But, in the end, even a song that's as politically bland as Blowin in the Wind, you probably wouldn't get up and sing that now, whereas some of Bob Dylan's love songs that were contemporary with that, like say Girl from the North Country, you can still get up an play now.
And I strongly believe people should rescue dogs, or, at the very least, listen to Bob Barker and have your pet spayed or neutered.
When Bob came through Cincinnati, he wanted a girl singer to be on his show. There was a local contest, and my sister and I entered, but Bob said, Gee, I wouldn't break up the team.
I don't care if it's a mystery story, a Western, or the story of Julius Caesar. To me it's the emotion, the lies, the double-cross, whether it's Brutus doing it to Caesar or Bob Stack doing it to Robert Ryan that defines what kind of drama it is.
Listen, the story of the United States is this: One kid, without anything, walks out of his house, down the road, with nothing but a guitar and conquers the world. And we've done that again, and again, and again – Johnny Cash, Hank Williams, Bob Dylan, Bruce Springsteen, Jimmy Rogers, Howlin' Wolf, Muddy Waters.
You look at Sinatra, Tony Bennett, Bob Seger. All they ever wanted to do was go out there and entertain, and I'm the same way.
Bob Sanders wasn't the biggest guy coming out of Erie, Pa., but I don't think anybody would dispute that he was a pretty good player for us.
I would never say that being Bob Marley's son has been a pressure. It has been a door opener.
Not too many people are - were as good as Bob Hope. George Burns was great at thinking, you know, on the spot. Steve Allen was marvelous, and so was George Burns. But Bob may be the king of them all, you know.
He (Bob Gibson) pitches as though he's double-parked.
I've met Bob Dylan's bodyguards, and if Steve Earle thinks he can stand on Bob Dylan's coffee table, he's sadly mistaken.
I have plenty of good friends that I think the world of - and Bob [Dylan] is one of them, and I like his music - but with some others... their music I just don't care too much about all of it. Some of it I like.
Most of the artists were trying to make a living, trying to get laid, trying to figure out who they were. They weren't trying to change the world. That's what other people put on them. I knew all those people. I knew them all, intimately and well. Bob Dylan. I would say that Bob Dylan is as interested in money as any person I've known in my life. That's just the truth.
I would say that Bob Dylan is as interested in money as any person I`ve known in my life. That`s just the truth.
On banks, I make no apology for attacking spivs and gamblers who did more harm to the British economy than Bob Crow could achieve in his wildest Trotskyite fantasies, while paying themselves outrageous bonuses underwritten by the taxpayer. There is much public anger about banks and it is well deserved.
Bob Dylan tells interviewers what he wants to tell them, not what they necessarily want to know. His responses are really part of the art, and often have a relationship to the songs that have just come out or are about to come out.
Funny thing about Bob Dylan, the newest Nobel laureate in literature: He's been a master of self-invention for more than 50 years, creating personae, wearing them like masks, and then discarding them as soon as they grew too familiar.
I suspect many readers might associate [Bob Dylan] with one of the shortest phases of his career, the time from 1963 to '65 when he wrote his most famous "protest songs," like "Blowin' in the Wind" and "The Times They Are a-Changin.'"
Songwriting is like fishing in a stream; you put in your line and hope to catch something. And I don't think anyone downstream from Bob Dylan ever caught anything.
I started with the chorus of that song, kind of like a fun bouncy thing to play, and then one of the lines popped up: 'I got things to do today, people to see, things to say.' I wrote about a dozen verses for it, but no song needs to be that long unless you're Bob Dylan. So when we recorded it I started to tear it down to some of the lines I thought were the funniest.
I don't think I have any right to say I belong to that [Woody Guthrie/Bob Dylan tradition]. I think that's something that eventually maybe you get inducted into. I'm just experimenting.
Bob Dylan, Neil Young, Merle Haggard, Hank Williams. All of them are different styles, but those are the songs that make the times. They're the songs that last through time.
After an initial solo album in which the young [Bob] Dylan was just finding his voice (i.e., reinventing himself from the middle-class Robert Zimmerman into a pseudo-hobo Woody Guthrie), Dylan put out two acoustic albums that forever changed popular music.
They are very tame to me. God bless Noel, I'm sure he'll always have a spot on 'Bob's Full House', but I search for something with more bite and rage.
Folk music had long been political but [Bob] Dylan's poetry took it to a new level.
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