You can't live in the digital and die in the analog.
Overloading attention shrinks mental control. Life immersed in digital distractions creates a near constant cognitive overload. And that overload wears out self-control.
The inherent non-linearity of the digital allows for more input from others, including the subject and reader as collaborators. The top-down, bedtime-style story is of limited use. A non-linear narrative that allows for increased complexity and depth, and encourages both subject and reader to have greater involvement, will eventually emerge more fully from the digital environment. This, in a sense, is the more profound democratization of media.
Right now is a very interesting time because of the digital cameras, and the fact that you can edit anywhere. It's a great time to be a filmmaker, is a great time to be starting off.
And as particles are living digital elements, moving on their own according to the various attributes (such as weight, speed, shape) given to them by the animator, we don't know what the visual result will be until everything is completed. This result can often be unsatisfying, obliging us to repeat the process all over again, with new features.
I don't really listen to my old stuff, but on occasion, I would either hear a track on the radio or a friend might play me one, and there was generally a bit of an edgy sound to it, which was mainly due to the digital equipment that we were using, which was state of the art at the time - and I think everyone felt pressured to be working that way.
I think my biggest advice to filmmakers is to look into the many digital platforms that exist for you and your team to distribute your film.
What's been missing from digital music sales has been the possibility of added depth. In a printed package one can only include so many images and so much text - for example - but digitally it's wide open. For the most part at the moment we get less information for slightly less money - though we could be getting a lot more.
I think traditional is trying to go more digital and digital is trying to go more traditional. We're meeting in the middle.
Poetry of all the forms of literature I think is the most suited for the digital age and for the shorter attention spans and all of that. It Twitters very easily, some lyric poems and it's very easy to zip a poem to someone, so that's one of the things I think is wonderful about poetry in the digital age.
My first advice would be to read, read, read, which sounds interesting coming in a digital age, but it's so much easier to listen to a poem than it is to sit down and actually read it and to hear it in your head and that is something that every poet or aspiring poet needs to be able to do, I think to hear it in their head.
The stored-program digital computer has three major attributes: it is fast, it is accurate, and it is stupid. The first two attributes are often used to disguise the third.
As Indian citizens, we subsist on a regular diet of caste massacres and nuclear tests, mosque breakings and fashion shows, church burnings and expanding cell phone networks, bonded labor and the digital revolution, female infanticide and the NASDAQ crash, husbands who continue to burn their wives for dowry and our delectable stockpile of Miss Worlds. What's hard to reconcile oneself to, both personally and politically, is the schizophrenic nature of it.
Digital clocks took the 'space' out of time.
I don't care about the clubs, I don't care about the radio, all I care about is getting my digital downloads.
You can't believe any picture nowadays, if it's digital. You can't really believe. If you see me shaking hands with Mr. [Barack] Obama, it doesn't mean I ever met him, does it?
I think distribution has become a lot harder. With the whole explosion of digital video, there's just a lot more people making films. Distributors have a lot more choice. I do think there's an audience out there for small films. It's obvious to me what the studios do: they've co-opted independent film. They all have their independent arm. They can afford to crush the competition.
The main reason I went to digital was because I got time-lapse, video, and still images all in one camera. Having a minimal amount of gear is really important for someone who wants to walk around. That allowed me to have this flexibility to document things in different ways.
Digital television is no longer a probability, it is a certainty.
I'm just so happy and proud of everybody and what everybody's doing. From Curren$y doing decent numbers with the independent, digital release; from Asher selling 1.1 million-plus on iTunes with the single and almost at 200,000 [albums sold] now; Cudi got almost 4,000 BDS's a week; Mickey Factz doing the Rock The Bells tour; Blu signed a deal shortly after; Ace Hood had two very successful singles, another album getting ready to drop. Everybody's doing their thing, man.
Above all, the translation of books into digital formats means the destruction of boundaries. Bound, printed texts are discrete objects: immutable, individual, lendable, cut off from the world.
The entire customer or user experience - from raising awareness, to buying a product / taking action, to getting customer support - is going digital.
At Yahoo, we were one of the early proponents of the power of content showcased through new media. SnagFilms, with its large library and breadth of digital distribution, can help shape this next phase, bringing great stories to broad new audiences.
I've never told anyone this, in an effort to run from my past and disguise it, I got rid of all of the scrapbooks my mother kept going back to when I was a baby. Truly. So that's why whenever talk show hosts or a producer asks for these pictures, there are barely any. My sister had a few, but that's it, and this was before digital. I've never told anyone that, but that's the truth.
In this 21st century, bedtime doesn't matter at all. All that matters is what you set for your DVR [Digital Video Recorder].
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