I am interested in Icons, not just religious works but also contemporary icons. I also like the way the Pop movement of the 60s took subjects from consumer products and people - soup cans, comic books, film stars - and elevated them through art, just like in traditional iconography.
I remember when Langston Hughes used to write a column in black newspapers around this character Jesse B. Semple. He always used that as a voice, sometimes in comic ways, of having everyday people's voice come through this common folk hero, who was an ordinary working guy. He would talk about anything from police brutality to the Korean War. Those kinds of expression and identification are no longer prevalent in our popular culture.
I do think there are always ways to create what seem like insurmountable powers, but then suddenly you find their limitations and that's the nature of comic book storytelling - always has been.
I root for all movies, but I especially root for good comic book movies. It's the best, most interesting genre going right now.
Comedians are always going to be in the showbiz middle class, you're not Brad Pitt; you're never going to be Sam Rockwell or Shia LaBeouf or Leo DiCaprio. You're a comic.
Most importantly, how impressive can I be to people that bought tickets, where they never feel, "It was pretty good." If anyone thinks my show was "pretty good," then I've completely failed. I think every comic should think that.
I'm a comic because I don't want to do the nine-to-five, I have to modify that and say I'm a comic because I have an inability to do a nine-to-five.
I hope I'm beginning a new cycle of energy and creativity. If so, it'll really be my third career. The first was as a straight comic in the Sixties. The second was as a counterculture performer in the Seventies. The third will be...well, that's for others to judge.
I did LSD and peyote in the late Sixties, before I got into cocaine. That was concurrent with my change from a straight comic to the album and counterculture period, and those drugs served their purpose. They helped open me up.
The women who line up at a comic's dressing-room door are not what you'd call your class groupies.
I wasn't a big comic book reader. I always had trouble knowing which box to read next. I was always reading from the wrong box. I was like, this is a comic book that doesn't make any sense! I think I was reading them all out of sequence.
Chris [Farley] - I would consider him a comic animal. With the emphasis on "animal."
Originally, I broke the story [The Gunslinger Born] into eight comic books, but when the editors at Marvel thought we should make it more compact, I managed to cut back to seven.
When you hear "Seinfield," no one says, "the Jewish comic." You talk about Cedric the Entertainer, you don't say, "African American comedian Cedric the Entertainer." Even Margaret Cho - who's like one of three Korean performers out there - no one refers to her like that. They say, "It's Margaret Cho."
For me, the hardest thing was dropping the whole Latino comic title.
The first movie [Grown Ups], people loved it and we felt that there were so many characters and so many good comic situations that there was enough material leftover for us to do a sequel.
I used to be an insult comic, and I didn't end up liking the way that I felt about myself.
There's a version of Tony [from "I Don't Feel at Home in This World Anymore"] that I think could be heightened. Trying to find the balance. A lot of that comes from "Who is he?" I think we've all kind of met that dude. The comic book enthusiast, or someone who gets too excited about things, but his own enthusiasm tends to alienate him. I relate to it because I've seen that guy.
I'm a geek of all general types. I like a little bit of everything, I love comic books, I love pro-wrestling, I love video games.
A comic, all they have to do is, if you do something funny in a comedy club and you put it up on you tube, it might get a million hits! All it needs to do is resonate with one person who sends it to their friends, who sends it to other people, and before you know it, it has spread virally and BOOM! All of a sudden that person has a name.
The world has always been like a comic book world to me! What's happened is that communications got better and better, so now with cell-phones we can be in touch with people half a globe away.
Comic books are just a way to show a story. Then there are the movies, and television and exhibits like this that take the stories and make them seem so realistic. In the comic book, you're just reading a story - hopefully a good, exciting story that whets your appetite for all of this stuff to come.
I think any comic book - or really, any book that you can read - in a sense is an educational tool in that it helps literacy. The more you read, the better you get at it. It almost doesn't matter what you read, the important thing is for young people to become readers.
It is impossible to do a movie exactly the way a comic book is written and drawn, just as it's impossible to do a movie exactly like a novel or exactly like anything else. When you go to different forms of media, you have to adapt.
I could be an alternative comic. I could be that really dark - I was - I was a very dark comic to begin with. I could be that guy, and the only reason I didn't is that I wanted to make money. I wanted to be popular. I wanted to be liked more than I wanted to be admired.
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