What I love about watching classic horror films is that they take you on a ride and they obviously make you scared because you're so invested in the characters, you're almost forgetting that oh my God, this is about to scare me.
Horror films are art, it's all make believe. It's great if a filmmaker can try to push boundaries and see how much an audience can take and see what happens. It's fun to be able to do that.
I think when the joke comes from the situation in a horror film, it's really great. I don't like jokey horror films like where people are cracking a joke or being post-modern about it.
[I was] feeling like I'd done something horrible, "I'm a despicable person and I'm perverse," and all these things, to a sense of the power and the necessity, in a sense, of horror films and dealing with dark material.
I realized that I really, almost by accident, had fallen into a labyrinthine, very powerful paradigm for dealing with these things through genre films. And once I realized that and realized the power of it, and the fact that because horror films aren't, in general, studio products - studios back them sometimes, but they don't try to meddle too much, because they kind of don't want to sully their skirts - you have a lot of freedom.
There's more emphasis on art and culture in Europe than there is in the United States and I think that a lot of American directors and writers are just trying to copy other American horror films, they don't pick up much in the way that European filmmakers do.
When I started experimenting with fantasy and horror films and looking for characters who had some sort of emotional or mental difficulty, I saw opportunities to express my music - dare I say art - in a way that I could get a bit surreal.
My brother and I are huge fans of foreign horror. Some of the most interesting movies are coming from overseas. I guess if there was one change we'd like to see, it would be more original horror films made by the studio system and less of a reliance on remakes.
As a kid, I couldn't articulate it but I sought out things that could. At first it was horror films - extreme panic and terror, grotesque and maniacal. These films calmed me and made me feel more connected in my experiences.
I like horror films and romance films. Films where you're going in being like, 'I'm coming here to be scared or to fall in love.' You have a goal.
I love horror films, so I guess it's one of those things where I find myself interested in the script.
I find that usually when I watch something like horror film, I'm constantly thinking no, it's not going to happen.
It's a very good time for horror. This business certainly has changed, but there's still room for serious horror films. Look at 28 Days Later, that's not a tongue-in-cheek picture.
Most horror films fail to scare me. I think 'The Ring' plays more as a psychological thriller. It's smarter, there's more character development and some of the themes explored go a little deeper.
Actually, I can't stand watching violent scenes in films; I avoid watching horror films. I don't tend to watch action films mainly because I find them boring, but I watch the films of David Cronenberg and Martin Scorsese, usually in a state close to having a heart attack. I'm a complete coward. I make violent films as a result of my sensitivity to violence - in other words, my fear of violence.
Perhaps in the back of our minds we already understand, without all the science I've discussed, that something terribly wrong is happening. Our sustenance now comes from misery. We know that if someone offers to show us a film on how our meat is produced, it will be a horror film. We perhaps know more than we care to admit, keeping it down in the dark places of our memory-- disavowed. When we eat factory-farmed meat we live, literally, on tortured flesh. Increasingly, that tortured flesh is becoming our own.
I’m in a band. I don’t go to church every Sunday. I love punk rock music. Sometimes I use swear words a lot. I respect and admire gay men and women. I’m obsessed with horror films. I know what shame feels like. And guess what old man? Jesus is still my Savior.
I don't think you need to spend $40 million to be creepy. The best horror films are the ones that are much less endowed.
I think it's very amazing that I do horror films when I had this awful childhood. But maybe that's why I'm good at it.
Without psychology, the horror film doesn't exist.
Pakistan now is like a horror film franchise. You know, it's 'Friday the 13th, Episode 63: The Terrorist from Pakistan.' And each time we hear of Pakistan it's in that context.
I think there's an instinct to make grotesque horror films that are purely carnal, like the 'Saw' movies.
I'm into 'The Walking Dead,' 'Shaun of the Dead,' obviously, and I've seen all the Romero movies. I am a classic zombie queen. And I love the White Walkers on 'Game of Thrones.' Weirdly, it wasn't until pretty late in life that I found my entry point into horror films.
I was always a fan of horror films as a kid.
I really liked The Children of Corn, believe it or not. And Rosemary's Baby - yeah, exactly. I've always loved it. Any time a new horror film comes out that looks appealing, I'm always excited to go see it.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: