In Brazil we have a comic strip in the newspaper. That one also attracts a different kind of followers.
There are a lot of comic strips in Brazilian newspapers that have been around for 30, almost 40 years. They are very famous in Brazil.
The most important thing as a comic and a creator is to have a robust standpoint.
The most important thing as a comic and a writer is to have a strong point of view. I have one and can recognise it in others which is why I can write for other people and different characters that I perform.
I remember I was in music class, I was a senior in high school, and my music teacher was like, "You should be a stand-up comic, you could imitate anyone.
I'm never quite sure what I'm looking for in a comic book! It just jumps off the page somehow and hits you square between the eyeballs and you know that's the artist for the story.
I'm a comedian. I make comic films and there are certain ideas that occur to me that are comic, with heavy, serious undertones. There are some ideas that are more frivolous to me. The next idea that could occur to me could be comedy about death and famine or something.
One of the ways [racism] pops up is when they turn a comic into a live-action movie and there's this temptation to make Asian characters white.
It is very different. I mean, it was immediately different because it's a human being and it's not a vampire and it's not fighting monsters. This isn't the kind of movie that's got the comic book style of fighting to it. It was a bit more gritty.
The spirit that America has, the American industry creativity it has where anything is possible. Three idealistic Australians bringing in new ideas and being able to make the damn comic books that they've always dreamed about, it's kind of a cool thing.
I'm not really all that familiar with comic book culture. Not because I'm such a high brow intellectual and bloody European. But it's just something that I was never into. Not because of any superiority. I don't know why.
Readers have told me that their children have learned to read after years of struggle after starting to read Garfield's comic strip and many people who have moved to the United States have said that they, too, learned English by reading Garfield.
The world of comic book collecting is not a pretty place. For a bunch of guys who like good-over-evil stories, you sure meet a lot of morally bankrupt assholes.
I was never a kind of superhero fan much growing up, I'm not a kind of comic book kid.
Growing up I never got into comic books at all. I didn't have any inspiration for it.
One way of understanding a graphic novel is that it's an ambitious comic and one way or another my comics have had ambitions. I have no problem with escapism. When I get my depressions all I want to do is escape reality.
I'm not a comic book character. I'm not Indiana Jones or Bond, I'm a flesh and blood guy who is ageing and changing. I don't have to do what I did in '93. I couldn't do it and thank God.
A character like Wonder Woman is so iconic and yet, over the course of her history, there have been lots of subtle changes. We couldn't stray too far from the comic book look, but you do have a certain amount of leeway in terms of how you interpret those elements for animation.
I was not a comic book reader, but my son is. My son wasn't really interested in reading books, which was hard for me because I love to read. It just didn't come naturally to my boy. So we kind of found comic books because they were fascinating to him. They were great stories.
I have to read comic books all first, because now when you get into graphic novels, they are definitely in deep graphic.
I think we were promoting New Moon just as I was finishing The Runaways, and I remember going to Comic-Con with a Minor Threat T-shirt on. I was really happy and excited to be there, but I was so defensive and crazy.
I seem to have been cast several several times to do it. I think in this one, Phoenix is not purely evil. She was in the comic books at some point but the way the writers created her or we always talked about her, was that she was torn with her powers taking over and trying to control them at the same time. It was challenging to play which made it interesting for me to play this character.
I felt slightly snobby about the genre. My pre-conceived notion of the comic book world had been: "Oh, that's nothing that I need to worry about!"
The comic edge of Ghostbusters will always be the same. It's still treating the supernatural with a totally mundane sensibility. In the world of ghostbusting, there are certain givens. You're always going to have some new invented technology, some pseudo-science that sounds right because we drop enough familiar terms from physics and engineering, and pseudo-methodology, something that people will think they may have read something about before.
I seemed to have instinctually a strong idea of how the strip had to be written from the beginning. That changed too, but it was more in the direction of where it was headed. I didn't have a clue as to the drawing style, because the drawing style that I was groomed on from the beginning was newspaper comic strips, which were much more conventional.
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