American Horror Story on cable now, it is terrific. There has to be room to re-invent.
In a great horror movie, you've gotta have some character development and you've gotta set some of your people up and you've gotta have a little back story going. You've gotta take that time for exposition.
Horror movies travel pretty well anyway. They're like action movies: People overseas can watch them and enjoy them, and they're not so culturally specific in terms of their references, and they can follow a good scary story.
I don't rush out the first day to see every horror movie, but I do keep up on them, because I want to talk intelligently with the fans about them.
I make a star's salary when I do horror, because I can still open a movie in Italy or Spain or Germany.
The cowboy movies is not our go-to programmer anymore, here's a horror film.
There's a lot of dark horror, and a lot of sci-fi fantasy that's great, but what gets hyped a lot the big stuff. The most expensive stuff gets hyped a lot, and I love it, don't get me wrong, but there's things that fall through the cracks.
There have been a lot of horror anthologies as of late; movies like V/H/S and The ABCs of Death have brought the anthology back in style. We sort of felt like, "Why don't we do one and do our own thing?"
In horror films, they sometimes don't show the monster because our imaginations and our own pain is so much greater. Social media is like that. I think it's so great. It doesn't have to show a monster - when you see someone leaving a mean comment, or living a so-called perfect life, you just put all of your pain into that.
The horror genre is fun but I'm not sure it is quite right for me.
I don't like horror, which is ridiculous because I've been in three horror movies, but when I see those things, I see camera tricks and fake blood and actors screaming and I don't know understand why other actors don't see that.
I know plenty of actors smarter than me with better taste than me who love horror movies and love sci-fi and it just doesn't make sense to me.
Dark Fantasy is just another way of saying Horror.
People don't like to say Horror so they say Dark Fantasy because that's Horror wearing a collar and tie.
I really wish that peoplewould just say, 'Yes, it's a comic. Yes, this is fantasy. Yes, this is Science Fiction,' and defend the genre instead of saying, 'Horror is a bit passe so this is Dark Fantasy,' and that' s playing someone else's game. So that's why I say I'm a fantasy writer and to hell with 'It doesn't read like what I think of as a fantasy'. In that case what you think of as a fantasy is not a fantasy. Or there is more to it than you think.
Young adults that actually read are reading bodice rippers and best-sellers and me. And Horror.
I have a place in New England. It's in the middle of nowhere, like horror movie style - Stephen King-ville. It's a good kind of retreat for me to regroup my thoughts and work. I split time: 50 percent there, 50 percent in New York
[Albert Camus]didn't have much hope that things would work out, but he wanted them to. Algeria had reached such a degree of violence that once such violence is created there's no more room for reflection. And there's no mediating position. If you look at Bosnia today, the Croats, Bosnians and Serbs, they've all created so much horror that one starts to wonder how these peoples can live together, after having done what they have. Already the violence has reached such a degree that everybody is living in hate, there's no possibility of reflection, no mediating position.
Buddy Hackett [was] talking - this is Hackett, not me - about the Virgin Mary, a limerick sort of thing, and all these children and families ... the look of absolute horror. He's going on and on and on, and finally he stops. It's just total horror, and the camera's still rolling. You can hear it, sort of a grinding noise. And the director says, "Anything else, Bud?"
I'm a horror movie fan to begin with, so to come back to the genre, I feel like horror has been very good to me.
When I was in New Orleans, I was in a grocery store and a woman came up to me and she said, "Oh, my daughter's such a big fan of the show." And I said, "Can I meet her?" And around the corner came this seven-year-old. I was horrified and I almost said to her, "Lady, what are you doing? [American Horror Story] is not for seven-year-olds, I can tell you."
My 14-year-old grandniece is not allowed to watch 'American Horror Story' yet.
[Clowns] gotten a really bad rap in the last few years. People have really given into their own fears and have celebrated their fears in that way. American Horror Story didn't help.
I think that some of these plays are lost in this new horror called development, which is a place for dramaturgs to say "let me tell you what your play means," and the life gets sucked out of a play.
Abraham Lincoln was a melancholy man, so he had a dark side that appeals to horror fans.
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