I love horror movies! I've loved horror movies since I was about eight years old, not that an 8-year-old should be watching The Shining, but I was allowed to, for some reason. Ever since then, I've loved good horror movies.
I love horror movies, so it's a real treat to be able to work on a television show of that genre, and have it actually be really, really good.
What I like about the Carpenter take on The Thing is the fact that it just has so much suspense. It seemed like a different story, with the horror elements. Those films that really speak to the primal fear that we, as human beings, have about the unknown have always intrigued me. That's the really scary thing, not the slasher, macabre movies.
Apparently there is nothing in the news that falls between inhuman acts of horror and kittens.
Civilization is based on a clearly defined and widely accepted yet often unarticulated hierarchy. Violence done by those higher on the hierarchy to those lower is nearly always invisible, that is, unnoticed. When it is noticed, it is fully rationalized. Violence done by those lower on the hierarchy to those higher is unthinkable, and when it does occur is regarded with shock, horror, and the fetishization of the victims.
There are the horror fans that love the Evil Dead because of the humor, but I’m sure it’s not all of them. Not all horror fans love Evil Dead because of the humor, at least not me.
The horror no less than the charm of real life consists precisely in the recurrent actualization of the inconceivable
Young, gay and stuck in Arkansas? Sounds like a horror flick.
Fear has disappeared. No more fear. In Asia, it is different. They've discovered again the fear and the psychology of the characters. Without psychology, the horror film doesn't exist.
A full scale nuclear exchange, lasting less than 60 minutes...could wipe out more than 300 million Americans, Europeans, and Russians, as well as untold numbers elsewhere. And the survivors-as Chairman Khrushchev warned the Communist Chinese, `the survivors would envy the dead.' For they would inherit a world so devastated by explosions and poison and fire that today we cannot conceive of its horrors.
The comic book is the marijuana of the nursery, the bane of the bassinet, the horror of the home, the curse of the kids and a threat to the future.
I've always thought the best way to teach a kid not to be scared of the dark is to fill his daylight hours with as much horror as possible.
I certainly play people on the edge quite a lot. I am interested in what makes people odd and what makes them different. In life I try to play the edges. I have a horror of the herd. There are many, many different sorts of people. A lot of people are fairly uninteresting. I want to play the interesting ones. The villains are always more interesting to portray. Shakespeare knew that.
The [concentration camps] were swarming with photographers and every new picture of horror served only to diminish the total effect. Now, for a short day, everyone will see what happened to those poor devils in those camps; tomorrow, very few will care what happens to them in the future.
I got very lucky to work with Wes Craven, very early on in my career, and continued to work with Wes for almost 19 years. I learned so much from him, and about his sense of story and his sense of horror, and that was great to be a part of.
I have a lot of stories. I had done a thing called Nightmare in Red White and Blue, which was an anthology of horror films. I narrated it with a man named Joe Maddrey, who's a writer. He came to my house and said, "Lance would you consider doing this?," and I like Joe so much that I completely relaxed.
If I would had been born years earlier, I would have been in all the Westerns. It's just the way that the industry goes. But now, we are in an age of a lot of different kinds of fears, and you have the science fiction and horror genres doing our morality plays the same way that they would have done in Westerns. I absolutely accept it. In every respect, fantasy is like doing abstract paintings.
We're not just horror fans. We're film fans. I love action films. I want to do action films. I want to do romantic comedies. I love all this stuff. So, if I find the good material, I'll do it.
I've never really been a genre fan. I never grew up reading comic books, or was a horror buff.
You make a horror film that's not very good. You'd be joining a long line, in a long video aisle, of stuff that doesn't work.
The book is about zombies, in that it is the over-arching theme, but what's going on is the story of these people and how these survivors deal. I think that's so much more of an interesting story, and that's what really gets and hooks these readers into the book and the show. It's a mix of fans of drama, fans of AMC, fans of horror and fans of Frank [Darabont]. It's a lot of people just coming together and realizing a genre doesn't have to be fixed in one specific detail.
Waiting for the horror is almost more frightening than actually seeing it. Just the pending dread.
I believe, as a producer/director, your duty is to create a beautiful horror film that really resonates.
Without context, things are not scary. Without context, like humor, horror doesn't work.
There's nothing that defines who you are more than boundaries, whether you cross them or not, in every aspect of your life, and horror is a really great boundary.
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