Through dialogue, the teacher-of-the-students and the students-of-the-teacher cease to exist and a new term emerges: teacher-student with students-teachers.
Dialogue cannot exist without humility.
Faith in people is an a priori requirement for dialogue.
Backs dialogue for solving disputes and not military power and threats.
When you do not have the dialogue to explain things, you will use everything to show and to tell the story. I think that this is what makes you believe that it is impeccable
Your rainbow panorama enters into a dialogue with the existing architecture and reinforces what is assured beforehand, that is to say the view of the city. I have created a space which virtually erases the boundaries between inside and outside – where people become a little uncertain as to whether they have stepped into a work or into a part of the museum. This uncertainty is important to me, as it encourages people to think and sense beyond the limits within which they are accustomed to moving.
We must learn to outgrow our egos in exchange for constructive dialogue rather than debate. In addition, we must be capable of stating problems and proposing solutions clearly and succinctly, without distortion of meaning or misunderstanding, even when these solutions are radically opposed to accepted norms.
That which man dreams of and to Which he aspires, unless fulfilled in his own lifetime, can produce no actual satisfaction to him. It will be self deceiving and a waste of time to advocate dialogue with those who are not ready to listen, because it is obvious that the freedom of millions is not a commodity subject to bargaining. It is better to die free than to live as slaves.
Prayer is first of all listening to God. It's openness. God is always speaking; he's always doing something. Prayer is to enter into that activity... Convert your thoughts into prayer. As we are involved in unceasing thinking, so we are called to unceasing prayer. The difference is not that prayer is thinking about other things, but that prayer is thinking in dialogue,... a conversation with God.
Hollywood films are alienating to the spectator because they use too much dialogue, too much explication and leave no space for the viewer. They depress me. I use direct sound, mono not stereo. Just direct sound, so for every shot there are only two sources. Sound creates an intimate effect: the sensation to feel the place. It makes the viewer enter. You have the liberty to hear what you want.
Once I have the idea for a story. I start collecting all kinds of helpful information and storing it in three-ring notebooks. For example, I may see a picture of a man in a magazine and say, 'That's exactly what the father in my book looks like!'...I save everything that will help--maps, articles, hand-jotted notes, bits of dialogue from conversations that I overhear.
I don't go into the studio with the idea of 'saying' something. What I do is face the blank canvas and put a few arbitrary marks on it that start me on some sort of dialogue.
Contrary to what I once thought, scientific progress did not consist simply in observing, in accurately formulating experimental facts and drawing up a theory from them. It began with the invention of a possible world, or a fragment thereof, which was then compared by experimentation with the real world. And it was this constant dialogue between imagination and experiment that allowed one to form an increasingly fine-grained conception of what is called reality.
If you have a good ear for dialogue, you just can't help thinking about the way people talk. You're drawn to it. And the obsessive interest in it forces you to develop it. You almost can't help yourself.
I’m self-entertaining. My dialogue is with myself.
The style, often found difficult in the earlier books, is just as individual but more perfectly modulated to experience, and the dialogue is much closer to contemporary idiom, especially when those cadences have been masterfully twisted to satirical ends.
And in the last sentence I would like also to mention that Poland is one of the countries with which the United States has run strategic dialogues since last year.
Over the last 40 years, I have built MW into a multi-billion dollar company with amazing employees and loyal customers who value the products and service they receive at MW. Over the past several months I have expressed my concerns to the Board about the direction the company is currently heading.Instead of fostering the kind of dialogue in the Boardroom that has in part contributed to our success, the Board has inappropriately chosen to silence my concerns through termination as an executive officer.
Everything Brecht wrote—plays, dialogues, and poetry—was his attempt to clarify the inner contradictions not only of the capitalism and fascism of his times, but also of the communism that was always disappointing his deepest hopes. In a book that makes Brecht’s struggle to reveal these hidden contradictions its central theme, Glahn issues, by implication, a call to arms to today’s artists—who are faced with a world that seems to defy attempts to treat the global crisis with an art that is rarely more than notes on ‘local’ angst.
The 1992 US Olympic basketball team is the best sports team ever, the equivalent of rounding up the greatest American writers of the last century or so and watching them collaborate: 'OK, Twain, you do the dialogue and hand off to Faulkner. He'll do the interior monologue. Hemingway will edit - no, don't make that face, you know you overwrite. And be nice to Cheever. He's young, but he's got a good ear. Wharton and Cather can't play - they're girls.'
As a reporter, you develop an ear for dialogue because it's your job to capture it accurately.
I'd like to get more bit-acting roles. I don't know if my talent would allow for a long dialogue, but I could definitely knock out three lines.
For me, it really is about a dialogue. Life can be really isolating or terrifying or euphoric - it's all these things. And while I'm here I want to have an exchange. I want something to vibrate. And I want to be really stimulated.
We see buildings in Britain mostly as freestanding objects. They are not meant to have a dialogue with anything around them, or with history, or with ideas of any kind beyond the self-referential. What we call 'regeneration' is largely an excuse for building for maximum profit with a bit of sculptural design thrown in to catch the eye of the media.
We should not see print and electronic literature as in competition, but rather in conversation. The more voices that join in, the richer the dialogue is likely to be.
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