As Bob Dole found out, you can't keep a positive image while being your party's mouthpiece in Congress. That's why no legislative leader since James Madison has ever been elected president.
Bob Dylan was again an entirely new person - this time old, craggy, cynical, and world-weary, as in "Not Dark Yet".
There was a sound like a human yawn, and then the skull turned slightly toward me and asked, "What's up, boss?" "Evil's afoot." "Well, sure," Bob said, "because it refuses to learn the metric system. Otherwise it'd be up to a meter by now.
And don’t worry.” Bob, Carter’s best man and colleague, held up a notebook computer. “I’ve got it handled on this end. And I memorized the vows just in case he needs me to throw him a line.” “You’re a treasure, Bob.” She waited until she was out of earshot to laugh.
If it winds up earlier, you should have a movie picked out. This is assuming she isn’t sending you the ‘let’s go back to my place’ signals. In that case—” “Don’t go there, Bob. Let’s just not go there.
It was wonderful, a stunning happy ending to what began as another tragic rock & roll story, as if Bob Dylan had been arrested in Miami for jacking off in a seedy little XXX theater while stroking the spine of a fat young boy.
The most recent incarnation of [Bob] Dylan has been the traveling journeyman/ charlatan who sings roots music, snarls dark lyrics that make "All Along the Watchtower" sound like a Disney tune, hosts an old-school radio show, and turns up in some unusual places, like ads for Chrysler and Victoria's Secret.
Weirdly, by the way,[Bob] Dylan also managed to write several beautiful love songs, like "To Make You Feel My Love" (covered by Adele, Garth Brooks, Billy Joel, and who knows who else) and "Most of the Time." Go figure.
Producing Bob Dylan was pretty much a spectator sport.
I would love to have everybody in the world love Bob Schneider. That's my goal- hundred per cent world domination!
I think football management has obviously changed and evolved in terms of practices and methods, but I would say the values we strive to hold are the same as great men like Bill Shankly and Bob Paisley.
It suits him because way back many years ago when Nikita Mikhalkov, the great Russian director, came, I said, "I want you to meet somebody." So I get Billy Bob from Malvern, Arkansas and Nikita Mikhalkov from Moscow. It's just two big talents meet. We sat for two or three hours and talked. It was great. He's the real deal, this guy.
When Uncle Bob (or Ted or Ray) promised to send a shooting star over the house to mark a young listener's birthday, the young listener, who had hung out the window for an hour without seeing the star, questioned not Uncle Bob (or Ted or Ray), but his own eyesight.
It's an honor to walk in the footsteps of a legend. As host I intend to honor the tradition of The Bob Hope Classic and have a great time blazing a new path.
That was exciting man, because the killer is a different kind of character. There are a lot of people who wanted to play the role. I'm happy that Sony and CBS took a chance on a new face. I like the idea that he is from a different country. He has a British sensibility. I like that Billy Bob has a darker edge.
[on River Phoenix] I would love to see what kind of choices he would be making now if he was still around, some of the characters that he would have played. I mean, to me he was like a rock star, you know, he had it all: he had the looks, he had a great name, he had an attitude, an energy, an excitement about him. He was instinctively like a, he was a rebel, you know? He was kind of Bob Dylan to me, at times, and he had a lot to say. And I've never seen too many interviews by him, but the ones that I saw were pretty electric, pretty... he was switched on, definitely.
The [Bob] Dylan sessions were very disorganized, to say the least. I mean, the "Like A Rolling Stone" session I was invited by the producer to watch.
I really believe that Bob Dylan and others have speeded up the changes. Pacifism has found a voice at last.
There are no Jerry Garcias coming down the pike, anymore than there is a Jimi Hendrix or Bob Marley. They are all at the same level - the highest level that you strive to get to as a musician. Me and my friends - we'll all be long dead, people will still be trying to dig into what Jerry Garcia did.
Only through sheer ambition did I end up playing on [Bob Dylan sessions] and the fact that I could do that is a testament to how disorganized it really was.
Musically Bob [Dylan] is a primitive. He's not a Gershwin, or somebody that uses eloquent music terms.
Have you ever seen that guy who has the record for fattest man in the world? Bob Hughes, the fattest man in the world... 1400 pounds. Ladies and gentlemen, the man has let himself go.
I watched Ken Burns' Civil War series on PBS. My favorite segment is when Bob Hope entertains the troops at Gettysburg.
I had to be on the set for 'Who Framed Roger Rabbit' because my character was interacting with Bob Hoskins. It's a lot of 'hurry up and wait.' So there I was, at 2 a.m., sitting in a trailer at Griffith Park trying to stay awake. And I said to myself, 'This stinks.' The way I do it is better. I go into the studio about 10 a.m. There's no makeup to worry about. I can wear whatever I want. As soon I get there, I'm good to go. I record my stuff and go home.
I am very much inspired by the great masters of entertainment: Bob Hope, George Burns, Jimmy Durante - who never thought about retiring. When people ask me if I plan to retire, I say, "Retire to what? I am doing what I love best right now!"
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