I wanted to give up, but my family kept me going.
Drugs became an obsession, like Culture Club had been, like religion later became although I'm through with that now.
It was messed up, because in 1947 my family moved to Seattle and I had to get up at 5:00 o'clock in the morning to catch the ferry back to Bremerton every morning because I was Boys Club president.
Songs like Reach and S Club Party are pop classics. I'm really proud that I had a part in them.
Growing up in the Northwest, I did play in an all-girl band. I snuck into clubs. No one ever questioned or thought twice about it.
I used to go to the school folk club with my songs when I was only 13 or so and say "this is a traditional folk song" and sing it with a bad Irish accent to disguise the real source.
At least here in Stockholm if you go out to any of our 4 metal clubs and talk to ten guys you can be sure nine of them play in a band! The bad thing is there is no underground movement here anymore. Going to a show with local band's ten years ago would mean at least 300 people, now you can be lucky if 50 shows up!
I'd always had an interest in guitar from about seven years old. But I first actually had lessons when I was about fifteen in Scotland, in Edinburgh. There was a folk club there and a girl called Jill Doyle taught me the guitar, who happened to be Davey Graham's sister. Davey Graham is one of my heroes and always has been. Fantastic guitar player. And he's had a strong influence on me all the way through.
I think the Sierra Club is the environmental group that has the best chance of really accomplishing things. It's well known, and it actually gets down to doing the dirty work of protecting the environment.
Ginny's Little Longhorn is my favorite place to play and hang because it's close to old school beer joint music venue as you'll ever find. The Continental Club is also in the top as well.
When I received the invitation to "check out" Fairport I knew absolutely nothing about them, all I knew was that they were beginning to establish themselves as an underground favorite, by playing regularly at the UFO club in Covent Garden. But the crowd I was running with at the time were listening to a completely different genre of music. So I had nothing to go on, there was nothing on vinyl, Fairport's recording days were still ahead of them.
There's a place in Paris where I'd like to work one day. It's called the Slow Club.
Maybe because I have spent too much of my life in rock clubs. I don't really go to parties anymore either. I'll usually be in the bus by 11:30 after a show.
I liked playing in small clubs. I really liked holding the attention of thirty or forty people. I never liked the roar of the big crowd.
There was a loophole in the law that said if I was working, I could be in the clubs as long as I didn't drink alcohol and had someone with me.
For a while I was a completely unknown artist with no fan base and no draw in the clubs. The only people that would give me a shot were the gay clubs. Gay clubs were so open to me coming in and trying things out.
People say what distinguishes us from the animals is that we think. Well, then why the hell don't we extend some compassion to those under tremendous duress? There's this whole idea that you work really hard so you can deaden your soul to the universe and enjoy yourself only in ways the Sierra Club will let you. But what about enjoying yourself by getting into the whole melee of poverty and racism and violence and murder and drug addiction? Get in there, roll up your sleeves, and do something! Nobody does it.
People always have these debates about who their favourite rapper is. And I think it's based upon what mood that particular person is in. If someone's favourite rapper is a lyricist then they're focused on rhymes or substance. If someone's favourite rapper is a party rapper, you know, someone who makes music about the clubs... "Oh, he's my favourite rapper". No, his subject matter is your favourite.
Both my parents were a tremendous influence on me. My father's influence came from - he decided well, probably before we were born that as he put it, 'I'm not going to have any kids who are country club bums.'
When I was in N.W.A. and didn't get paid all the money I was owed, that's when the business side of showbiz hit me. I thought, "Half of this is workin'. I'm famous, but now I need to be famous with some money." That got my brain started at trying to figure out the business end. And once I figured out the business side, I next came to understand that success really comes down to the product, not to me, my personality, or what club I'm seen going into or coming out of. None of that matters.
I was looking for inspiration. I found it in California. The weather was always great, and the majority of San Diego seemed to be youth-and if you weren't 21 and couldn't get into the clubs, you'd go to a coffeehouse and hang out.
I would never have been discovered without the X Factor. I was just doing the working men's clubs and I loved doing that. That was the life for me at that time. I never expected to be noticed doing that, that's why I went for X Factor by myself.
I used to go and do some sitting in with Robert Nighthawk when he were playing at the 708 Club in Chicago. He was a tremendous slideman. I never saw him do anything other than play the slide. I never just saw him just use his hand. He always used a slide. He had a little-bitty drummer we called "Shorty". He was about that high [hand gesture]. And he was his drummer. That's all he had was a slide guitar and a drummer.
My father did not bother that I play not a classical music. He always congratulated me for my development in music, I mean in any music but, he hang on to continue training at the Academy of Music... however, I never mentioned to my teachers that I trained myself at weekends in clubs.
You never see Beyonce stumbling out of a club drunk and on drugs without underwear on - nor do you see Justin Timberlake pashing 5 chicks in a club. You never hear them slagging anyone in the media...They are composed and somewhat mysterious and that fascinates me!
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