Dialogue Quotes - Page 37

• Desi, Desi, Desi what am I going to do with you? (Kyrian) Don't you dare take that flippant tone with me! (Desiderius) Why ever not? (Kyrian) Because I am not some scared little Daimon to run cringing from you. I am your worst nightmare. (Desiderius) Must you resort to cliches? C'mon, Desidisastrous, couldn't you think of anything more original than that B-movie dialogue staple? (Kyrian)

  Sherrilyn Kenyon

  Running, Thinking, Worst Nightmares

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• We were in dialogue that was about something other than what we were saying.

  Lorrie Moore

  Lorrie Moore (2009). “A Gate at the Stairs”, p.76, Vintage

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• Ack!" I said. Fearless master of the witty dialogue, that's me.

  Jim Butcher

  Witty, Fearless, Harry Dresden

  Jim Butcher (2010). “Changes: A Novel of the Dresden Files”, p.29, Penguin

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• A dialogue is very important. It is a form of communication in which question and answer continue till a question is left without an answer. Thus the question is suspended between the two persons involved in this answer and question. It is like a bud with untouched blossoms . . . If the question is left totally untouched by thought, it then has its own answer because the questioner and answerer, as persons, have disappeared. This is a form of dialogue in which investigation reaches a certain point of intensity and depth, which then has a quality that thought can never reach.

  Jiddu Krishnamurti

  Communication, Two, Important

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• I leave you free to imagine any dialogue you please. Choose whatever may charm you. Have it, if you like, that they hear the voice of the blood, or that they fall in love at first sight... Conceive the wildest improbabilities. Have it that the depths of their beings are thrilled at accosting each other in slang. Tangle them suddenly in a swift embrace or a brotherly kiss. Do whatever you like.

  Jean Genet

  Falling In Love, Kissing, Sight

  Jean Genet (1994). “Our Lady of the Flowers”, p.59, Grove/Atlantic, Inc.

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• In a public dialogue with Salman in London he [Edward Said] had once described the Palestinian plight as one where his people, expelled and dispossessed by Jewish victors, were in the unique historical position of being 'the victims of the victims': there was something quasi-Christian, I thought, in the apparent humility of that statement.

  Christopher Hitchens

  Christian, Atheist, Humility

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• Miss Butterworth and the Mad Baron,” Sebastian said approvingly. “Excellent choice.” “You have read this?” Alexei asked. “It’s not as good as Miss Davenport and the Dark Marquis, of course, but worlds better than Miss Sainsbury and the Mysterious Colonel.” Harry found himself rendered speechless. “I’m reading Miss Truesdale and the Silent Gentleman right now.” “Silent?” Harry echoed. “There is a noticeable lack of dialogue,” Sebastian confirmed.

  Julia Quinn

  Reading, Dark, Mad

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• Life is, to some extent, an extended dialogue with your future self about how exactly you are going to let yourself down over the coming years.

  Charles Yu

  Self, Years, Life Is

  Charles Yu (2010). “How to Live Safely in a Science Fictional Universe: A Novel”, p.111, Vintage

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• We define our identity always in dialogue with, sometimes in struggle against, the things our significant others want to see in us. Even after we outgrow some of these others—our parents, for instance—and they disappear from our lives, the conversation with them continues within us as long as we live.

  Charles Taylor

  Struggle, Long, Parent

  Charles Taylor (1995). “Philosophical Arguments”, p.230, Harvard University Press

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• It is wrong to turn a man (a subject) into a thing (an object). By means of spiritual dialogue, the I-It relationship becomes an I-Thou relationship. God comes and goes in man's soul. And men come and go in each other's souls. Sometimes they come and go in each other's beds, too.

  Saul Bellow

  Spiritual, Mean, Men

  Saul Bellow (1976). “Herzog”, Penguin (Non-Classics)

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• Keep a diary, but don't just list all the things you did during the day. Pick one incident and write it up as a brief vignette. Give it color, include quotes and dialogue, shape it like a story with a beginning, middle and end—as if it were a short story or an episode in a novel. It's great practice. Do this while figuring out what you want to write a book about. The book may even emerge from within this running diary.

  John Berendt

  Running, Book, Writing

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• It's taken years for me to understand that dying doesn't end the story; it transforms it. Edits, rewrites, the blur, aand epiphany of one-way dialogue. Most of us wander in and out of one another's lives until not death, but distance, does us part-- time and space and heart's weariness are the blander executioners or human connection.

  Gail Caldwell

  Distance, Taken, Heart

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• I remember asking myself one night, while I was curled up in the same old corner of my same old couch in tears yet again over the same old repetition of sorrowful thoughts, 'Is there ANYTHING about this scene you can change, Liz?' And all I could think to do was stand up, whle still sobbing, and try to balance on one foot in the middle of the living room. Just to prove that - while I couldn't stop the tears or change my dismal interior dialogue - I was not yet totally out of control: at least I could cry hysterically while balanced on one foot.

  Elizabeth Gilbert

  Thinking, Night, Feet

  Elizabeth Gilbert (2009). “Eat Pray Love: One Woman's Search for Everything”, p.52, Bloomsbury Publishing

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• To just let go, and not pick everything to death. To just let go and enjoy what you had. To just let go and not make everybody around you miserable with your own internal dialogue. To just let go and be happy. So simple. So difficult. So terrifying.

  Laurell K. Hamilton

  Letting Go, Simple, Miserable

  Laurell K. Hamilton (2005). “Incubus Dreams: An Anita Blake, Vampire Hunter Novel”, p.59, Penguin

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• Tolerance, inter-cultural dialogue and respect for diversity are more essential than ever in a world where peoples are becoming more and more closely interconnected.

  Kofi Annan

  Diversity, Tolerance, Essentials

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• Science fiction is a dialogue, a tennis match, in which the Idea is volleyed from one side of the net to the other. Ridiculous to say that someone 'stole' an idea: no, no, a thousand times no. The point is the volley, and how it's carried, and what statement is made by the answering 'statement.' In other words — if Burroughs initiates a time-gate and says it works randomly, and then Norton has time gates confounded with the Perilous Seat, the Siege Perilous of the Round Table, and locates it in a bar on a rainy night — do you see both the humor and the volley in the tennis match?

  C. J. Cherryh

  Night, Ideas, Tennis

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• For me a page of good prose is where one hears the rain. A page of good prose is when one hears the noise of battle.... A page of good prose seems to me the most serious dialogue that well-informed and intelligent men and women carry on today in their endeavor to make sure that the fires of this planet burn peaceably.

  John Cheever

  Rain, Intelligent, Men

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• Do you like manga?" she asked after a minute. "Anime?" "Anime's cool. I'm not really into it, but 1 like Japanese movies, animated or not." "Well, I'm into it. I watch the shows, read the books, chat on the boards, and all that. But this girl I know, she's completely into it. She spends most of her allowance on the books and DVDs. She can recite dialogue from them." She caught my gaze. "So would you say she belongs here?" "No. Most kids are that way about something, right? With me, it's movies. Like knowing who directed a sci-fi movie made before I was born.

  Kelley Armstrong

  Girl, Book, Kids

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• Things are going so well. We’re volleying words back and forth. Everything she says, I have something I can say back. We’re sparking, and part of me just wants to sit back and watch. We’re clicking. Not because a part of me is fitting into a part of her. But because our words are clicking into each other to form sentences and our sentences are clicking into each other to form dialogue and our dialogue is clicking together to form this scene from this ongoing movie that’s as comfortable as it is unrehearsed.

  David Levithan

  Together, Watches, Our Words

  Rachel Cohn, David Levithan (2014). “Nick and Norah's Infinite Playlist”, p.47, Egmont UK

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• What some now call 'emerging Christianity' or 'the emerging church' is not something you join, establish, or invent. You just name it and then you see it everywhere- already in place! Such nongroup groups, the 'two or three' gathered in deep truth, create a whole new level of affiliation, dialogue, and friendship.

  Richard Rohr

  Names, Two, Church

  Richard Rohr (2011). “AARP Falling Upward: A Spirituality for the Two Halves of Life”, p.127, John Wiley & Sons

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• Alafair Burke understands the criminal mind. Long Gone is both an education and an entertainment of the first order. This is a very clever and very smart novel by a very clever and smart writer. The dialogue crackles, the plot is intriguing, and the pacing is perfect.

  Karin Slaughter

  Clever, Smart, Order

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• If you are willing to take an instant to withdraw attention from whatever your internal dialogue is, to withdraw energy from whatever the latest point of view about your suffering is, it is immediately obvious what is here: the fullness, the richness and the love of oneself as conscious life.

  Gangaji

  Views, Suffering, Energy

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• The remarkable insights that science affords us into the intelligible workings of the world cry out for an explanation more profound than that which itself can provide. Religion, if it is to take seriously its claim that the world is the creation of god, must be humble enough to learn from science what that world is actually like. The dialogue between them can only be mutually enriching.

  John Polkinghorne

  Humble, Profound, World

  John Polkinghorne (1995). “Serious Talk: Science and Religion in Dialogue”, p.75, A&C Black

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• The most important aspect of freedom of speech is freedom to learn. All education is a continuous dialogue - questions and answers that pursue every problem on the horizon. That is the essence of academic freedom.

  William O. Douglas

  Graduation, Essence, Academic Freedom

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• A good debater is not necessarily an effective vote-getter: you can find a hole in your opponent's argument through which you could drive a coach and four ringing jingle bells all the way, and thrill at the crystallization of a truth wrung out from a bloody dialogue - which, however, may warm only you and your muse, while the smiling paralogist has in the meantime made votes by the tens of thousands.

  William F. Buckley, Jr.

  Jingles, Thrill, Bells

  William F. Buckley, Jr. (1966). “The Unmaking of a Mayor”, Viking Adult

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