When it comes to my vocabulary, I felt a responsibility when I was teaching to raise the bar of conversation in my classroom. And with my own students, I refused to let them use the phrase "I like" or "I don't like" when we were engaged in a critique.
I never felt like I was stealing anyone's fans as much as I was introducing some younger people to comedy who will eventually find tons of other comedians that they love.
Failure's relative. I've always felt, even early on, if I lose the freedom to fail, something's not right about that. It's how you treat failure, too. There's something to learn from it. I've had movies that have failed colossally, so you kind of analyze your failures: What kind of failure was it? A failure because it's misunderstood by others? A failure because you misunderstood it yourself?
The reasons you have for doing a movie will vary with the way your life is going. There was a time when a made a some movies because I felt I needed to work. And I didn't think about the material as much. But sometimes I've thought about the material a lot and thought I was doing the right thing, and it didn't work out.
Women have always had equal importance onstage, and working with them must have altered my sensibilities. I've never felt sensitive to the whole issue, because being macho has never been a problem with me.
Playing drums or music, being a musician, is inside of you. So you would always see me tapping on something, playing on tables... I never felt the need to pull out drums.
Sometimes it's nice to be able to reflect on the music itself and then write lyrics that I feel anyone can relate to. It's not my dreaming tree that is dead. The feeling of a loss of hope is universal. There are moments that we've all felt a little bit of it, so I don't think it is something that is too hard to identify with.
But I think a life of raising prize cattle, going shooting two or three times a year, fishing in the summer, and interspersing the whole thing with some golf and bridge - and whenever I felt like talking or writing, doing it with abandon and with no sense of responsibility whatsoever - maybe such a life wouldn't be so bad.
I'm incredibly flattered when people tell me that my books helped them through high school. Because of my own experience, the thought that something I wrote might help someone who felt the way I did when I was a teen...that's huge. It awes me.
I'd always enjoyed the comics more, and felt that as long as I was unemployed it would be a good chance to pursue that and see what response I could get from asyndicate, as I didn't have anything to lose at that point. So I drew up a comic strip - this was in 1980 - and sent it off and got rejected. I continued that for five years with different comic strip examples 'til finally Calvin and Hobbes came together. But it's been a long road.
The thing that I remember the most in my childhood was the love of family and the discipline in the family. My father and mother both were disciplinarians, and they didn't mind using the rod. Maybe because I was the oldest child I always felt I got much more of it than anybody else.
Obviously, throughout my career, I've always felt like certain things come to me at the right time. When I look at the work that I've done, it's always very indicative of where I was in my life at the moment.
I was really not a good student, and I felt that shame every day. That's one of the reasons I started smoking pot and drinking daily.
I have always felt a little bit uncomfortable with question [why I'm write these stories]. It's not a question that you would ask a guy that writes detective stories or the guy that writes mystery stories, or westerns, or whatever. But it is asked of the writer of horror stories because it seems that there is something nasty about our love for horror stories, or boogies, ghosts and goblins, demons and devils.
Charity is to unburden you from your guilt, so you say, `I am doing something: I going to open a hospital, going to open a college. I give money to this charity fund, to that trust....` You feel a little happier. The world has lived in poverty, the world has lived in scarcity, ninety-nine percent of people have lived a poor life, almost starving and dying, and only one percent of people have lived with richness, with money - they have always felt guilty. To help them, the religions developed the idea of charity. It is to rid them of their guilt.
I always felt called to serve, to empower and ennoble as many people as I could, teaching, truth-telling, exposing lies, bearing witness, and being willing to live and die for something bigger than yourself.
In terms of work, I never felt that I've done it right. I always want to have done it differently, to have done it better, a different way.
Film has always been hard for me, I'm basically a stage actress. I never felt comfortable in front of the camera.
I felt hopeful for the future because Obama is here. But nothing has changed. It's time for young kids to get serious again and really think about what their four fathers were like. As African-Americans, we are resilient, we are some bad mf-ers, and we are survivors. So get those i-pods out of their ears and become heroes again like the Freedom Riders.
I was so horny in school it felt like my body was filled with electricity. I felt like I had neon bones or something.
I've never felt grounded because of my ancestry or my gender. I think until women get away from that they're not going to be great writers.
I've always felt that I'm affected by the world, by the way we treat each other, by the way different countries treat each other. I've always been very affected by politics, society, but I never got to a place as a writer where I felt like I could begin to deal with such things and do it well.
I was in fact anxious about whether I would be any good at being a father. And then I met so many people who had been good parents under difficult circumstances, and I felt inspired by them.
I felt like all of the work was training for just one central idea: Accept your child for who he is. I'm not saying that I've done a brilliant job with that. But I've done my best.
The realization that you're not always standing down there on the field merely to win, to be successful, was very liberating. One can be successful by helping the team, the other players. All of a sudden I felt the kind of empathy for people that I hadn't felt before.
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