I just try to do the best job that I can, as an actor. Hopefully, that carries through. That's all I can do.
The truly monumental can only come about by means of the most exact and refined relation between parts. Since each thing carries both a meaning of its own and an associated meaning in relation to something else - its essential value is relative. We speak of the mood we experience when looking at a landscape. This mood results from the relation of certain things rather than from their separate actualities. This is because objects do not in themselves possess the total effect they give when interrelated.
In the upshot there is only one answer for the preacher who wonders whether he is worthy to preach the sermon he has composed or for the writer who wonders whether he is worthy to write the religious book he is working on. The answer is: Of course not. To ask yourself: Am I worthy to perform this Christian task? is really the peak of pride and presumption. For the very question carries the implication that we spend most of our time doing things we are worthy to do. We simply do not have that kind of worth.
The Lord spoke to me and said, He is coming as the Ancient of Days and because He is the Ancient of Days there is an ancient key that He carries. And in the carrying of this key you have seen the enemy take his place between you and the promise at this level.
Suppose I try to say the US carries out terror, in fact it's one of the leading terrorist states in the world. You can't say that between commercials. People rightly want to know what do you mean. They've never heard that before. Then you have to explain. You have to give background. That's exactly what's cut out.
The word love carries the same vibration in any language. You probably know this guy, you probably had dinner with him yesterday. The Japanese water crystal guy?
There's a heartbeat in any country that carries on regardless - at least in Europe. That's what worries me about America, because I'm not sure what that heartbeat is - unless it's the heartbeat of someone who's just arrived, who just ran over the border two weeks ago.
Carrie was a terrific piece of work. At the end of the movie comes, when Amy Irving kneels down to put the flowers on Carrie's grave, a hand comes up through the grave and seizes her by the arm. The audience went to the roof, totally to the roof. It was just the most amazing reaction. And I thought, 'We have a monster hit on our hands. Brian De Palma has done something new. He's actually created a shock ending that shocks an audience that was ready for a horror film.' And there were several people who did it after that.
If a woman walks with her head down - she has a lover! If a woman walks with her head proudly up - she has a lover! If a woman carries her head straight - she has a lover! And actually, if a woman has a head, she has a lover!
I demand that the world be good, and lo, it obeys. I proclaim the world good, and facts range themselves to prove my proclamation overwhelmingly true. To what good I open the doors of my being, and jealously shut them against what is bad. Such is the force of this beautiful and willful conviction, it carries itself in the face of all opposition. I am never discouraged by absence of good. I never can be argued into hopelessness. Doubt and mistrust are the mere panic of timid imagination, which the steadfast heart will conquer, and the large mind transcend.
Each of us carries a unique spark of the divine, and each of us is also an inseparable part of the web of life.
Consider a movie: it consists of thousands upon thousands of individual pictures, and each of them makes sense and carries a meaning, yet the meaning of the whole film cannot be seen before its last sequence is shown. However, we cannot understand the whole film without having first understood each of its components, each of the individual pictures. Isn't it the same with life? Doesn't the final meaning of life, too, reveal itself, it at all, only at its end, on the verge of death?
Everyone, deep down within, carries a small cemetery of those he has loved.
Only a newspaper! Quick read, quick lost, Who sums the treasure that it carries hence? Torn, trampled under feet, who counts thy cost, Star-eyed intelligence?
Almost everything worthwhile carries with it some sort of risk, whether it's starting a new business, whether it's leaving home, whether it's getting married, or whether it's flying in space.
I used to think, "I can't go to these meetings because they'll make me believe in God. Make me go to church." I knew it wasn't right for me before I ever tried it. I was suspicious of anything outside my realm of experience. That same kind of attitude carries over into 12-step programs, because they are programs. There's this feeling that you don't need this bullshit, you can quit on your own. People that don't know anything about it seem to have a better idea. They haven't even been.
I think history is only ever invisible when it abets your sense of self, your desires, your ambitions, when it carries your life along in a kind of frictionless way.
Somehow the fact of enormous privilege and freedom carries with it a sense of impotence, which is a strange, but striking, phenomenon. The fact is, we can do just about anything. There is no difficulty, wherever you are, in finding groups that are working hard on things that concern you.
There is Carrie Underwood, of course Miranda Lambert, and Taylor Swift - the three blondes in country music. They inspire me a lot, and just watching them perform and just be superstars is a big inspiration to me and it helps me learn.
The pamphlets going back to London telling of the violent derring-dos of the Bahamian pirates were the ones that brought infamy to the names of Charles Vane and Blackbeard. How much of that is really documented history? It carries a flavor with it, but take all this with a pinch of salt.
The act of language or the act of denying language carries its own heaviness.
I see the carpet reflecting that narratological structure of the storytelling, with Scheherazade as the outside frame story on the outside, with the stories woven on the inside. It's also demonstrative of the infinity of it, with no beginning and no end. The carpet is also a kind of metonym for cinema, this idea that the flat surface carries a terrific depth of imaginative field while remaining totally flat.
Basketball also helps you learn to move your feet by playing defense and guarding guys, and that all carries over to playing football with staying square and having good footwork.
It is very hard to enroll people in anything. And there is a very big difference between the words motivate and inspire. Motivation means we have an idea and we are going to carry through on that idea. We work hard at it, and we are disciplined. A highly motivated person takes an idea, goes out there, and won't let anybody interfere with them. Inspiration is exactly the opposite. If motivation is when you get hold of an idea and carry it through to its conclusion, inspiration is the reverse. An idea gets hold of you and carries you where you are intended to go.
Writing for me is a dragnet that carries everything away with it: expressions and figures of speech, postures, feelings, thoughts, troubles. In short, the lives of others.
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