If you dont tour, you cannot expect to sell a huge numbers of your albums either. It was both a business - and an economical decision and we wanted to play anyway. We just wanted to get out for the tour when it was safe enough for us.
They were and still are a groundbreaking band. Even though they haven't released any new music in ages, you can put on the first Black Sabbath album and it still sounds as fresh today as it did 30-odd years ago. And that's because great music has a timeless ability: To me, Sabbath are in the same league as the Beatles or Mozart. They're on the leading edge of something extraordinary.
Nobody considers a covers record an album.
In short, if we adhere to the standard of perfection in all our endeavors, we are left with nothing but mathematics and the White Album.
It was summertime and I was in The Azores, hanging around the small village my parents are from. I was looking out on this very rural setting, on a road going up a hill. There was an old man coming down the hill with a pitchfork on his shoulder. He was wearing gum boots, work pants - and a Coca-Cola T-shirt. I saw that and thought, That's my album!
Elvis Presleys' first album had more energy and more enthusiam than any other album at the time - when it was released it just blew everything else out. It changed the whole landscape of music
Mike Tyson, what can I say about you that hasn’t already been the title of a Richard Pryor album?
We were never a band that did 96 takes of the same thing. I had heard of groups that were into that kind of excess around that time. They'd work on the same track for three or four days and then work on it some more, but that's clearly not the way to record an album. If the track isn't happening and it creates some sort of psychological barrier, even after an hour or two, then you should stop and do something else. Go out: go to the pub, or a restaurant or something. Or play another song.
Everything that came later... the roots are all there in the first album.
Well, Led Zeppelin IV! That's it really. I'll tell you why the album had no title - because we were so fed up with the reactions to the third album, that people couldn't understand why that record wasn't a direct continuation of the second album. And then people said we were a hype and all, which was the furthest thing from what we were. So we just said, `let's put out an album with no title at all!' That way, either people like it or they don't... but we still got bad reviews!
There was no working title for the album. The record-jacket designer said `When I think of the group, I always think of power and force. There's a definite presence there.' That was it. He wanted to call it `Obelisk'. To me, it was more important what was behind the obelisk. The cover is very tongue-in-cheek, to be quite honest. Sort of a joke on 2001. I think it's quite amusing.
My guitar style was developed during that 10-year period. That's me. That's the way I play, and I don't wish to play any other way. Our own individual identities are firmly stamped on this album.
I suggested back in 1980 to do a chronological live album, but there wasn't that much enthusiasm for it.
It's about giving the people what they want. So many people have told me that they've made love to my records so what I've delivered this time is an album about sex. Pretty much every song has that theme. Straight no chasers, it's booty music!
I really wanted to call this album Teenage Wet Dream.
I hope that the next time you go to a concert, the band doesn't play the song you wanna hear! And instead, they just play songs off their new album!
No, every album is something like a snapshot. It only shows one moment in time. It shows what we feel and think right at that point in time, nothing more and nothing less
The only thing I ever really wanted was a Strat .. I started playing guitar after seeing Jimi Hendrix on TV the day he died...then I got Deep Purples' Fireball album which was also a big influence .. I have a collection of more than 200 of them that includes Strats from every year since March 1954 - the first month the Strat was made
We kept moving forward and didn't try to recreate the past .. the approach to each album was radically different every time. Many bands would have some success and, because they were locked into having a single - something we didn't have to worry about - they had to make sure there was something similar on the next album ... that was never the idea with Led Zeppelin .. the goal was to keep that spark of spontaneity at all times.
... Aqualung was a difficult and very tense album to record... while I was playing the solo, Jimmy Page walked into the control room and started waving, I thought, should I wave back and mess up the solo or should I just grin and carry on ? ... I just grinned
Ive done a lot of albums and I kinda know when Im onto something that was inspirational for me to record and create, and this was one of those projects where I really enjoyed making the album.
I made my new album 'Colour Me Free!' in a week with my own money.
It's cool. One of the dudes who I made my album with who I'm a very good friend of for quite a while, I lived on his sofa for a while. And he's a professional guitar player, and he played for One Direction. And so I'd wake up on a sofa sometimes with Harry from One Direction on the other sofa, and I'd kind of be like 'you alright?'
I feel like I introduce another level of my creative ability on every album.
I called the album 'The Chemo' because it seems like the industry and music overall is dying slowly.
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