Cameras Quotes - Page 14

• The visual quality of the cameras now is such that you can shoot with available light, and if people are willing to mount a microphone on the camera and maybe even on the subject, then you're good to go.

  Brian Lindstrom

  Light, People, Quality

  Source: therumpus.net

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• As a teenager, I loved acting, painting, photography, and making films with my friend's Super 8 camera. But I always loved writing the best. I chose writing even before I knew poetry was available to me.

  Denise Duhamel

  Photography, Teenager, Writing

  Source: therumpus.net

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• Once I became a photographer, it stopped me being scared or intimidated by gangs of young men of whatever stripe. Initially, I could hide behind my camera but eventually I came to realize that if I was polite and friendly to them, then they probably would be to me too - a good life lesson.

  Derek Ridgers

  Good Life, Life Lesson, Men

  Source: therumpus.net

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• The camera can move, you can make the shots, blah blah blah, but as long as the actors are good, you have something.

  Julie Delpy

  Moving, Long, Actors

  "Julie Delpy: Male Directors Have Stolen My Ideas". Interview with Emily Zemler, www.elle.com. March 22, 2016.

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• I think a bigger difference with social media is going to be things like the impact Instagram will have for historians. For the longest time, we had no images of the past. And then when we had the advent of the camera, we had a record of the things people chose to photograph, which, for a while, were portraits of your family, a new building we built, or a really big horse. Well now we have images of everything. That will be the biggest difference I think - that we will have a visual record of this reality in a way that will be completely covered.

  Chuck Klosterman

  Horse, Past, Reality

  "Chuck Klosterman: The future will be worse than you think". Interview with Chris Weller, www.businessinsider.com. June 6, 2016.

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• Citizen journalism is rapidly emerging as an invaluable part of delivering the news. With the expansion of the Web and the ever-decreasing size and cost of camera phones and video cameras, the ability to commit acts of journalism is spreading to everyone.

  Arianna Huffington

  Phones, Expansion, Video

  "Katie Couric, Tavis Smiley, Bob Woodward, Nicholas Kristof, and I Hit YouTube with Pointers for Citizen Journalists" by Arianna Huffington, www.huffingtonpost.com. July 30, 2009.

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• I'd have conversations with the camera crew about what was going on in the scene, so that they were prepared to shoot it. I love the fact that when you work, you create this tribe.

  Susan Sarandon

  Facts, Tribes, Scene

  Interview with George Saunders, www.interviewmagazine.com. March 27, 2016.

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• Theater for me is terrifying but much more rewarding, because you know what they're seeing. Film is all little bits and pieces. And you can do an amazing job, but if the camera isn't getting it, it doesn't work. And then other times when you feel you really weren't present, and then you see it and somehow it works. So there's a mystery, there's a strange collaboration that takes place with everybody.

  Susan Sarandon

  Jobs, Littles, Collaboration

  Interview with George Saunders, www.interviewmagazine.com. March 27, 2016.

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• Everything you see comes from inside. People don't see it but inside the dressing room we laugh and joke a lot so it's not just for the cameras. It's the way things are off the pitch too. We are happy for each other, it is all natural.

  Luis Suarez

  People, Laughing, Way

  Source: www.dailymail.co.uk

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• At age 12 I had an obsession with Kubrick's A Clockwork Orange and then proceeded to watch all the other Kubrick films I could including a doc called Stanley Kubrick: A Life in Pictures in which it was revealed to me that he started as a photographer...I got a camera sometime shortly after, but spent many years just photographing flowers in my neighborhood.

  Anton Yelchin

  Flower, Orange, Years

  Source: www.pasunautre.com

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• I usually bring a point and shoot with me so I can go out on the weekends and shoot a bit. I used to bring more cameras, but I'm also an Ebay nut so sometimes I'll order something if I'm really pining for it when I'm on location.

  Anton Yelchin

  Weekend, Order, Nuts

  Source: www.pasunautre.com

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• I made films from the - when I was a little kid, my father bought me a movie camera. I just wanted to. I don't know how. You just learn, you just do it. You just do it.

  Robert Barry

  Father, Kids, Littles

  Source: www.aaa.si.edu

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• When it comes to my skin, I take it seriously. Being on camera and doing what I do, it's very important to start with a good base. So finding products that work really well with your skin are important.

  Shay Mitchell

  Important, Skins, Wells

  "Shay Mitchell Reveals Her Best Clear-Skin Secrets". Interview With Julianne Carell, www.glamour.com. March 24, 2016.

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• It was a scary decision to let cameras into my life, but if I was going to do it, I just wanted to be really honest and kind of introduce myself as an adult. I think the world met me as a young girl, and they still associate me with who I was when I was 13, they still don't understand how over the last eight years what has happened and who I've become.

  Jamie Lynn Spears

  Girl, Thinking, Eight

  "Jamie Lynn Spears Is All Grown Up and Taking the Country Music Scene by Storm". Interview with Popsugar, www.popsugar.com. June 23, 2016.

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• If the person or artist doesn't touch it, and if the camera stays relatively far away from it, it doesn't really have to be real.

  James Pearse Connelly

  Real, Artist, Far Away

  "What goes into designing The Biggest Loser's sets, stages, and chill rooms?". Interview with AVC, tv.avclub.com. June 27, 2016.

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• Stage performance is obviously a much grander sort of depiction. The audience isn't right in your face as close as a camera lens gets.

  Amanda Schull

  Stage Performance, Lenses, Faces

  Source: www.realstylenetwork.com

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• I try and shoot as often as I can, I cross shoot. I have at least two cameras rolling at the same time. So I'll have two actors or two sets of actors at a time so everybody's basically on camera. So when they improvise we have everybody's coverage. And you can then go in the editing room and find the energy still stays there.

  Denis Leary

  Two, Editing, Trying

  "Sex&Drugs&Rock&Roll: Denis Leary on Season 2's Hamilton Parody". Interview with Matt Fowler, www.ign.com. June 29, 2016.

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• I have received the digital camera as a blessing. It has really changed my life as a filmmaker, because I don't use my camera anymore as a camera. I don't feel it as a camera. I feel it as a friend, as something that doesn't make an impression on people, that doesn't make them feel uncomfortable, and that is completely forgotten in my way of approaching life and people and film.

  Abbas Kiarostami

  Blessing, People, Use

  Interview with Sam Adams, www.avclub.com. March 17, 2011.

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• The digital camera has given me total freedom and a different way of filming.

  Abbas Kiarostami

  Different, Way, Digital

  Interview with Sam Adams, www.avclub.com. March 17, 2011.

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• With the RED, I didn't have this impression at all. I felt that it was as heavy as a film camera. Having this great crew, with the DP and his assistants, I found it making as much of an impression as a very big film camera. I didn't relate to it as much. I remember avoiding it during the shooting rather than paying attention to it.

  Abbas Kiarostami

  Attention, Shooting, Red

  Interview with Sam Adams, www.avclub.com. March 17, 2011.

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• I'm still very grateful to digital cameras in general, but I didn't have this feeling with the RED one.

  Abbas Kiarostami

  Grateful, Feelings, Red

  Interview with Sam Adams, www.avclub.com. March 17, 2011.

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• I was mentioning with the digital camera, maybe this new fashion of filmmaking gives a closer look of what life may be like. But it's still nothing but a copy.

  Abbas Kiarostami

  Fashion, Giving, Digital

  Interview with Sam Adams, film.avclub.com. March 17, 2011.

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• When you're the guy behind the camera, you're aware of the reasons for the compromises or the changes that get made. As an actor, you go and do your thing, and someone else down the line then does all the math and goes, "We can't include that thing where he's pretending to be dumb and needling those people, because it takes a minute and a half, and it ruins the next scene. It doesn't make sense." If you're directing, you're the one doing that.

  Casey Affleck

  Math, People, Guy

  Interview with Sam Adams, www.avclub.com. June 17, 2010.

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• It's very true that non-actors feel more comfortable in front of a digital camera, without the lights and the large crowd around them, and we arrive at much more intimate moments with them.

  Abbas Kiarostami

  Light, Intimate Moments, Actors

  Interview with Geoff Andrew, www.theguardian.com. April 28, 2005.

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• I do believe that a film like Ten could never have been made with a 35mm camera. The first part of the film lasts 17 minutes, and by the end of that part, the kid has totally forgotten the camera.

  Abbas Kiarostami

  Believe, Kids, Lasts

  Interview with Geoff Andrew, www.theguardian.com. April 28, 2005.

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