I like the early comic book characters more than the new ones.
The magic of comics is that there are three people involved in any comic: There is whoever is writing it, and whoever is drawing it, and then there's whoever is reading it, because the really important things in comics are occurring in the panel gutters, they're occurring between panels as the person reading the comics is moving you through, is creating a film in their heads.
The latest spin on the Marvel comic-book hero delivers the popcorn goods.
Rashida Jones is simply glorious. Andy Samberg shines in a grounded performance that digs deep, sharply funny and touching, a breath of fresh comic air!
Zach Galifianakis is a comic force of nature! He is terrific. He digs down here and delivers a beautifully nuanced performance that gets under your skin. Just like the movie.
I'd like to do more comedy, but i think my forte is still in the heavy. I'd love to do a comic lead, a musical.
I never thought of myself as a comedic actor. I didn't go to Second City, that's not my background, I'm not a comic, I studied theater and my career when I started was a lot of dramatic stuff.
I love comic books - maybe to a fault sometimes.
My grandpa was an amateur stand-up comic when I was growing up. ... He'd have me come up onstage with him to deliver a punch line: 'Why is your nose in the middle of your face?' 'Because it's the scenter.'
It's interesting, gender versus race. I think people say that to women more: 'Oh, you're my favorite female.' They wouldn't say 'favorite black comic.'
The other cool thing is, even with Jessica [Johnson], or Daredevil, I had taken a break from those characters for a while in the comics, so I can enjoy the shows without the agita. I completely love the Daredevil show. I feel no physical connection to it, because it was 10 years ago since I wrote that comic, so I can just enjoy it. And when people connect it in a positive way to me, I go, "Well, that's very f - king flattering!"
More and more, I tried to make comics in the way I like to read comics, and I found that when I read comics that are really densely packed with text, it may be rewarding when I finally do sit down and read it, but it never is going to be the first I'm going to read, and I never am fully excited to just sit down and read that comic.
You need to be, like, turning down high-paying illustration work because you want to work on your comic. That's when you know you're doing something good.
Through my newspaper comic strip, public speaking, and filmmaking, I try to tell as many people as possible, of all ages and from all walks of life, that we are destroying the ocean at such an alarming rate that we can't wait for a systematic solution. We can't wait for our political leadership to warm up to the idea, and we can't wait for the free market to find alternatives. We must act as individuals, now.
This is the contradiction we have in the media. We love vigilantes: Batman, Tarzan, Green Arrow - the comic books and the TV shows are filled with vigilantes. We love to promote it. Jesus Christ was a vigilante. We admire these people, but we don't want to be associated with them.
I heard of Martin Luther King Jr. when I was 15 years old. I heard of Rosa Parks. And I met Dr. King in 1958 at the age of 18. I met Rosa Parks ... But to pick up a fun comic book - some people used to call them "funny books" - to pick this little book up, it sold for 10 cents, 12 pages or 14 pages? 14 pages I digested. And it inspired me. And I said to myself, "If the people of Montgomery can do this, maybe I can do something. Maybe I can make a contribution."
What crystallized the importance of speaking out like that - of making nonviolence not just a tool or a tactic, but a way of life - was in San Diego [at Comic-Con]. One of the young girls who marched with us was wearing a hijab, and she came up to me afterward because I talked about my beard, and I talked about why I was doing it, and she came up and she gave me a hug, and she was crying. And she said, "Thank you. You have no idea how the other students treat me because they're shown that this is OK by Donald Trump. Thank you for speaking out."
We're [also] trying to talk to a generation who grew up on the Internet. They're digital natives, and, essentially, they speak through sequential storytelling. I mean, a good comic-book panel is not that much different than a meme.
"March" was inspired by "Martin Luther King and the Montgomery Story." I actually first heard about that comic from John Lewis, who told me that it played an important role in the movement. And so once he told me about that, it made me start thinking, "Well, why doesn't John Lewis write his own comic book?".
I went on to write my graduate thesis on the ["Montgomery Story"] comic book itself. It was the first long-form history that was ever written about it. And it's how I found out Martin Luther King actually helped edit "Martin Luther King and the Montgomery Story."
I am a huge comic book fan, and I love everything vintage: cars, movies, music, art, and style - especially the 1950s style.
The comic convention itself tends to come second to the giant announcements in Hall H and the movies and the TV. So I think it's always good to remind people that there is a wonderful comic convention going on.
Going to Comic-Con for me is always hard and weird, so it just makes me feel guilty. There's always a hundre thousand people out there who have copies of things that I've written and they really want signed and they're not going to get them signed.
When I was a kid, I used to be way more nerdy about comic books and comic book characters. I still love them, but I don't collect anymore.
I read graphic novels, here and there, but I'm not a comic book guy, as much.
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