the magic which helps me work with film and start making modern fairy tales.
That particular story ["The Pyramid and the Ass"] was written during the dark days of the Bush years. George W. Bush had just been "re-elected" (or elected for the first time, depending on how you count the stolen election) and it seemed like the horror of his presidency would last forever.
When I was a kid, I was a big science fiction fan, but current horror books were harder to get your hands on.
Horror films and genre films are interesting, because I always look for a deeper meaning or a deeper theme in the film.
In my own personal time, horror films freak me out too much, so I tend to steer clear of watching horror films on my own.
With a horror movie, you're making a metaphor. You're making a personalized nightmare for the protagonist.
In the absolute sense - kind of from the God's-eye view - God might feel like, "I made this thing that has all of that in it, all the horror and all the beauty."
I never actually wanted to write horror, oddly enough. It was a kind of misnomer, because I didn't ever actually write horror in the sense of the genre known for it. It was more a type of pigeon-holing in bookshops.
Humour's the pay-off for all that existential horror.
Eisenhower provided the first break in the Cold War, by bringing Khrushchev to the United States, in humanizing the Soviets; and then Nixon, by making the opening to China; and then Reagan, even meeting in Reykjavik with Gorbachev and acknowledging that nuclear weapons are a horror. So I won't accept that Republicans just escalate. Republicans, at least when they were more moderate, they were maybe even more isolationist, they sometimes brought sanity to the debate. We don't have that now. We have - all these Republicans have gone off the neoconservative deep end.
Life is a horror for the Korean people. And I think isolating them further is going to make life more miserable.
This is our moment of reckoning as a society and as a civilization itself. I didn't need to do this [run for presidency], folks, believe me — believe me. I built a great company and I had a wonderful life. I could have enjoyed the fruits and benefits of years of successful business deals and businesses for myself and my family. Instead of going through this absolute horror show of lies, deceptions, malicious attacks — who would have thought? I'm doing it because this country has given me so much, and I feel so strongly that it's my turn to give back to the country that I love.
For me, the social thriller is the thriller in which the fears, the horrors, and the thrills are coming from society. They're coming from the way humans interact.
If it's comedy, you taken an absurd comedic notion and you apply it to reality. If it's horror, if it's a thriller, you do the same thing.
My favorites movies are always character driven, it's the human equation that makes horror interesting to me, not the monsters. It's how people handle extreme circumstances.
Who are we to be so arrogant as to say 'now WE know what's best, THAT era was full of daft ideas' etc. There will be plenty things we take as normal and good now that future generations will look back at in horror or amusement.
Although I'm up for working in any genre, I do love the passion and dynamic storytelling that horror stories can provide. Dealing with big questions and possibilities of all sorts of stories with life and death consequences is enthralling and exhilarating to me.
I hope to be on the scene for a long time. I'd love to be old and gray and still be working in this [horror] genre.
The story wafts across the Atlantic, where it's picked up with glee by Catholic progressives and horror by some Catholic conservatives - and the battle of the blogs is on, full blast. No one bothers to ask whether there's any basis in fact for the assertion that this is going to be a "global-warming encyclical."
As a horror movie fan, I was very obsessed with horror films. Still am. I love the genre. For me, horror films are opera, and they are... instead of consumption killing off the young lovers, it's Jason Voorhees or Michael Myers. It is when the stakes are at their absolute largest in a story: whether somebody is going to live or die. In a way, it's just holding up a mirror to life.
Silence Of The Lambs is a fantastic film. It's a horror film, and it's an incredibly well-told film that is about point of view in such a unique way. The way that film is shot, the way the eyelines are so close, if not directly into camera, betrays an intimacy with the characters and the audience.
I think that when you're constructing entertainment; thrillers, horror movies, or anything that's gonna scare, they're all based on what our natural worries are.
Give the money directly to people who work hard. Instead of taking the money from the business and then filtering it through the horror of government programs, which is essentially giving it to social workers who live in Bethesda so they can drive their minivans and vote Democratic. Give them the money, so that they go and talk to the worker who is washing dishes, and they say, "Well, we want to help you, you see." And it would be better to help them by taking the money from that minivan-driving social worker and giving it directly to the guy who is really working hard by washing dishes.
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