It took forever for me to get work because I was a political comic, and now it's become good business, and God knows how long that'll last. You have to do it night after night after night to kind of make it. I still find myself on 'Piers Morgan' or on some show and I think, 'I hope this is funny.'
I got booted out third, but to me [Last Comic Standing] was a lot like Rambo II...I don't really remember much...there was rats, people bombing, screaming, yelling, and a middle aged guy with a shaved chest got beat by somebody from the Viet Cong.
I always bring my kids vacation souvenirs printed in Comic Sans, so they know I love them but not unconditionally.
To make sure that my blasphemy is thoroughly expressed, I hereby state my opinion that the notion of a god is a basic superstition, that there is no evidence for the existence of any god(s), that devils, demons, angels and saints are myths, that there is no life after death, heaven nor hell, that the Pope is a dangerous, bigoted, medieval dinosaur, and that the Holy Ghost is a comic-book character worthy of laughter and derision.
What looks tragic might be comic on second consideration, and what is comic might bring tears in time.
Whatever kind of story you're telling, whether it's a genre piece for a comic book or whatever it is, it has importance because it's all a metaphor for the existence of our being.
The curse of comic book adaptations, when I was younger, was that the director or producer would go, "Don't worry about it, it's just a comic book."
I think jazz and comic books are probably the two uniquely American art forms.
My casting process was slightly different and slightly interesting insofar as I knew everybody could act. That's something you've seen. You know people can. You've seen them on the screen and you think either they're a good actor or a bad actor. So that's not the point. What I wanted to do was find people who I thought would have a similar comic sensibility.
I don't subscribe to the school of thought that as a feature film producer I shouldn't dabble in television, web content, or even comic books...
The Marvel cinematic universe and the Marvel animation universe are things that are very true, in terms of the DNA of what it is. But if, at the end of the day, all we're doing is telling stories that have appeared in the comic books already, then we're not really challenging anybody.
Rory is very established in England, which you are seeing right now with Bond. But his father Roy Kinnear was a very, very beloved comedy actor here in the UK. And Rory actually even looks a bit like his dad. And so it makes a lot of sense to me that Rory has such good comic chops because it's in his blood. He's very, very funny as Sean.
I think that you're very aware that you're shooting a 3D film for a movie that's beloved to the fan community, and that it's going to be on people's radar, and that you have to be excellent. I think it evolved over time how epic it has become. The first time we went to Comic-Con after we finished shooting I went, "oh my goodness, oh my goodness!"
Oddly, I think if you look at comic books, you look at the shelves in the store, it's predominantly male characters, historically. But if you look outside the window it's 52-percent female, and something odd is going on there. So I do think it's your responsibility as a writer, really, to create stuff that little girls can get into too. I want my daughters to have role models that are female.
Comic artists have always been part of my social circle. I just like hanging out with artists, and I always see them at conventions or a store signing or something. "Hey, we should do something together."
I'm very lucky that I have this other career that runs alongside my comic career, which is a film career, and I've been given this really lovely setup where they seem to make the movies very quickly as well.
I just trust the people involved. Marvel and DC for the last 16 years - is that 90 percent of the time it's incredible top talent. Like, this is what makes it different from the pre-2000 superhero movies. I would say, except Tim Burton and Richard Donner, it was generally, comic book movies were done by guys who weren't that into the material and people who didn't really respect the stuff. But as everything, whether it's Wolverine, X-Men, Avengers, Batman, all these things, it's just been done by top-tier people. I have total confidence that they'll continue that tradition of being great.
There's almost a universe as big as the Marvel Universe with X-Men. I mean, Deadpool is something I think everybody was taken surprise by, except for the people who read the comic book.
When that character and the X-Force appeared, they took the comic world by storm. You have to look at those numbers. And you see that that isn't Rob Liefeld's only creation. There's all these other things, like Cable and Domino. There's so many things that actually could be fascinating onscreen and unlike anything you've ever seen before onscreen. So I think Fox is in a really nice position where they've got something that feels as wide and different as the Marvel Universe.
I wasn't a great improviser when I started there; I'm not really up on current events. I would always just mug, just try to get my laughs from making faces. So I decided to do a character who should never have become a comic - somebody you would see at the Comedy Store and go, "This person is never going to make it."
It's a lot easier to say you're a comic than a performance artist.
I remember being in a comic shop with my son, with my ten year-old son and he put his hand over my eyes. He was embarrassed about me seeing the comics at Forbidden Planet.
There is a visual narrative that is implicitly understandable even when you don't understand the words and in a good comic, and they are hard to find, but good comics have parallel intertwined narratives.
A lot of times I play the villain or the comic relief, and I get to kind of play the comic relief to a degree, which is fun, but I also get to say, "You are created in the image in God. You are a perfect child of God. And this part of you is the heart of who you are. You're not alone, and you're okay just the way you are."
Hollywood wanted a certain type of comic - that Def Jam comedy style of comic that was very loud, very brash, very much from the ghetto, had that sensibility.
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