My knowledge of horror films is pathetic because I can't really watch them.
I'm a fan of horrors. I love the ones that make you jump. My girlfriend hates it. I've been dating her for one-and-a-half years and I'm crazy about her, but she's terrified of horror films. Not the cute 'Will you hold me?' way, but she's weeping. With 'House of Wax,' we'll be sleeping and I'll go to the bathroom and she's sitting up waiting for me.
I spent years working in low-budget horror films. When you've done 'Cannibal Women in the Avocado Jungle of Death,' you can handle anything!
I always go with the story and character and if those are good and if the setting is something that's scary (horror films seem to always take place at night and the weather's always bad) then I might be interested.
Horror films do not prepare us for the hours lost in searching after one clear thought.
I'm always a fan of a good horror film.
I mean, horror films in general put humans in these awful supernatural or horrible situations, but 'Cabin In The Woods' cranks it up a few notches and becomes outrageous and totally bizarre.
I just want to be with great teachers. If that means I'm in a horror film with good teachers, I'll do another horror film. But I would love to branch out and do more comedy or just more straight dramas.
If one horror film hits, everyone says, 'Let's go make a horror film.' It's the genre that never dies.
Scream" was great for what it was. For a horror film, it was intelligent, it was funny, it took a laugh at itself.
The scariest movie I have ever seen, and my favorite horror film is, 'The Exorcist.' It is a must-see horror/thriller classic. I watch it every couple of years.
I wanted to make a horror film about beauty.
In most horror films, you don't really get to understand why this character is the way he is.
I lived right on the borderline of a black neighborhood. So I could go into the black area and then there'd be these ghetto theaters that you could actually see the new kung fu movie or the new blaxploitation movie or the new horror film or whatever. And then there was also, if you went just a little further away, there was actually a little art house cinema. So I could actually see, you know, French movies or Italian movies, when they came out.
When people would ask me what I was doing, I'd be like, 'It's a horror film.' 'What is it about?' 'You'll just have to see it.' I really didn't want to explain it because it's really tough to explain without it just sounding really ridiculous.
I had the nightmare when I was like nine or ten or something, I always remembered pieces of that nightmare, the feeling from it. I've always wanted to make a horror film and so I always kept thinking about that nightmare.
Horror films had died a little bit before Scream came around. That was one of the reasons I wrote it. I wanted to write something that wasn't being made right now and maybe sell if I come up with a new horror film. Because no one is watching those movies. Let's do it. That was my whole goal, and it paid off. I feel like it's never stopped.
The cowboy movies is not our go-to programmer anymore, here's a horror film.
As an adult, the only people who care about horror movies are academics. No one loves to talk about horror films more than somebody with a Ph.D. in cultural studies at a university.
When horror turns into gore, when you show the monster, the killings, and the blood, it loses its suggestive powers. It loses part of what makes a horror film a horror film, which is that the images you see develop in your brain and you become the one imagining what you are not seeing on screen.
It is interesting to note that the best periods of Italian Horror films came out of the Sixties, when Italy was enjoying a carnival period of phenomenal optimism, and the shadowy side surfaced with all of its attendant dark, beautiful, baroque, catholic symbolism.
I have an Honors Degree in Drama from the University of Alberta, but when it was done I knew a life in modern theatre was not for me. While figuring out what the hell I might do instead of theatre, I spent a couple of days on a horror film doing stunt work. I'd never been behind the camera before, and I loved everything about it. I joined the local film co-op - The Film and Video Arts Society of Alberta - because you could trade skills for experience. These indie filmmakers were making their own stuff their own way, all the time. Instant education.
I'd never imagined myself writing at all until I was almost 30. And horror films weren't to my taste, at least the super popular (slasher-y) ones of the day back then. The first novel I ever loved as a kid was Frankenstein, and I was always a crazy Hitchcock and Polanski fan... but I never saw myself - a square spazzy girl from the suburbs - writing anything that would horrify anyone. Or so I thought.
I woke up one day and I realized I wasn't born beautiful, but my wife was, so I decided to make a horror film about it: what it would be like to be born beautiful.
My initial idea was I wanted to make it a horror film, very much. At times I do enter that world.
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