The script's always important, but there are some things that have come out in the past year that, when we read them, everyone was like, "Oh my god, this is going to be the next best thing!" Then the movie falls completely flat on its face.
I knew when I left to go to start my career, you don't want to get in front of a band and say, uh, give me "Stardust" without saying D-flat.
The older I get, the more I think it's this listening. You listen for it, and you have a bit of patience. And it'll come until it sounds - to me, the best songs I've written, I think, are ones that I can't hear anything - any of myself in it. It sounds like a cover song, like somebody else's song - really something you've stolen wholesale off a radio that you've listened to in someone else's flat.
I think that everyone wants sexy hair, and when they think of sexy hair they think of volume - they don't think about flat, limp, lifeless hair. But for some women, it's hard to achieve because we're constantly buying these volumizing shampoos [that] leave a residue in your hair.
I had started working in television but it did not pay that much. I was 27, renting this little one-bed flat in Shepherd's Bush, West London, with a bathroom so small only someone of my size could actually get in it.
Sometimes, you have no idea why something works and other times, you put so much work and effort into something and it just falls flat.
Icons are also beautiful, with their luminous colors and gold leaf. On first glance, the subjects can seem flat, their poses artificial. But the wonder of the icons has to do with the relationship which develops between the panel and the viewer. Looking at an icon brings me a feeling of serenity; it's like a form of prayer. So I suppose in this sense, the icon is unsurpassed.
I have a scar on my forehead and the bangs were an attempt to cover that. Life sort of pushed a hair change on me, which has actually been really fun to play with. It does add a little bit of maintenance, but I have a teeny-tiny flat iron that I bought on Amazon for $20 and that has been my lifesaver. Even if all I do to get out the door is flat iron my bangs, I feel like I'm good to go.
Lagos was a city that had been turned against itself. There was a bridge that became the perfect trap for crimes, which began with nails being scattered to cause flat tyres. If the driver stopped, the car would be dismantled in 20 minutes and the parts thrown overboard [to people waiting below]. The system had turned into a kind of destructive device that could be used against people. That was the narrative.
I remember when I was 26. My father died when I was young and my mother didn't have a lot of money, so I thought, 'I want to own a flat by the time I'm 26.' So I worked towards that, literally trying to scrimp and save. But sometimes those plans don't go as you expect.
I reject what I see as flat-footed accounts of the fundamental structure of the world, where we somehow assume that, because ordinary experience involves middle-sized objects in space and time, that fundamental reality must be essentially like that.
I'm no mechanic but I can change my oil and I know what to do when I get a flat tire and I can hot-wire it in an emergency.
Minimization is what happens when we take the "world is flat" idea too far...and act as if people everywhere are the same (and thereby minimizing the differences).
Part of what I feel is that the so-called bad fairies are really only there to get you to pay some attention. They trick you up until you're lying flat on your back and you literally have another point of view. They're about loosening up being rigid. They trip you over to break the barrier between you and the world. So their so-called "badness" actually can be quite instrumental in helping you with things.
There's always a pattern in order to make a thing, but the starting point must be something I've never seen before. It's not two-dimensional, but it's like a sample. I work with patterns like a sculptor. I try to get [the team] not to work on a body, [but] to work on a free space, on a table. The work is basically on flat surfaces.
I try my very hardest to remember that I don't have to be anything but Evangeline. That's all that's expected of me. And if I try to be more or less, I will fall flat on my face. So if I just continue to hold my head high and keep myself in check, I'm being who I was born to be.
A flat tax is roughly the same as a sales tax.
The program I use is called MED Soundstudio. It's basically a column of numbers that relate to pitch, duration, the type of sound. If I want to play a chord, I have to press keys on a keyboard - like a computer keyboard, on my Amiga - that relate to sharps and flats, note by note.
I think the Yamaha has a giant quality. When you combine the Yamaha with other organs, you get this crazy rectangular sound. It's kind of flat and thick.
I have the best of both worlds. I have all the accolades that come with something like that video, but I don't have people stopping me on the street and being like, "Oh, my God, dance for me." I have probably only been recognized three or four times flat out - someone saying, "Are you the Evolution of Dance guy?"
I stopped going out and taking pills and I started hanging out and learning about flat eleven chords.
We just worked hard to not just get things right and authentic, but also to make it consistent and visually right. For instance, there are colours that aren't in the film that would have been there in reality. I think part of the look of the film not only has to do with the way it's shot and lit, but also the lack of certain colours that give it a softness which really suits it because there's more focus on the characters. For instance, there's no yellow at all until we get to Miss Stubbs' flat at the very end.
Part of what I do comes from the fact that I don't know any jokes to tell. And when I do they're really flat and don't work.
The media is uncritical, and their so-called the concept of objectivity translates into keeping everything within the Beltway. However, Iraq was quite different. Here, there were flat-out lies, and they sort of knew it. They were desperately trying to make connections between Saddam Hussein and 9/11.
I don't think every African-American or Latino have the same body type, but, yes, that's been one of the excuses ... saying that African-Americans are too muscular or just aren't lean enough. Usually they say, "Oh, they have flat feet so they just don't have the flexibility that it takes to create the line in a point shoe."
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