I am truly honored because I know, obviously, what Bob meant to the Twins. I always told myself, when I put a uniform on for the first time in 1998, that I'm going to give everything I have.
When LOVE played the still hipper Whisky A Go-Go, further west along Sunset, Arthur Lee claims they 'started the whole hippy thing' in tandem with an in-crowd of freaks led by aging beatnik sculptor Vito Paulekas. It was Vito, Carl Franzoni, Sue, Beatle Bob, Bryan Maclean and me...people would come to Ben Frank's to hang out with us after we played shows.
Zig Ziglar may be the master motivator, Mark Victor Hansen and Jack Canfield of Chicken Soup for the Soul, the master story tellers; Anthony Robbins may be the guru of personal development, but Bob Proctor is a master thinker. When it comes to systemizing life, no one can touch him.
[Bob] Dylan began to incorporate things into that scene that were controversial then. He got shouted at in Newport when he played electric guitar, for instance. There was a certain purity that was sought among those people.
I always remember what Bob Dylan said in that [Martin] Scorsese documentary on him. When he was asked about Joan Baez's complaints about the way he treated her when they were together, Dylan laughed and said, "It's impossible to be in love and wise at the same time."
Senator Paul Sarbanes really was a big help to me. He was so well known and so well respected, and he said, "Give her a chance here." And he showed me the ways of power and the corridors of power, [as did] Bob Byrd. [They] helped with [my] committee assignments.
I took photos from 1976 to when I left in 1993, primarily for Interview and a column I had called "Bob Colacello's Out" which Andy had conceived of. I've never taken a picture since, not even with my phone! It just felt too Andy Warhol to keep going around town taking photographs. And I never really thought of doing anything with them after I left the magazine until this great Art Director Sam Shahid about for or five years ago asked where all of the old photos were.
When the music hits, you feel no pain, to quote Bob Marley. But it’s true. It’s like all art and creation: You’re completely in the moment, and you just feel free.
Dad had a music store, and he'd often bring home comedy albums that I would listen to. I started listening to Bob Newhart and Bill Cosby, and developing taste. They really influenced my style of comedy.
You see Michelangelo and Picasso and you read literature. I had some innate inchoate yearning for that, but I never really saw where I would fit in. That's called art. And then something happened to pop music, which is that it became art under the hand of the Beatles, the Stones, and Bob Dylan and some other people.
I'm closer to Bob Newhart than Rodney Dangerfield.
I can't write story-songs, like I couldn't write a Bob Dylan or Tom Waits song. I can only write whatever weird phrases come into my head, and hope that they're good.
I don't listen to hard rock or heavy metal. I suppose I've always been influenced by folk music, I'm a big Bob Dylan fan.
Bob Dylan has a way with words that simply blows me away. When he forgets his lyrics he just makes up new ones on the spot, that is what I called talented!
The only people I ever felt intimidated by in my whole life were Bob Gibson and my Daddy.
The biggest influence? I've had several at different times - but the biggest for me was Bob Dylan, who was a guy that came along when I was twelve or thirteen and just changed all the rules about what it meant to write songs.
This infantile sense of order tended to infect my life at large. Up at 5:30 a.m., coffee, oatmeal, perhaps sausage (homemade), and fresh eggs giving one of the yolks to Lola. Listening to NPR and grieving more recently over the absence of Bob Edwards who was the sound of morning as surely as birds. Reading a paragraph or two of Emerson or Loren Eiseley to raise the level of my thinking. Going out to feed the cattle if it was during our six months of bad weather.
They were playing old Bob Dylan, more than perfect for narrow Village streets close to Christmas and the snow whirling down in big feathery flakes, the kind of winter where you want to be walking down a city street with your arm around a girl like on the old record cover.
I only worked on Men of Honor for three weeks, but I walked away with so much. Because Bob is the kind of actor who gives you the opportunity to really go there. And we really had to go there. I mean, we were both playing drunks.
I never danced a step in my life so naturally. My first motion picture was a musical, and Bob Fosse was the choreographer. I didn't exactly dance for Fosse, I just did the best that I could to do what he taught us to do.
In my time, we served with noble and ethical leaders: Gerry Ford, Bob Michael, John Rhodes, men of impeccable honesty. We didn't have anybody locked up for a violation of ethics.
Iran has agreed to deepen our coordination as we work to locate Robert Levinson, missing from Iran for more than eight years. Even as we rejoice in the safe return of others, we will never forget about Bob. Each and every day our hearts are with the Levinson family, and we will not rest until their family is whole again.
Bob Arum and Don King can do their thing but if I fought for those guys and they put the money up like they are supposed to then I don't have a problem.
And then it was working with Bob Hoskins, who I had never worked with before - except radio. It was like being given a wonderful meal - full of the things you love most.
Bob Ford is a great guy. He's a great friend. He's done a great job at Oakmont and Seminole. He's a very quiet man. He doesn't get in the middle of everything, but he understands what a nice job he's done at both places.
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