You can't go back and edit during the live set in the club. In the studio it's different.
Nobody's cooler than my two girls. They just seem to take whatever comes with, you know - happiness and - steadiness. And they're loving school. They're making friends... and - they've already joined some clubs. And Sasha, you know - I think maybe to endear - myself to her, she - she decided she wanted to join a basketball team. So - what more could I want?
At the age of 50, I did "Celebrity Fit Club" and I had to get on a scale and be weighed in front of everyone. I felt like I was naked and for the first time, there was nowhere to hide. I felt like I could finally be myself. It was really cathartic, and I realized I could share my mistakes. I could tell my story and not be ashamed, and show others with these same problems that they aren't alone.
People have a hard time going to a club and seeing this business tool on stage that's wholly indicative of everything that rock is not. Rock is not about sitting in an office setting up documents, yet they see someone on stage doing that.
Since I was gay and loved disco music, it was kinda pre-programmed that my first experiences with house music and acid - which I first heard in the late 80s, mainly through Düsseldorf's ruling clubs, Relaxx and Ratinger Hof - completely mesmerized me.
Before you get to the strip club, you've got to go through the skating rinks.
A friend of mine that happened to be a DJ at another club actually offered me a job [as a DJ]. I didn't think I could do it but he said, "You know all the music. You are at all the parties, and everybody knows you."
There's a bit less elbow room and latitude to take it somewhere else, at least at festivals. In the club you can do whatever you want but at festivals, especially Ultra, nowadays the crowd wants to hear our songs.
For me, my entry point, when I was old enough, was the skinhead/suedehead thing, sort of like '70/'71. People didn't have much money - they would save up, or whatever - but everyone always dressed up. You'd go to a dance at the football club on a Thursday night and all of us kids - all of us from maybe like 12 to 16 - were all dressed up.
I grew up on North American sports teams as well as English soccer clubs.
I was only interested in music, but I spent so much time in the clubs and seeing fashions change. So naturally, I developed an interest in it.
I guess that's the major difference between '80s-club Madonna and today's Madonna is she can get anyone she wants to show up in the studio for her.
I think some songs are better on vinyl. I would rather listen to it in a club! 80% of this album; put it on in a club and just rage! Play it super loud!
We spent all day travelling, living away from the people you love, not sleep in our own bed ... We are far from our own houses. We live in hotels, clubs. And now that I am a father it is much more difficult.
I don't wanna join the Hair Club For Men or anything.
Ryan [Gosling] has a history with the Mickey Mouse Club. He was a child performer himself. And he took the time to get to know people.
Everyday though, I'm just looking for like- I always ask people, What are you listening to? What sounds are good to you? Alot of people are in their car, in the club or on the internet looking and I just don't do any of that. Usually if I'm out and about it's because I have something to do, because I'm like a really big home body. If I'm at home, im watching Nickelodeon cartoons so sometimes I'm out of the loop with the cool music, but for sure I'm predicting that J.Cole is going to be good.
"Straight Edge" was a song about my life. There was no structure, no premise as if I was forming a club. There were no tenets. I mean I wrote a song called "Straight Edge," I'll take that, but the song was about my life the way I wanted to live it.
My desire at Liverpool was to help get the club playing in the elite because they had been five years without it. We used to talk about it in the dressing room. If Liverpool are not in the Champions League, it is difficult to get the best players to come to the club.
I never told you this but I always thought the club should have recognised you far more when you retired. For the career that you had, one of Liverpool's greatest players, you should have had a much bigger and better send-off in your final match. That's just what I felt.
I found two true stories. One was in 2003. One was the beginning of 2004. I decided to meld them. Richard Davis' story which is the largest portion of this, a lot of the events are exactly as you saw, exactly what happened and the locations. Exactly as it was said with the chicken house and the strip club. Richard's parents were on the set and they'll tell you that the story is different than their son's. I was very concerned because I called them to say, 'You understand I'm fictionalizing this story?
Hip-hop to me right now is really easy listening. It's very easy listening, like there's nothing abrasive about it. There's no album that I put in my car that makes me roll down the windows - all the windows - and ride past the club line three times before I get out the car.
Every single night, there seemed to be the same seven or eight guys - Harry Nilsson, myself, Mickey Dolenz, Bernie Taupin, Keith Moon when he was in town. It was actually sort of a social club - drinking club - for rock stars that drank - seriously drank.
Music was not a big deal to me when I was in middle school. And then I slowly became a big jazz fan. Even more than concerts, a lot of my high school time was spent going to jazz clubs in the city.
I was a gay kid in high school in the late '90s, and I was in theater club. I was never a thespian. I was much more of a lighting guy or a backstage guy. Because I wanted to do something easy for the rest of my life, I thought, "Maybe I'll go and apply to colleges that specialize in theater set design. I'll do that. That's what I want to do". With theater, really, I'd be around the gays.
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