Through my work and ways of expression, I strive to engage in dialogue with the society that I am living in.
It was nice that there [ in the Bourne Ultimatum ] was a reference to the relationship . It's very subtle - it's actually without dialogue. I do think it's powerful even without words.
Bill Pullman is older than Aaron Eckhart - although I was older too - and the age difference changes the play. My perspective on those issues had changed a lot. Without going into nerdy details about that play, there was something that still stuck with me. I still had the same joy in that dialogue and David Mamet's rhythm in terms of his writing. I felt like there was still something to explore.
While most people are conditioned to see the body as a biological machine, you can begin to view it as a field of energy, transformation, and intelligence that is constantly renewing itself. Begin to notice both your internal dialogue and how you speak about your body and aging.
I think it was there before, but - because of social media, too - there are these people who fancy themselves as tolerant, and don't see the hypocrisy and double standard of how they're not tolerant at all, and they're just strident and they don't listen. There's no dialogue anymore. That's maybe, truly, the worst part of Trump's legacy is just people yelling at each other.
All modesty aside, I think I'm good at reading scripts. The way I read a script is as fast as I can, all in one sitting, and I don't read many of the stage directions. I only read enough stage directions to let me know where I am, because they're always so verbose and mostly horseshit. So I only read the dialogue, which allows me to see the movie in my mind's eye in real time.
Martin [Luther King] wasn't, basically, the kind of person - certainly at the stage that I knew him closest - wasn't the kind of person you could engage in dialogue with, certainly, if the dialogue questioned the almost exclusive rightness of his position.
My objective is to build a bridge to a person, to establish a dialogue.
Sharing my faith is not a monologue, it is a dialogue.
When I get up to speak tonight, it's kind of a monologue. When I am talking with someone one-on-one, it's a dialogue. I ask them questions; I listen; I respond appropriately. I think we can do it in a loving way.
Artists who are relevant today won't be tomorrow unless someone does the right thing by their character and preserves it in the dialogue of a movie.
The goal is to keep the dialogue open. There are issues in the USA that a lot of people feel strongly about. The goal is just to fix those issues. To make progress on those issues.
When the dialogue is on point and I feel like the overall story and message is really serving something that's socially progressive, it really makes me want to be a part of it.
There is no other way to settle the Syrian conflict other than by strengthening the existing legitimate government agencies, support them in their fight against terrorism and, of course, at the same time encourage them to start a positive dialogue with the "healthy" part of the opposition and launch political transformations.
I think that both Russia and other international actors, including those who are more actively engaged in the resolution of the Ukrainian crisis (that is the Federal Republic of Germany and France, the so-called Normandy Quartet, certainly, with close involvement of the United States, and we have intensified our dialogue on this issue), we should all be committed to the full and unconditional implementation of the agreements that were achieved in Minsk. The Minsk Agreements have to be implemented.
Do you think that it is possible to have a dialogue with the representatives of Lugansk and Donetsk if they all are being prosecuted and subject to criminal proceedings? That is exactly why the Minsk Agreements establish to adopt an amnesty law. However, it has not been adopted.
If the United Kingdom considers it necessary to start a dialogue on certain issues, we are ready for that, we are not going to pout or sulk. We take quite a pragmatic approach towards cooperation with our partners and we believe that it would be beneficial for both our countries.
In effect, Gore is unwittingly characterizing a large segment of the US population as the next 'Willie Horton.' This is unfortunate and counterproductive to any dialogue between those who 'believe' and those who don't.
Something like film, I guess there are so many elements to it, like the dialogue and what makes sense culturally.
It's through the voice that I tend to figure out the character (and through dialogue that I come to understand other characters).
The nowadays ruling that no word is unprintable has, I think, done nothing whatever for beautiful letters. The boys have gone hog-wild with liberty, yet the short flat terms used over and over, both in dialogue and narrative, add neither vigor nor clarity; the effect is not of shock but of something far more dangerous — tedium.
Sam Vimes could parallel process. Most husbands can. They learn to follow their own line of thought while at the same time listening to what their wives say. And the listening is important, because at any time they could be challenged and must be ready to quote the last sentence in full. A vital additional skill is being able to scan the dialogue for telltale phrases such as "and they can deliver it tomorrow" or "so I've invited them for dinner?" or "they can do it in blue, really quite cheaply.
I was at a loss suddenly; but conscious all the while of how Armand listened; that he listened in the way that we dream of others listening, his face seeming to reflect on every thing said. He did not start forward to seize on my slightest pause, to assert an understanding of something before the thought was finished, or to argue with a swift, irresistible impulse -- the things which often make dialogue impossible. And after a long interval he said, 'I want you. I want you more than anything in the world.
He'd discovered that his memories of that summer were like bad movie montages - young lovers tossing a Frisbee in the park, sharing a melting ice-cream cone, bicycling along the river, laughing, talking, kissing, a sappy score drowning out the dialogue because the screenwriter had no idea what these two people might say to each other.
I'm very much aware in the writing of dialogue, or even in the narrative too, of a rhythm. There has to be a rhythm with it … Interviewers have said, you like jazz, don’t you? Because we can hear it in your writing. And I thought that was a compliment.
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